Joining the full frame club

Pixel density is simple yeah. And so is resolution which is basically all the posts boiled down to in the end. But the discussion was kind if 2 sides of the same coin a "certain point of view thing" for the star wars fans....

Ps the poll is up
 
I can honestly say I couldn't agree with you less.

The day I draw a line diagram instead of looking at a photo to decide which is better is the day I'll sell my camera!! :lol:
You are saying "all I need to do is know whats better - and I can do that by looking at the results", and others are saying "I want to know whats better, and I want to know why"

In this instance, looking at the results a great way of doing it. We all agree, lets have a Pimms
 
I never understand why people say this - you may of started the thread, but its not yours. Its a discussion forum, thats what happens, things get discussed and the conversation moves along.



you no longer care you mean ;-)

But threads do have title that the discussion is based on and you should consider relevance really. I'm not annoyed. If that's what has come across I apologise to all I'm just pulling legs.
 
also I don't know how you can use that 1ds mark 1, I tried a friends and the menu system just seemed so complicated!

Compare to the 450D it certainly is a bit archaic but realistically I hardly ever need to stray into the menus. The main PITA is changing the ISO (have to hold two buttons down and twiddle the jog wheel) and the fact that the ISO number is not shown in the VF. Until I got used to the camera I'd find myself forgetting to change the ISO.
 
You are saying "all I need to do is know whats better - and I can do that by looking at the results", and others are saying "I want to know whats better, and I want to know why"

In this instance, looking at the results a great way of doing it. We all agree, lets have a Pimms

true,

but I would be willing to bet the majority of people who care about the science is lower than the majority of people who just want to look at and talk photography (by that i mean the results not the aspects off :-))
 
Compare to the 450D it certainly is a bit archaic but realistically I hardly ever need to stray into the menus. The main PITA is changing the ISO (have to hold two buttons down and twiddle the jog wheel) and the fact that the ISO number is not shown in the VF. Until I got used to the camera I'd find myself forgetting to change the ISO.

yeah thats what i mean, seems like you had t hold different buttons to access different areas of the menu!
 
true,

but I would be willing to bet the majority of people who care about the science is lower than the majority of people who just want to look at and talk photography (by that i mean the results not the aspects off :-))

Indeed just check out the poll
 
Congrats on your purchase. I nearly bought a 5D back when I just had the 7D, so I could have FF and crop covered. In the end though I traded the 7D for a 1D mkIII, which has sort of got me what I wanted. I occasionally get the FF urge, but as I like sports and the 1Ds mkIII is too pricey for me, I'm not changing anytime soon. Although the D700 is tempting... but a lot of hassle to change systems.

Have the prices for the 5D gone up? When I was looking they were going for around £600 on Ebay, wish I had bought one now!
 
true,

but I would be willing to bet the majority of people who care about the science is lower than the majority of people who just want to look at and talk photography (by that i mean the results not the aspects off :-))

Probrably...

However knowing the science in this craft is very useful

e.g. knowing that a material does or doesnt polarise light when it reflects it - meaning using a polariser will or will not allow the reflection to pass is invaluable if you are shooting products that contain a mix of reflective metals, ceramics and plastics

e.g. knowing that DOF is influenced by apeture AND shooting distance AND focal length is also useful, if you are trying to make a set of shots look and feel the same

e.g. knowing that the inverse square law applies to light emmited from a flashgun, and by moving it a long way away (assuming you have the power) will give you comparitivley even lighting levels over a wide area (modifier permitting), compared to the lighting you get nearer to the lightsource... is damm useful if you are shooting a large staggered group

I could go on...

The difference between us all is that some people might twig all of the above examples on experience alone, but they would not know why each of the examples happens. Others will know immediatally why - because they learnt the science part of the craft. This is especially useful, as when confronted with a new situation, they will know what to do, and why they are doing it, based on the very basic scientific premisis that underpin the craft of photography
 
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Probrably...

However knowing the science in this craft is very useful

e.g. knowing that a material does or doesnt polarise light when it reflects it - meaning using a polariser will or will not allow the reflection to pass is invaluable if you are shooting products that contain a mix of reflective metals, ceramics and plastics

e.g. knowing that DOF is influenced by apeture AND shooting distance AND focal length is also useful, if you are trying to make a set of shots look and feel the same

e.g. knowing that the inverse square law applies to light emmited from a flashgun, and by turning your flash up, and moving it a long way away will give you comparitivley even lightinng over a wide area, compared to the lighting you get nearer to the lightsource is damm useful if you are shooting a large staggered group

I could go on...

