Do I need a 400mm f2.8!

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AKLPhoto

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Alan
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Hi Guys,
This is my first post here, thanks for having me!
I'm really into sports of all shapes and sizes, currently Im only shooting at small events/local games etc
I would really like to have a go at shooting some bigger venues but have no idea about access, etiquette etc plus Im just not sure I could get away with my current setup.

My current setup is:
D500 with Tamron 150-600mm G2
D850 with Tamron 70-200mm G2

Do I need to spend big or could I get away with what Ive got without getting laughed at LOL
 
Everybody needs a 400 2.8.

But until then, shoot with what you got. Learn how to use it. When its limitations become an obstacle, plan your next move.

Shoot wherever they'll let you. Better players make better shots. No one will laugh at you.
 
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Are you shooting for anybody? When you ask for access, they'll want to know why. Have a reason ready.

Learn the etiquette fast. When there are other photographers around, watch what they're doing. When you screw up, somebody will tell you. Remember who that is. When you have questions, that's who to ask.
 
Ultimately, if your shooting sports in poor light (eg late afternoon / evening) that benefit from being able to freeze the action, then unless you can get away with a uncomfortably high ISO, then a faster lens will benefit. Hit rate will improve in terms of focus accuracy and shots that can't be used due to motion blur will be reduced.

A sharp shop can be cropped. A blurred or OOF focus can't be rescued.

Whilst 400 f2.8's are expensive, 300 f2.8's are a bit less, and a x1.4/x.1.5 teleconverter can be useful. Like everyone you have to start from the bottom and work your way up. Put the leg work in, earn money and gradually that 300mm or 400mm becomes a bit closer.
 
Many established photographers have time for the newcomers if they can see that the newcomer is applying themselves properly - paying attention, asking questions where necessary, giving other photogs and officials the space they need when they need it, politeness etc., Even simple things like knowing the names and faces of the local club photographer or local paper photographer is useful.

You gain access to the bigger events by starting at the lower events and building up relationships with publishers and teams.
 
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Thanks Andrew, starting is always the hardest part i think, and just having the confidence to ask the right questions etc.
Thanks for all the good advice.
 
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