Not at all - you are missing my point completely. Just saying that the 20th century reaction of "reach for the lawyers" didn't get the record & film companies anywhere once digital copying became commonplace, however much they tried - in fact, it killed those that did that and couldn't adapt.
ps. yes I do - I get paid by the job, but if my work is shown again and again in multiple formats and countries, I don't get paid again. 30 years ago, in a different world, I would have been, but the cost of paying everyone involved residuals each time are such that it simply wouldn't happen - get one showing and that's the end of it. So I'm better off getting paid - very well - just the once, and letting people do what they will with the product and move on to the next job, than demanding a fee for every use of my work - which would kill it, rather than promote its use, and hence my profile and so more work, etc etc etc...
The risk is also transfered from me to my clients (unlike, say, the Getty model) - something could bomb, I still get paid. Conversly, something does well, I still get paid, they make lots of money, they commission me to do more. Everyone is happy.
p.p.s.
Does anyone actually think the £700 punative fee Getty are charging will ever reach the original photographer... they'll just get their standard small amount, the only real winners will, of course, be lawyers... this is just the "artistic rights" version of no-win, no-fee scams...