The difference between us all is that some people might twig all of the above examples on experience alone, but they would not know why each of the examples happens. Others will know immediatally why - because they learnt the science part of the craft. This is especially useful, as when confronted with a new situation, they will know what to do, and why they are doing it, based on the very basic scientific premisis that underpin the craft of photography

theres a big difference between knowing all of the above which I do, and knowing WHY.

I know that a polarizer helps me reduce reflections in water when taking landscapes - do I know why? No, Do I need to? No

Knowing the things to do and knowing why they do them are not the same.
 
theres a big difference between knowing all of the above which I do, and knowing WHY.

I know that a polarizer helps me reduce reflections in water when taking landscapes - do I know why? No, Do I need to? No

Knowing the things to do and knowing why they do them are not the same.

I have to disagree, you may not need to know why things do what they do, but having that knowledge means you can put those things to better use.
 
Probrably...

However knowing the science in this craft is very useful

e.g. knowing that a material does or doesnt polarise light when it reflects it - meaning using a polariser will or will not allow the reflection to pass is invaluable if you are shooting products that contain a mix of reflective metals, ceramics and plastics

e.g. knowing that DOF is influenced by apeture AND shooting distance AND focal length is also useful, if you are trying to make a set of shots look and feel the same

e.g. knowing that the inverse square law applies to light emmited from a flashgun, and by moving it a long way away (assuming you have the power) will give you comparitivley even lighting levels over a wide area (modifier permitting), compared to the lighting you get nearer to the lightsource... is damm useful if you are shooting a large staggered group

I could go on...

The difference between us all is that some people might twig all of the above examples on experience alone, but they would not know why each of the examples happens. Others will know immediatally why - because they learnt the science part of the craft. This is especially useful, as when confronted with a new situation, they will know what to do, and why they are doing it, based on the very basic scientific premisis that underpin the craft of photography

Taking the example we started with then, a new camera comes out with a full fram sensor with 50mp, are you saying that someone without the scientific knowledge couldn't make as informed a decision. I do agree you do need some basic knowledge but I don't think knowing about photons is ever going to improve my photography or give me insight to make decisions. If people find it interesting then that's up to them
 
Taking the example we started with then, a new camera comes out with a full fram sensor with 50mp, are you saying that someone without the scientific knowledge couldn't make as informed a decision. I do agree you do need some basic knowledge but I don't think knowing about photons is ever going to improve my photography or give me insight to make decisions. If people find it interesting then that's up to them

You are saying "all I need to do is know whats better - and I can do that by looking at the results", and others are saying "I want to know whats better, and I want to know why"

In this instance, looking at the results a great way of doing it. We all agree, lets have a Pimms

What I will say is that, if you dont consider ALL of the facts, dont be surprised if you find your investment gives you:

1. vignetting with some of your old lenses
2. An increase in periperal chromatic abbertions
3. No improvement in overall resoloution
4. a complete change in what your 50mm prime gives you on the screen (to the point where you need to go buy another to achieve what you used to on the crop)
5. More (or less) noise
6. A stunning change on the same sized printed images, or no change at all

If I am laying down £1000's of hard earnt ones, I at least want to know that I am getting something a lot better for my money, or I dont then have to lay out £1000's more to upgrade all my lenses to get me back to where I was before
 
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I have to disagree, you may not need to know why things do what they do, but having that knowledge means you can put those things to better use.

You need to know how an item works only in the context of how to use it correctly. Anything more than that does not make the item perform better.
 
You need to know how an item works only in the context of how to use it correctly. Anything more than that does not make the item perform better.

not so. In a given context maybe not, but being able to relate to use in other contexts, understanding why its doing what its doing and make better use of it because of your improved understanding - knowing how things work, big advantage every time.
 
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not so. In a given context maybe not, but being able to relate to use in other contexts, understanding why its doing what its doing and make better use of it because of your improved understanding - knowing how things work, big advantage every time.

