Photography is nothing more than the chosen medium for what we do. The minute the photography itself becomes the reason for doing it, you've lost your way in my opinion. Then it's just a hobby.. a craft... a pass-time. That's fine... nothing wrong with that BTW, but it doesn't give anyone the right to dismiss the work of others who create work for a reason, and just use photography as their chosen medium. Yet in here, if you suggest that some work is merely a technical exercise you're accused of being arrogant and an art snob, yet somehow it's fine for them to slag off art based photography.. even to the extent of posting links to artist's websites and shouting about how crap it is.
Seems like it's OK to be horribly dismissive, or even openly cruel and insulting about work.. so long as it's work
somewhere else, by
someone else... nothing to do with TP in other words. If anyone slags off the type of work in HERE... then that's a definite no no.
Stop being hypocrites. People have the right to question the worth of yet another shot of St Michael's mount just as much as others have the right to question the worth of the winner of the Taylor Wessing Prize. however.. question the taylor wessing prize winner, including posting links to the work, and then tearing the artist a new ***hole is perfectly fine... yet if I make a bird on a twig comment.. one that's not even aimed at any specific individual... just aimed at a TYPE of photography , I'm the Antichrist.
I'm sick of hearing this "friendliest forum on the net" crap... this place is full of bigots and closed minded people who just want to circle the wagons and discuss the same things, with like minded people, and anyone who's outside of the wagons gets shot. It is NOT an inclusive, open minded forum, and it's only friendly if you are "my kind of person". If you have an opinion that differs from the expected... then you're a snob, or arrogant, or aggressive, or mean. Well, as Pete said.. "B******s to that". It's a photography forum, and I wish to discuss photography, critically. I wish to seek opinion, and debate matters of photography. I wish to help people improve... by actually being critical of their work instead of patronisingly patting them on the head. I do more to actually help people in here than a great many of the ones who actually go out of their way to object to me.
Quite frankly... unless I'm breaking any forum rules, you're stuck with me.. so just get used to it.
Maybe some people are artistic and maybe some just aren`t. Me for example. Can this be taught or is it already within the person, I don`t know.
Yes.. it can. Yet another opinion I got flack over if I recall.. because I had the temerity to explain that's what I do for a living... teach people to be creative. Apparently that's an over romanticised view of what I do... I'm just a "teacher" apparently. LOL.. so I'll give up on that. I hope you find out what it is you need, but so long as I keep getting slagged off for suggesting I know a thing or two about teaching a creative subject, I'm keeping my mouth shut on that from now on. You won't find it on You Tube or at a camera club though, sorry.
I Think it is all important.
Only thing I was any good at was Art.... O'levels and A' at school. I was a bit disappointed as The A level we had at our school was not just drawing, painting or Sculpture. Most of it was History of Art... I thought of dropping it....
But when I got into it was Great. I do like the classic old masters but we concentrated on 'The Impressionists'
I loved the history of photography when doing my course..... Back then it was HND or City n Guilds 747. We even had to make a Pin hole camera.
I'd have to ask David what the equivalent is now?
Equivalent? Still HND - which is what I recommend for anything who is vocationally motivated and wants to work in a field like yours.
I still get students to make pinhole cameras. I used to actually turn the whole lecture theatre into a camera obscura.. until I was stopped from doing that by health & safety. (sigh). Apparently, if someone needed the loo, they might bang their knee against a chair or something.
This year we are talking to local colleges as we would like to give an Apprenticeship.
A very good idea actually. Solves YOUR problem, and is ideal for those who actually need TRAINING and not education (Yes.. there's a MASSIVE difference).
Arty farty as some call it is great and is needed in teaching at any level but also the commercial World Needs to be pushed in the final year.
It is... but your idea of commercial may not be ours. We concentrate on proposal writing for exhibitions, networking with publishers, agents and galleries. We concentrate on branding and PR. We are geared towards photographers being artists... because it's a Bachelor of ARTS degree

What you need Daryl, are HND graduates, or people with no aspirations to be what a degree prepares them for.
Really... I feel I say this a lot.... but anyone wanting to work strictly commercially (Weddings, School, social portraiture, below the line advertising/Pack shots etc)... get a HND! ANyone who wants to do documentary, editorial, fashion, creative advsertising, fine art (although I hate that description) really shoudl consider a degree.
Having said that, there will be a certain amount of "arty farty" in a HND too.... after all... you need SOME creativity.. you can't just be a camera operator.
Business is about making money.
Art is not necessarily.... hence HND vs. Degree.
Inspiration, Creativity is needed and so is being taught to work to deadlines. The real world bites you in the arse and takes no prisoners.
Agreed. We push this hard. Loads of courses do. The actual modules are 10 weeks long, which is not realistic, but that's because there's so much to teach, not because the students need the time to make the work. However, lazy students will take advantage of this. A good course will also set short one week briefs.
I know David mentioned Fashion many posts back... about good to have a degree. That's what I wanted to do..... Went to good Old Londinium.
You started in studio at the bottom treated like a tea boy..... Learnt as much as you could. Some make it most don't... In this case it was ''Who you know not what you know!''
Still the case. However, you're taken FAR more seriously if you produce good work yourself, know the fashion industry, and are actually interested in fashion. All good photographers are experts in what they photograph. Too many people WANT to be a fashion photographer, but know sod all about fashion, or don't even LIKE fashion... they just want to be a fashion photographer. Well.. tough titties... it doesn't work like that. Yes.. WHO you know is important too... which is why networking and believe it or not... inter-personal skills is something that's part of our curriculum. You of all peopel Daryl will know the importance of networking.
Endless creeping to toadying.... from people brown nosing their way up.
Well.. while there's a lot of that, there is also a lot of that in ANY industry. To be a fashion photographer in London.. you really do have to be part of the "scene" yes. Anyone who thinks it's all about photography only is wrong.
If they are really out there with great ideas and work..... Get an Agent.
Becoming less relevant these days in some areas though. Being savvy with self-publishing is something we push hard now, as it's actually an area being closely watched by industry.... MY kind of industry I should say... perhaps not yours. An agent would still be highly relevant for commercial work, yes.
I praise those who are creative but also praise success, in the end ..... ''It's all about Bucks kid''
That's where we will have to disagree. The older I get, the more I realise this. For me.. it's about art and photography. Money is secondary. The minute it is primary.. I'm just doing a job. That is actually the reason I got into education. That's purely an opinion however.... your mileage may differ

I have all the things I need. Lovely wife. A house... nice things in the house, decent food on the table, nice car etc. Sorted. Basically... all boxes ticked. I don't measure success by money... because I end up treating it as a game... and money becomes the points you score it by. To me success is measured by how many people want to show, display, or publish or even show interest in my work these days. I got fed up or being a photographic prostitute.