I would love to see the video of the creation of all of those before and afters. Just to see if they were done within minutes of each other or at completely different times of day and to see the immediate out of the camera or whether there was massive amount of editing done or lighting used.
After all with 3 speedlights you can make a dull day in the city look like the golden hour
This seems to be the thing that some photographers do to try to differentiate themselves from ams. they do a before and after however what they don't reveal is whether they have done the before at mid day with nasty overhead light and the after at the golden hour with night soft low sunlight and then layers lots of post processing. This effectively makes the after totally unachievable for people reading / viewing.
Its like saying i was baking a cake on an open fire in the middle of the back woods and i came out rubbish and then someone saying look at mine that they did in a £1,000,000 kitchen with all the gadgets. The conditions are completely different and you would have to have had eons of experience to make the result in the first conditions come out anywhere near the same.
After all with 3 speedlights you can make a dull day in the city look like the golden hour
This seems to be the thing that some photographers do to try to differentiate themselves from ams. they do a before and after however what they don't reveal is whether they have done the before at mid day with nasty overhead light and the after at the golden hour with night soft low sunlight and then layers lots of post processing. This effectively makes the after totally unachievable for people reading / viewing.
Its like saying i was baking a cake on an open fire in the middle of the back woods and i came out rubbish and then someone saying look at mine that they did in a £1,000,000 kitchen with all the gadgets. The conditions are completely different and you would have to have had eons of experience to make the result in the first conditions come out anywhere near the same.
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