Wow, did I ever stir up the dust that time. Sorry.
Charley
No big deal, all part of a learning curve.
Nitpicking, but their products were marketed under a different but similar name, which has escaped me for now. I know because I had 2 of their very expensive creations, one of 5000j and the other was 2400j
When the 5000j one was fired at full power the very heavy cable that ran from the generator pack to the flash head literally jumped in the air, never felt very safe . . .
Strangely, Strobe studio flash equipment said "Made in England By Strobe Equipment Ltd". I met someone in Stourbridge in the late 1980s who was looking at taking over, or at least offering servicing & repairs.
They had UK competitors, Langham Photographic Instruments Ltd, and then Courtney. A friend had Courtney flash packs in his commercial/advertising studio, I'd guess he'd bought them secondhand, Like the Strobes you had to be very careful using them, watch the switching, cabling, etc. He didn't like them, capacitors sometimes needed changing, he felt they were unsafe. He switched to far more reliable Bowens packs and heads.
By the time Strobe went to smaller portable flash packs, the market had been lost to Bowens and then an even more dominant Elinchrom.
But back to the OP's flashguns, there are so many variations, When I started all were manual, then the Auto, my best was a Braun, I could set its Auto power output, amazingly good for fill in flash. On a model shoot, the model knocked my new DSLR with it attached off a table with the flash in the Hot-she. The camera was unscathed, the flash destroyed
I still use a Metz hammer head flash, with its separate battery pack, although I quickly replaced the lead-acid battery in the 70s, and have a few more modern Metz hammer head flash guns.
Modern flash guns are overly complex, and there are no idiots guides . . . . . . . .
But hey who cares, for £20 I bought a mint Canon Speedlite 550EX, go to Camera Fairs
Ian