The only time that would make any difference is if you were looking to use the item for something other than it's intended use. I agree with you there. it doesn't really apply here though? :thinking:
 
The only time that would make any difference is if you were looking to use the item for something other than it's intended use. I agree with you there. it doesn't really apply here though? :thinking:

think we'll just disagree then - I say knowing how things work is a big plus, you don't think it important. I don't understand your prespective, you don't get mine, too nice a day to go round in circles on it :thumbs:
 
Taking the example we started with then, a new camera comes out with a full fram sensor with 50mp, are you saying that someone without the scientific knowledge couldn't make as informed a decision.
To bring it back to the specifics above (which is where this all started after all) if you are swapping one full frame body for another, you are likely to get more noisy images on the one with the smaller pixels due to the (very well understood) physics involved. Additionally, if you have very good lenses, you might also expect an improvement in resolving power. It wouldn't tell you if the camera produced a better quality (where quality is defined in terms of clarity, nosiness, sharpness) image as that will be dependent on the situation.

If you don't have that knowledge, you would have to wait to try it out for yourself.
 
Probrably...

However knowing the science in this craft is very useful

e.g. knowing that a material does or doesnt polarise light when it reflects it - meaning using a polariser will or will not allow the reflection to pass is invaluable if you are shooting products that contain a mix of reflective metals, ceramics and plastics

e.g. knowing that DOF is influenced by apeture AND shooting distance AND focal length is also useful, if you are trying to make a set of shots look and feel the same

e.g. knowing that the inverse square law applies to light emmited from a flashgun, and by moving it a long way away (assuming you have the power) will give you comparitivley even lighting levels over a wide area (modifier permitting), compared to the lighting you get nearer to the lightsource... is damm useful if you are shooting a large staggered group

I could go on...

The difference between us all is that some people might twig all of the above examples on experience alone, but they would not know why each of the examples happens. Others will know immediatally why - because they learnt the science part of the craft. This is especially useful, as when confronted with a new situation, they will know what to do, and why they are doing it, based on the very basic scientific premisis that underpin the craft of photography

not so. In a given context maybe not, but being able to relate to use in other contexts, understanding why its doing what its doing and make better use of it because of your improved understanding - knowing how things work, big advantage every time.

Take this to nth degree then and your saying you can't use autofocus properly unless you understand completely how it works. You can't turn your camera on properly until you understand how batteries are made and all the processes if power conversion. Over the top I know but that is effectively what is being said. I understand the effect the difference between crop and full frame and what it will do to my lenses, noise etc without needed to go into the rocket science of it all. If it helps others then fine but I think it ends up being pretty arrogant to assume that people that are better able to make these decisions.
 
Take this to nth degree then and your saying you can't use autofocus properly unless you understand completely how it works. You can't turn your camera on properly until you understand how batteries are made and all the processes if power conversion. Over the top I know but that is effectively what is being said. I understand the effect the difference between crop and full frame and what it will do to my lenses, noise etc without needed to go into the rocket science of it all. If it helps others then fine but I think it ends up being pretty arrogant to assume that people that are better able to make these decisions.

no arrogance meant or infered, apologies if it came across that way, but by the same count, implying there is an arrogance about wanting to know why these things happen, instead if just accepting them, and the somewhat daft example in your post you exhibt as much arrogance yourself :thumbs:
 
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Take this to nth degree then and your saying you can't use autofocus properly unless you understand completely how it works.
If you understand how it works, you'll be able to ensure you find the right bit of the subject to focus on... I.e. it'll help you get focus more accurately in more cases than if you didn't understand it. You might also understand it's limitations too, and know how to work around them. Clearly you could get this knowledge from trial and error....
 
To bring it back to the specifics above (which is where this all started after all) if you are swapping one full frame body for another, you are likely to get more noisy images on the one with the smaller pixels due to the (very well understood) physics involved. Additionally, if you have very good lenses, you might also expect an improvement in resolving power. It wouldn't tell you if the camera produced a better quality (where quality is defined in terms of clarity, nosiness, sharpness) image as that will be dependent on the situation.

If you don't have that knowledge, you would have to wait to try it out for yourself.

So understanding the science will make you able to make a better decision on a new camera without looking at real world results and trying it out for yourself? I would rather try it out for myself. Numbers only tell you so much.
 
G'day chaps! :D

The importance of some scientific knowldege, and understanding the why as well as the what, is inescapable if your are to get anywhere in photography. It is a science applied to an art.

