See, I'd argue the opposite. With manual you are changing iso, shutter speed and aperture - even when the metering is working for itself it will not always be accurate, which means adjusting accordingly.
For me auto iso + av mode + min shutter speed is the way to go. It just means you have to know your camera's metering system inside out, but that's also the case if you're shooting manual.
Obviously manual works for you which is good, but I wouldn't say it's necessarily easier.
My point being, if I'm shooting in consistent light, say, outside on a cloudy day - or inside shooting someone on stage with a spotlight and dark background. If I'm in manual, I can set and forget. Whereas if I'm in AV - the meter will set different exposures depending on how I compose the shot / the tone of the subject in the frame. Obviously that's pretty easy to account for, but it just creates an extra bit of work - and who likes work?
Are you using the camera's meter? Then it's making a decision on the ISO (exposure). You don't have to agree/use it regardless of what mode it's in.Personally I haven't used Auto ISO for years. It isn't a decision that I trust a camera to make.
To be honest, these days I mainly use a fully manual medium format film system camera that doesn't even have a light meter. I use the Sunny F16 rule, and the ISO will depend on what films that I have loaded in the camera or spare film backs.Are you using the camera's meter? Then it's making a decision on the ISO (exposure). You don't have to agree/use it regardless of what mode it's in.
ISO is the FIRST thing I'll give up.
Here's the thing, SS and Aperture determines what an image *IS.* ISO only contributes certain other less relevant (IMO) factors such as DR, color depth, ISO noise.I can't be alone in this. I'm surprised how many people here are saying that they leave their ISO in Auto.
if a camera will only use auto iso once it has exhausted shutter and iso options then there is no real risk to using it as long as you have carefully selected the shutter speed for it to take effect at
Here's the thing, SS and Aperture determines what an image *IS.* ISO only contributes certain other less relevant (IMO) factors such as DR, color depth, ISO noise.
I would image you're doing the same thing... You envision an image with a certain sharpness, DOF, and qtty of motion. You set the aperture and SS needed for that and THEN balance it with the required ISO.
Certainly, if you have more of either SS or sharpness/DOF than the image requires then you adjust those to get the lowest ISO possible. But then the initial settings weren't "correct" to start with.
Many cameras (Nikons at least) can be set to do this automatically *IF* you know how to set them.
I agree... in fact, using the camera programming to do stuff for you while remaining in control can be harder. If you don't know what your camera is going to do, why it's going to do it, how that will affect the image, and how you can override it; then you're not "in control."However, if they do, without even mastering exposure, then their photography will always have limits, and they miss out.

I'm sure that we agree on more than we differ. Perhaps I fail to see your point because I don't use a recent model of DSLR. I have owned a few older DSLRs (Pentax K110D, and Sony A200), and certainly I would never leave them on Auto ISO. Although I lived 40 years in the Age of Film, I was only ever a snap shooter. Ironically, I cut my exposure teeth on digital bridge and DSLR cameras. I found being able to quickly ascertain results without cost to be a great advantage of digital. Over the past three years though, I've returned to film, but have taken that knowledge of exposure that I gained while capturing on digital. Shooting with a simple one stop box camera makes you more aware of what a camera is doing. Shooting without any range finder makes you more aware of how important it can be to maintain depth of field, for the sake of capturing some sort of focus of the subject. I enjoy the learning curve of photography - it is what makes me enthusiastic.I agree... in fact, using the camera programming to do stuff for you while remaining in control can be harder. If you don't know what your camera is going to do, why it's going to do it, how that will affect the image, and how you can override it; then you're not "in control."
A lot of people advocate learning photography exposure by starting off with a priority mode... I think that's "backwards." While learning full manual first may seem like a lot, it's a "once-and done" deal. It forces you to learn how everything interacts, and once you have that you can use anything.
But using auto ISO does not equate to not knowing how to use ISO manually... nor does it equate to not being "in control." The original question was about using auto ISO, not about understanding ISO.
I think we do. The main difference is probably in what/how we shoot. For the types of things I primarily photograph, and the way I do it (I don't sit in one place for long usually) automation is a blessing. My lighting is constantly changing, sometimes between frames. (i.e. tracking a bird in the sun that flies into shade or switching side-to-side, from front-lit to back-lit).I'm sure that we agree on more than we differ. Perhaps I fail to see your point because I don't use a recent model of DSLR.
Thank you.Love your wild-life Flickr by the way Steven, wonderful stuff mate.
