angelpaaul
Suspended / Banned
- Messages
- 1,277
- Name
- Paul
- Edit My Images
- No
Just curious but does anyone here use a half frame camera?

www.talkphotography.co.uk

We need a forum emote for "runs off to Google"... Square I could get into - I love my Instamatic, but rolling the film for it is a mahoosive pain.No, as other have said 72 exposures per roll sounds draining. I was briefly tempted (but never put my hand in my pocket) for a Zeiss Tenax. That takes about 50 square exposure on 35mm film.
Some folk on film twitter are using half frame cameras to make broken panoramas (2, 3 or more shots) which can be very interesting. Suggestion is to take a blank frame before and after, so you know where you are.I am not personally worried about the 72 frames, as I'd use the camera, 'conceptually' as a standard 36 exposure one: I'd like to experiment with only taking pairs of thematically related pictures - diptychs, to use a somewhat pompous word.
The thing with all those shots is you can just rattle through them. Take a shot of what you fancy, not sure you got it right, take another with a different composition/aperture/shutter speed etc. Experiment, keep taking, you've no shortage of shots. If you are using a low cost film (Kentmere for example) then you are at around 6p a shot - slightly less taking into account you'll probably get more than 72.I'd certainly like to try one. Although, as others have said, I might struggle with 72 shots. I suppose it depends on the subject matter.
Talking about alternatives to half frame, I've had some success with a Robot Star camera which takes square pictures. But, then again, it is quite a heavy lump of metal compared to the Pen.No, as other have said 72 exposures per roll sounds draining. I was briefly tempted (but never put my hand in my pocket) for a Zeiss Tenax. That takes about 50 square exposure on 35mm film.
I think you are right. They are more cost effective. And, with the number of shots at your disposal it must be liberating. I've gone and talked myself into it now.The thing with all those shots is you can just rattle through them. Take a shot of what you fancy, not sure you got it right, take another with a different composition/aperture/shutter speed etc. Experiment, keep taking, you've no shortage of shots. If you are using a low cost film (Kentmere for example) then you are at around 6p a shot - slightly less taking into account you'll probably get more than 72.
I find that approach quite liberating. Half frame cameras are usually smaller, easy to have to hand etc so can get used more. If I want a bigger and better quality neg I'll use a camera that gives me that.
Of course half frame, like any other format, is not for everybody but if it takes your fancy give it a try
Ooh exciting, let us know what you get.I think you are right. They are more cost effective. And, with the number of shots at your disposal it must be liberating. I've gone and talked myself into it now.![]()
@stevelmx5 of this parish, in his extreme and endless inventiveness, sells a tiny pinhole camera that does 24x24mm frames, and another camera that requires an added lens that does 24x24, 24x48 or 24x72mm, both using 135 film! Both very tempting to me, though I've not bitten either particular bullet yet. Even with the added gizmos you need for the latter camera, I suspect you could buy many of them for the price of a XPAN!Talking about alternatives to half frame, I've had some success with a Robot Star camera which takes square pictures. But, then again, it is quite a heavy lump of metal compared to the Pen.
You have inspired me to dust off my ee3 and take it to Venice in a couple weeks.For many years I used an Olympus EE3, which I bought new in Cambridge, as a sort of notebook/snapshot camera. The results were amazing. I almost exclusively filmed using Kodachrome 200. After the demise of Kodachrome, I sold it, and a spare, and moved on (I was a bit suspicious about the condition of the meter). Then I bought an early Pen, the original manual only camera, and have enjoyed using it every now and then. You have to commit to taking lots of pictures. It seems to work well with 200 ASA colour negative film if you aren't too bothered about grain.
And, as suggested, you can pair your shots to create intentional or unintentional diptychs. The diptychs fit a 35mm frame well.
From the EE3...
View attachment 379397
For the ultimate in liberation due to number of shots at your disposal, a some cameras (Olympus, Nikon etc) had 250 exposure backs available. From memory WYC had such a Nikon 250 exposure back already in situ on a camera, so you just need to keep your eyes open...
"I can resist anything except temptation" - Oscar Wilde,
austerityphoto.co.uk