When you look at a great photograph, if you are content to simply say that's nice and leave it at that, then fine. But if you look at it and would like to try something similar yourself, then you need to identify the key elements and understand how they were created.

If you don't do this, you are at the mercy of the marketing and sales people whose distortion of the truth and pure ignorance is breathtaking. If you are spending a grand or two on a new camera, it is important to have the right information before you buy.
 
The OP started this thread to share his excitement at getting a new toy - not as a invite to a physic's lesson on how the bloody thing worked.............
 
no arrogance meant or infered, apologies if it came across that way, but by the same count, implying there is an arrogance about wanting to know why these things happen, instead if just accepting them, and the somewhat daft example in your post you exhibt as much arrogance yourself :thumbs:

No arrogance in wanting to know. I myself like knowing about how things work for it's own sake but to state that it is necessary is the thing I have issues with
 
G'day chaps! :D

The importance of some scientific knowldege, and understanding the why as well as the what, is inescapable if your are to get anywhere in photography. It is a science applied to an art.

When you look at a great photograph, if you are content to simply say that's nice and leave it at that, then fine. But if you look at it and would like to try something similar yourself, then you need to identify the key elements and understand how they were created.

If you don't do this, you are at the mercy of the marketing and sales people whose distortion of the truth and pure ignorance is breathtaking. If you are spending a grand or two on a new camera, it is important to have the right information before you buy.

only in terms of composition equipment and depth of field etc - i.e. the parts of photography that does make this knowledge relevant.

Knowing what a photon is is completely irrelevant to this skill - you don't even need to know that a photon is a word!
 
think we'll just disagree then - I say knowing how things work is a big plus, you don't think it important. I don't understand your prespective, you don't get mine, too nice a day to go round in circles on it :thumbs:

I think I do understand your perspective, I did say I agree that knowing technically how something works opens up alternatives for expanded use of an item. Is that what you're saying, or I have I missed it completely? :D

All I'm saying is that it doesn't exactly apply in the terms of reference in this thread. A lot of the things listed are photography basics in my opinion and should be known by the end user if they are using that technique or item of equipment. For example, knowing "technically" exactly how a polarising filter works doesn't improve the use of the item. Knowing what the item is to be used for and the technique required is how you get the best from the item.

I do actually like to know how things work, and I don't think we're poles apart here. Maybe just talking at slightly crossed purposes? :)

You are right though, it IS a lovely day :D
 
I got my 5D (mk1 - 2nd hand) a week ago too, so I'm in the club :)
We have in the house a bit of a collection (as I have said before)
5D
1D Mk 2
50D
20D
10D
400D

EF Lenses to go with are 50/1.8, 85/1.8, 100macro/2.8, 28-70/3.5-4.5 (2nd hand metal mount old zoom), 70-200 F4 IS L, 100-300/f4.5-5.6(2nd hand metal mount old zoom).
Also have a few ef-s lenses (but I'm ignoring them as they dont fit 1.3/FF bodies)

5D images are just wonderful with any old bit of glass and the 'serious' camera, 1D tough old boot and the camera I'd take if I didnt know the shooting conditions, good quality images, good crop factor, robust lump of metal. 50D - nice bit of kit, very high resolution (better than the 2 above) but can look a bit noisy (although someone said looking at 100% images isnt a fair assesment due to the increased picture size the bigger Mp cropper can produce for a given blow-up).

Brief Conclusions in use - 5D produces beautifully textured images with great colour rendition and transition when shooting portraits.
1D - the beast, reliable, dependable, bullet proof.
50D - small compact, built in flash (just a bit un-inspiring - shame really)

For me the contest really only comes down to the 5 and the 1 as you'd expect. Each does a great job and if I had to choose 1 it would be the 1D, if I sold both I could probably get a mk3 and not need both, where's the fun in that. This way I have two cameras each requires a different input from me to give its best, I'm happy with that.

Where does this leave me in context to the 'scientific' arguments above - grateful for knowing the theory, but happy in being able to slap two pictures on the table and ask which one 'feels' the better photo and sometimes its just that - one might have more noise, resolution etc but its al about how the eye perceives the final image and for me the 5D wins it, on another thread someone said it was because the 5D produced pictures with 'soul', a good description.
So go ahead argue/debate the science all you like but it still comes down to what you 'see'

Arent we lucky to be able to have this discussion.

