I think I knew the answer anyway.![]()
and crop the FF to the same view as DX. Which will be best? No doubt about it the crop would be I would say.
Ah, a rhetorical question then......
Need to up my game with the mink now, wood where the hide is, is pretty clear of the verminous greys . No doubt some more will arrive........![]()
No Richard it isn't true at all. I'm not driven by financial constraints in the choice of my kit - it's carefully chosen to give me the best results based on years of experience of shooting mainly birds. I know many birders, quite well heeled enough to afford full frame cameras but they spend the money where it counts - on the lenses.
Take the best full frame sensor and the best crop sensor cameras at any given time, equip them both with the longest telephoto lens available, shooting from the same position and when it come to an extreme range shot, the cropper gets a usable image where the full frame camera doesn't. That's it - couldn't be much simpler. Birds simply don't come at obligingly close ranges to give the advantage to the full frame.
I thought I was agreeing with you Cedderswhen I said "The birders' choice of crop formats over FF is driven mainly by practicality and affordability of super telephotos, ie best compromise."
There is no doubt that when it comes to extremes of reach, croppers allow you to put more pixels over a smaller target. End of story really. It also happens to be more manageable, and cheaper.
Anyway - didn't you buy a full frame body for weddings?![]()
I'm sorry,but I'm just not seeing any logic in this at all, and even on a cursory glance - that's clearly not a 100% crop from an original image of that size.
No it's not a 100% crop from an image that size. The first image, as mentioned, has been resized to meet forum posting rules, and shows how much was captured in the full image. The image below that is indeed a 100% crop of the un-resized original. If you check the exif data, you will see that the date and time of the two images match exactly.
If you are still not convinced, here's a link to the full res image; do your own 100% crop. Just be aware that it's a 12mb image, so could take a while to download.
Full size image
Disadvantages are cost of making the larger sensor and the speed you can shoot with a FF sensor (till the 1dx arrives). If you can live without speed, reach and are willing to pay a bit extra then FF makes a lot of sense.
The gap between the current fastest full frame and the fastest crop camera is only 1fps, there are very few real-world scenarios where that's going to make any difference.
fracster said:If any DX Nikon body handled noise like the FX Nikons, I would swap tomorrow mate.
The big disadvantage of Full Frame for me is the sensor's diminutive size.![]()

d700 8fps and d3 and d3s do 9fpsNot if you use Canon. Think the FF 1ds mkIII is 5fps. I'm not sure what the Nikon cameras can do.
Another disadvantage of FF (in part of the Canon range anyway) is the degree of weatherproofing you get with a 5D (FF) as opposed to a 1D (1.3 crop). Rough conditions? Then I'll use my 1D.
Matt
Not if you use Canon. Think the FF 1ds mkIII is 5fps. I'm not sure what the Nikon cameras can do.
wrongI wasn't limiting my comparison to one brand, the fastest current crop camera is (please correct me if I'm wrong) the 1DIV at 10 fps, the fastest full frame the D3s at 9 fps....
the fastest crop is 12fps the new sony a77wrongthe fastest crop is 12fps the new sony a77
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In my defence I don't pay any attention to Sony![]()

and the fastest full frame will be 12fps or 14fps the 1dx.

wrongthe fastest crop is 12fps the new sony a77
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But that is with some limitations such as having the lens open to f3.5 or its maximum and Jpeg only.
Seriously I can't believe that its taken so long for the 10 fps barrier to be broken with digital, a film Canon EOS 1V is able to do 10fps (with power booster) with AF and that also includes moving the film along. The Canon EOS 1N RS was able to do 10fps as well, but that was with a pellicle mirror.
Get a 1Ds (or a 1D x) then. You can't say weatherproofing is a disadvantage of Canon FF cameras! The design of cameras is different but that is not down to the size of the sensor.
If you need weatherproofing and a FF sensor the option has been there for a number of years ion the 1Ds range.
What about when you are shooting in poor light and need ISO 6400 to get any shutter speed?
Full frame pee`s all over crop in that scenario.
Horses for courses, use both, best of both worlds.


It is not a camera if it is not FF!
Crop sensor bodies should be gobbed in!![]()
What a silly comment :nono:

You possibly do not know the history to this...it involves a distinguished member on here and Nikons...![]()
What a silly comment :nono:




WRT IQ: The advantage of full frame is there as long as you don't crop the image. the moment you crop to 1.6 or below, it's the same (or worse, depending on the sensor). It's not magic, there's nothing about the 36x24 frame that gives the sensor some ephemeral quality. It's simply the fact that it gathers 2.5x the light. If you're having to crop, that advantage disappears. Crop a 5d2 image to 1.6 and compare that crop to a 7d, the 7d will win. Crop a D3 to 1.5 and compare that crop to a D7000, the D7000 wins.
What you should care about is how much better or worse it makes your images, and how much more or less you enjoy using the equipment. The difference between 24x16 and 36x24 is swamped by so many other things in producing an image, I'd get the rest sorted first.
That's true - as far as it goes. But it's only half the story.
If it's just about the amount of light, then you can lower the ISO on a crop sensor by 2.5x and restore equality that way - at least in theory, and at least partially in practise. That should get noise etc back on a par.
What you can't do with a crop sensor is make it physically as big as full frame, which is where the sharpness benefit comes from. Because the image doesn't have to be magnified so much, the lens doesn't have to work so hard to deliver the necessary resolution. Therefore contrast is higher (basic MTF theory) and it's actually image contrast that gives the greatest impression of sharpness rather than sheer detail.
That's why if you compare images from a cropper and full frame, even when they both have a similar number of pixels (eg Canon 7D vs 5D2, or Nikon D300 vs D700) the full frame always wins - easily. And it's the lens doing that, simply by virtue of the higher MTF values at lower magnification.
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