If I've got the money - 7d worth it? Also which surf photography lens?

btg202

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I've currently got the 500d and want to sell it to get either the 50d or the 7d, and keeping it for a considerable amount of time, and to go travelling with it.

Is the 7d worth it?

Also looking for a surf photography lens that would be good for travelling as well. Am thinking a 70-200mm 2.8 with an extender, or maybe a sigma.

Cheers
 
As a surf photographer my self i use a 600mm f4 and a 400mm f2.8, anything shorter and your looking at a lot of cropping.
 
I'd have thought the good old 100-400L would be the beastie for that job.
 
surf photography, s osea spray, sand and wind.

Which of the bodies are most weather proof?

7d also has the added benefit of 1080p video for catching action surf vids :)
 
There are fairly strong rumours that the 60d is going to be announced in the next few weeks so it might be worth hanging on for a little while if you can wait.

Although whatever it does I doubt it will be as well sealed as the 7d.
 
7D worth it? If you ahve the money, yes. It is not overhyped. I'm a Nikon guy with a D3 and D300s but the 7D is quite the camera and "worth it" if you want a very capable body in the Canon area without going full frame. Get it.

Lenses? 70-200 isn't going to get you any surfing pics unless you plan on getting in the water. ;-) I would buy it though for everything else.
 
The majority of what I shoot is watersports, and I use a 7D and a 70-200 with a 1.4 converter. It is an excellent body for this use. Good sealing, light, excellent AF and the high resolution sensor leaves lots of scope for cropping. It has all the custom functions you need to set it up for this kind of sports, which the 30/40/50 range lack. The defaults seem to be more focussed at shooing field sports, and do need some adjustment for watersports.

Lens wise I find the 200+1.4 comb is fine. It give a 450 effective length on the 7D. Hand holding anything longer is a bit tricky!

The choice is really down to whether you are going to be on the water shooting or on shore. If you're afloat you need a weather sealed lens that's light and compact enough to handle in a boat, and it's going to be a small boat if you're shooting surf. Anything longer than 450 equivalent is going to be impossible to hold steady in an open boat. In fact, once it gets at all rough I always end up taking the 1.4 off, since I can't track anything at 450mm in a pitching boat anyway.

If you're on the beach you need to go for a bigger lens and a monopod, but you won't have boat motion to contend with so you should be able to use whatever focal length you can afford! The disadvantage of this is unless you have serious £ to spend you aren't going to be able to get the same big aperture and fast shutter speeds.
 
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