Matt
 
So understanding the science will make you able to make a better decision on a new camera without looking at real world results and trying it out for yourself? I would rather try it out for myself. Numbers only tell you so much.
It will HELP you make the decision. I've just bought a 5Dm2 over a 7D because I want the low light performance of the 5Dm2 over that of the 7D. I understand why it performs better and I also understand why FF is helpful in other aspects for the sorts of shots I want to do (portraits and landscapes). Having the understanding helped me make the decision without having to buy a 7D and then sell it on when it didn't quite match my expectations.

Is that a wrong approach to all this?
 
The only time that would make any difference is if you were looking to use the item for something other than it's intended use. I agree with you there. it doesn't really apply here though? :thinking:

So I shoot weddings with 2 cameras - a crop and a non-crop. I want to buy a prime lens

Do I get the 50mm1.4dx for £300 or the 50mm1.4FX for £100 more?

If I buy the FX, then I can use it on both cameras, on my FF camera it is a classic 50mm, on the crop camera it is as if it is a 85mm lens. That gives me creative opportunities from one prime lens that you wouldnt have had I purchased the DX lens, I would not be able to use it on the Full frame camera, and I would have to shell out more money for another prime lens to lug about. And if I was going to do that, I would have brought the 35mm & the 50mm, or the 50mm and the 85mm, both on aFX mount. by this time, I have gained the flexibility of having 3-4 useful lens combos, but only paid for 2


So I shoot weddings, and I want to have the options of shooting at higher ISO's (specifically) the FF camera offers this,a nd so does the crop, but with no additional increase in resoloution, and costs £1000 more than the crop, but to upgrade all my crop lenses to FF will cost me another £2000. Alternativly I can get the latest crop sensor, a higher resoloution one, with pretty decent ISO performance, and pocket the £3000. Question is - is there anything else about the additional 3K spend that would significantly improve things - it all comes down to weighing up all the component issues and making the cost vs benefits vs convinienece analysis. Knowing how things work, may help you future proof your buying (and selling) decisions, which is why I still have a fabulous 2.8 nikor 35-70D thats a few years old now - it works on my film cameras, works on my crop cameras, and works on the full frame cameras
 
It will HELP you make the decision. I've just bought a 5Dm2 over a 7D because I want the low light performance of the 5Dm2 over that of the 7D. I understand why it performs better and I also understand why FF is helpful in other aspects for the sorts of shots I want to do (portraits and landscapes). Having the understanding helped me make the decision without having to buy a 7D and then sell it on when it didn't quite match my expectations.

Is that a wrong approach to all this?

but I made the same switch for the same reasons without knowing all the details. I knew (because I had read multiple times from multiple sources) that the 5d would be better in low light and the other ff parts that make it better for portraits and landscapes, so we both made the same decision for the same reason - so no, I don't think you knowing all the inns and outs helped
 
So I shoot weddings with 2 cameras - a crop and a non-crop. I want to buy a prime lens

Do I get the 50mm1.4dx for £300 or the 50mm1.4FX for £100 more?

If I buy the FX, then I can use it on both cameras, on my FF camera it is a classic 50mm, on the crop camera it is as if it is a 85mm lens.

This is a perfect example - all you need to know is this. One can be used on both cameras the other can't and one will give a different field of view.

Knowing why you can't use one on the full frame is irrelevant - it doesn't help you make your decision.

It might be of interest to you, but it doesn't help you in any way shape or form.
 
I think I do understand your perspective, I did say I agree that knowing technically how something works opens up alternatives for expanded use of an item. Is that what you're saying, or I have I missed it completely? :D

*snip*

I do actually like to know how things work, and I don't think we're poles apart here. Maybe just talking at slightly crossed purposes? :)

You are right though, it IS a lovely day :D

:) it does sounds like we're saying the same, but maybe at slghtly cross purposes. That was exactly what I'm saying - and I understand completely what you mean, especially having read the last couple of posts in the thread, things are getting bogged down in mindless, and not relevant detail now ;-)

Wish I could get out and enjoy the day though ;-)


Hugh
 
So I shoot weddings with 2 cameras - a crop and a non-crop. I want to buy a prime lens

Do I get the 50mm1.4dx for £300 or the 50mm1.4FX for £100 more?

