StewartR
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We're all familiar with the notion of focal length "equivalence": the idea that a lens of focal length "X" on camera "A" is "equivalent" (in some sense, usually field of view) to a lens of focal length "Y" on camera "B". Given that different cameras can have differently sized sensors, it's pretty much inevitable that we have to grapple with this concept. If I've used, say, a 300mm lens to take a particular photo, I can't tell you whether you would get the same results without knowing what camera you have; and then I might say that the "equivalent" lens for you (i.e. the one that frames the subject the same way) would be, say, 500mm.
As I said, the concept is inevitable. But the way we talk about it isn't, and that's where my proposal comes in.
There is definitely a powerful (but probably unthinking) tendency to define the 35mm sensor with a 3:2 aspect ratio as "normal", and to express everything in terms of this. "Oh, so your Micro 4/3rds lens is 25mm? Well, that's equivalent to 50mm." "200mm on a Nikon DX camera is equivalent to 300mm." And so on.
To my mind this unconscious bias is unhelpful. It perpetuates the myth that "full frame" camera are "normal", and therefore that "cropped sensor" cameras (and, by extension, people using such cameras) are "inferior". It creates and feeds this pointless and expensive process whereby so many people feel they need to "upgrade" to full frame, regardless of the fact that for the majority of them it won't have any practical impact on their photography. And it is clearly not the case that full frame cameras are "normal". For example here's a chart from Thom Hogan [1], showing Nikon worldwide sales from 2007 to 2015. You could pick data from different manufacturers and/or different years, if you like, but you know even before you do it that the results will be broadly similar. The full frame "standard" is anything but "standard".

So I propose that we adopt a different language for talking about focal length equivalence.
The first proper photograph taken with a camera is widely held to be "View from the Window at Le Gras", created by Nicéphore Niépce in 1826 or 1827 [2]. It was made on a "sensor" - actually a pewter plate coasted with bitumen - which measured 20.2 cm x 16.2 cm. It makes obvious sense to me to honour Niépce by adopting this as the "standard" to which other camera systems are compared. This has the clear advantage that no current camera systems use this size, so no current systems would be "normal" - instead, it would reflect the simple reality that cameras come in different sizes and no size is intrinsically superior to any other.
It would need a bit of adjustment in terms of the kinds of numbers we're used to using, but that's OK. The diagonal measurement of Niépce's "sensor" was 259mm so that gives us, for example:
Then we'd need to start thinking about lenses properly in terms of their "equivalent" focal length. There are so many different types of lenses, and we all have our favourites, so I don't think it would be helpful to give too many worked examples. But things would be rather different - for example we'd want to start thinking of an 18-55mm "kit" lens as being "equivalent" to roughly 160mm to 500mm in Niépce standard terms. That does feel a bit weird to us, but it wouldn't to Niépce. However, overall the numbers work out quite nicely:
I think it's time. What do you think?
[1] http://www.dslrbodies.com/newsviews/how-do-fx-and-dx-sales.html
[2] https://en.wikipedia.org/wiki/View_from_the_Window_at_Le_Gras
As I said, the concept is inevitable. But the way we talk about it isn't, and that's where my proposal comes in.
There is definitely a powerful (but probably unthinking) tendency to define the 35mm sensor with a 3:2 aspect ratio as "normal", and to express everything in terms of this. "Oh, so your Micro 4/3rds lens is 25mm? Well, that's equivalent to 50mm." "200mm on a Nikon DX camera is equivalent to 300mm." And so on.
To my mind this unconscious bias is unhelpful. It perpetuates the myth that "full frame" camera are "normal", and therefore that "cropped sensor" cameras (and, by extension, people using such cameras) are "inferior". It creates and feeds this pointless and expensive process whereby so many people feel they need to "upgrade" to full frame, regardless of the fact that for the majority of them it won't have any practical impact on their photography. And it is clearly not the case that full frame cameras are "normal". For example here's a chart from Thom Hogan [1], showing Nikon worldwide sales from 2007 to 2015. You could pick data from different manufacturers and/or different years, if you like, but you know even before you do it that the results will be broadly similar. The full frame "standard" is anything but "standard".

So I propose that we adopt a different language for talking about focal length equivalence.
The first proper photograph taken with a camera is widely held to be "View from the Window at Le Gras", created by Nicéphore Niépce in 1826 or 1827 [2]. It was made on a "sensor" - actually a pewter plate coasted with bitumen - which measured 20.2 cm x 16.2 cm. It makes obvious sense to me to honour Niépce by adopting this as the "standard" to which other camera systems are compared. This has the clear advantage that no current camera systems use this size, so no current systems would be "normal" - instead, it would reflect the simple reality that cameras come in different sizes and no size is intrinsically superior to any other.
It would need a bit of adjustment in terms of the kinds of numbers we're used to using, but that's OK. The diagonal measurement of Niépce's "sensor" was 259mm so that gives us, for example:
- A Micro 4/3rds camera with a sensor measuring 17.3mm x 13mm has a crop factor of 12.
- A Nikon DX camera with a sensor measuring 24mm x 16mm has a crop factor of 9.
- A "full frame" camera with a sensor measuring 36mm x 24mm has a crop factor of 6.
- A Fuji GFX camera with a sensor measuring 43.8mm x 32.9mm has a crop factor of 4.5.
- A Phase One camera with a sensor measuring 53.7mm x 40.4mm has a crop factor of 4.
Then we'd need to start thinking about lenses properly in terms of their "equivalent" focal length. There are so many different types of lenses, and we all have our favourites, so I don't think it would be helpful to give too many worked examples. But things would be rather different - for example we'd want to start thinking of an 18-55mm "kit" lens as being "equivalent" to roughly 160mm to 500mm in Niépce standard terms. That does feel a bit weird to us, but it wouldn't to Niépce. However, overall the numbers work out quite nicely:
- 100mm "equivalent" focal length is ultra-wide
- 200mm "equivalent" focal length is wide
- 300mm "equivalent" focal length is normal
- 400mm to 600mm "equivalent" focal length is a short telephoto
- 700mm to 1000mm "equivalent" focal length is a telephoto
- anything longer is a super-telephoto
I think it's time. What do you think?
[1] http://www.dslrbodies.com/newsviews/how-do-fx-and-dx-sales.html
[2] https://en.wikipedia.org/wiki/View_from_the_Window_at_Le_Gras
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