I was today rereading parts of a book I read some years ago, called
The Use of Historic Lenses in Contemporary Photography by Paul Lipscombe. It contains a great deal of useful and interesting information on older (and some not so old) lenses, plus brief notes that touch on optical aberrations, lens design and so on. If I were to write another chapter, I'd be covering much of the same ground. OK, there are things in this book that I might not touch on, and other things I would add, mainly on lens design, but in general a new chapter from me would be reinventing this wheel. The book (I have a printed copy, obtained from Robert White around publication date in 2011) is available as a download from Lulu at about £10. I can add that the author has updated the work, and the version on Lulu has extra information over the printed copy.
It contains a very useful bibliography of older books on lenses which makes an excellent starting point for those seeking further information. There are (naturally, being me) more titles I would have added, but in all honesty the ones I'd add are probably too specialised for anyone not really into optics and lenses.
I may however, should I return to work on my book, add a fuller annotated bibliography. When I originally wrote it, I was reasonably familiar with books that either were in print, or had been in print in my (reading) lifetime (say from 1960 onwards), but much less so (except as references in other books) with works that are readily available from the Internet Archive. There are some very important seminal works available there which perhaps should be highlighted for anyone sufficiently interested to take a look.
There is one book I will explicitly mention here, as I think very few people would otherwise come across it if looking for works on optics, and that's the book
Advanced Level Physics by Nelkon and Parker. This was (in an earlier edition) the textbook we used on my A level physics course, and my first introduction to some of the delights of optics. Everyman and his dog knows that you can correct chromatic aberration with an achromatic doublet, which requires two lenses with different dispersions to work, but I suspect fewer know that lens separation will also do the job. This book actually covers that, and for that alone deserves a mention. The maths involved is nothing more complex than simple geometry, and as an A level book it isn't as difficult as some other texts might be.