If I buy the FX, then I can use it on both cameras, on my FF camera it is a classic 50mm, on the crop camera it is as if it is a 85mm lens. That gives me creative opportunities from one prime lens that you wouldnt have had I purchased the DX lens, I would not be able to use it on the Full frame camera, and I would have to shell out more money for another prime lens to lug about. And if I was going to do that, I would have brought the 35mm & the 50mm, or the 50mm and the 85mm, both on aFX mount. by this time, I have gained the flexibility of having 3-4 useful lens combos, but only paid for 2


So I shoot weddings, and I want to have the options of shooting at higher ISO's (specifically) the FF camera offers this,a nd so does the crop, but with no additional increase in resoloution, and costs £1000 more than the crop, but to upgrade all my crop lenses to FF will cost me another £2000. Alternativly I can get the latest crop sensor, a higher resoloution one, with pretty decent ISO performance, and pocket the £3000. Question is - is there anything else about the additional 3K spend that would significantly improve things - it all comes down to weighing up all the component issues and making the cost vs benefits vs convinienece analysis. Knowing how things work, may help you future proof your buying (and selling) decisions, which is why I still have a fabulous 2.8 nikor 35-70D thats a few years old now - it works on my film cameras, works on my crop cameras, and works on the full frame cameras

Scientific\Technical knowledge of exactly how an item functions is not that same as the knowledge of how an item can\should be used. Of course you should know how an item is used and its capabilities in that use. I don't disagree with that at all and it is a key component in any purchasing decision.
 
so no, I don't think you knowing all the inns and outs helped
Please don't presume to know how I make my decisions ;) YOU may not have needed to understand it, but I did - and it helped me in my buying decision.

Anyway this off topic stuff has gone even further off topic than the original off topic... which was that magnification is a meaningless concept and doesn't help describe why images are better or worse from a FF sensor than APS-C ;)
 
G'day chaps! :D

The importance of some scientific knowldege, and understanding the why as well as the what, is inescapable if your are to get anywhere in photography. It is a science applied to an art.

When you look at a great photograph, if you are content to simply say that's nice and leave it at that, then fine. But if you look at it and would like to try something similar yourself, then you need to identify the key elements and understand how they were created.

If you don't do this, you are at the mercy of the marketing and sales people whose distortion of the truth and pure ignorance is breathtaking. If you are spending a grand or two on a new camera, it is important to have the right information before you buy.
Thats exactly where I am coming from. In this instance we are looking at the relitive merits of 2 systems. A science minded (like me) person will never switch off the scientific approach, and will allways look at the figures and make sure things stack out. Most of us then pop our art hat on, and look at the results in terms of photographs too

Equally I see that a number of artistic and non scientific minds only care about the end result, and do things by seeing (we do that too)

There is nothing wrong with that approach... but remember photography is a science based art, and knowing extra science can = extra creativity
 
Of course you have to keep the level of knowledge/understanding in balance with the context. And if you get the results you want and are happy with them, then clearly the balance for you is about right. (It's a rare condition though ;) )

To take a couple of examples given above, if someone came out with a full frame 50mp sensor - which sounds great on the face of it - no, I wouldn't buy it because I know that for what I do it is a complete waste of money and furthermore wouldn't actually deliver on it's promise of better picture quality. I also know why, with the current state of technology, it is impossible for it to do so.

A polarising filter was mentioned above - they darken skies and reduce reflections. Yes, but if that's all you know, you won't understand that sometimes they work very well and sometimes not at all, that 90 degrees to the sun is best and 37 degrees to a reflective surface is optimum, that sometimes you might get patchy skies and sometimes they have zero effect on some reflections. If you don't know those basic facts, and there are plenty more I've not mentioned, then you will not be getting the most from one.
 
Please don't presume to know how I make my decisions ;) YOU may not have needed to understand it, but I did - and it helped me in my buying decision.

Anyway this off topic stuff has gone even further off topic than the original off topic... which was that magnification is a meaningless concept and doesn't help describe why images are better or worse from a FF sensor than APS-C ;)

Back on the off-topic then.

How you can possibly suggest that magnification is a meaningless concept is beyond me. The sensor is bigger, the magnification is changed, and that is what is driving the whole debate and underpins everything.

That is what subsequently dictates field of view and focal length, the size and number of pixels, and everything else that goes with it.

So you are still wrong :D
 
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