I do. In full manual you want to control the entire exposure triangle. With auto ISO (Nikon's and 1Dx) you're controlling all three simultaneously. Without auto ISO you have to find/push (hold?) a pesky little ISO button, then turn a dial, acknowledge the setting, and then maybe change something else...I have seen a few times recently people saying they shoot in "full manual" with auto ISO![]()
Usually this is possible if you're in one of the other semi automatic modes... in which case you're still giving the camera control of the exposure... you just have a different "priority" of what you would like the camera to control.I wanted to add one thing. I find it very easy to change my ISO on my 5dIII. I can do this without even pulling my face away from the viewfinder or moving my hands positioning. All I do is use my index finger and it's done. Like I mentioned before, there are times when the camera raise the ISO too high and by doing the adjustment myself I'm assured the proper adjustment. Just wanted to mention this. Thanks.
ISO is what I set as I take the camera out of the bag, it's 2nd nature/a luxury having come from film.
But if I shot Nikon, I might very well just use auto, what's not to like.
Usually you want to use the lowest "real ISO" when possible. For most digital cameras ISO 50 isn't an option. On some cameras a lower "real ISO" is achieved by trimming back the operating voltage of the amplifier; in which case there may be a slight decrease in performance or no difference between the two (i.e. 50 vs 100 on your camera).what an interesting thread. Quick ISO related question. I mostly shoot static cars during daylight. I tend to stick to ISO 50 as I believed this would give me the best image quality. I see a lot of recommendations for ISO 100, why is this? I use a Sony A77.
With (most) canon cameras you can't override the meter in Manual, there is no exp compThe only issue with "setting the ISO" is that *IF* you don't want to have to worry about it or change it, then you have to set it higher than might otherwise be required. I wouldn't really call that "a problem" unless you're working on the edge of where ISO becomes problematic for your camera/needs.
Auto ISO while is S/(Tv) works "backwards" with Nikon (just like Canon?)... I never use that mode. I go to manual instead (usually with auto ISO).
There are plenty of times where auto ISO is of no benefit and can even be problematic... These are typically situations where you are not "meter dependent" (i.e. you can have multiple attempts to refine the image). I don't want anyone misconstruing it as if I'm saying you *should* use auto ISO...
Except the 1Dx.With (most) canon cameras you can't override the meter in Manual, there is no exp comp
"usually with auto ISO" would imply that it's not universally great, not even with Nikons. And delineating the discussion as being between Canon/Nikon is probably a disservice... I have no idea how all of the other brands/models handle auto ISO in manual mode. I'm simply stating how I use it with my cameras.It's great for you Nikon users but stop assuming that means it's universally great please.
Usually this is possible if you're in one of the other semi automatic modes... in which case you're still giving the camera control of the exposure... you just have a different "priority" of what you would like the camera to control.
Actually it is possible in any mode. The button is in the same place and access to it never changes regardless of mode.
I'm guessing you're using a Canon? It seems that Canon puts the ISO button in a much better location than Nikon does... I have to assign it to the fn/pre button to make it a one hand operation; or use "easy ISO" (no button required).
It's a pity camera manufacturers don't have a dedicated ISO dial with proper markings and click stops for 100/200/400/1600/3200/6400 etc - I'd probably then set my ISO manually, but most cameras make you faff about holding down a button while twiddling an unmarked dial while squinting at a tiny lcd screen.
Whilst is love a camera with proper dials, come on Canon, catch up!It's a pity camera manufacturers don't have a dedicated ISO dial with proper markings and click stops for 100/200/400/1600/3200/6400 etc - I'd probably then set my ISO manually, but most cameras make you faff about holding down a button while twiddling an unmarked dial while squinting at a tiny lcd screen.
There is nothing hard about setting the ISO. One might even argue that it's easier then the method you describe because you can do all of it while never removing your eye from the view finder . There is no tiny LCD to look at either . The ISO shows up right in the view finder as well. Hints you never have to remove your eye.It's a pity camera manufacturers don't have a dedicated ISO dial with proper markings and click stops for 100/200/400/1600/3200/6400 etc - I'd probably then set my ISO manually, but most cameras make you faff about holding down a button while twiddling an unmarked dial while squinting at a tiny lcd screen.
Whilst is love a camera with proper dials, come on Canon, catch up!
I can change ISO without taking my eye from the vf, which seems fundamental to me as an option.
LOL! No, it happens to everyone... but you can get similar "misses" in A(Av)/S(Tv) and even in Manual...It seems that I'm the only one that has come across the camera picking the wrong ISO while shooting.
while it's handy to have basic shutter/aperture/iso displayed in the viewfinder i would prefer not to have to look through the viewfinder to make these basic adjustments - one reason i always try and avoid "gelded" lenses without an aperture ring!
You're clearly not shooting Canon then, EF lenses don't have aperture rings, nor is there a need for one. When I picked up my first Canon AF camera I thought it was odd, but it's far from it.while it's handy to have basic shutter/aperture/iso displayed in the viewfinder i would prefer not to have to look through the viewfinder to make these basic adjustments - one reason i always try and avoid "gelded" lenses without an aperture ring!