Denyerec
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- Denyer
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Actually on-topic, careful when discussing "Digital" generically. All digital cameras behave differently, the Fuji S5 for example trying very hard to emulate film (And doing quite a good job compared to everyone else, IMO).
Also, in a film v digital debate, you have to be competing on some metric for the comparison to be, well, a comparison.
In the technical, digital has surpassed film in every metric I believe. Resolution, colour accuracy etc. Artistically? Well you can't put metrics on art, so the comparison becomes impossible. Talk of highlight shoulders, non-linearity, colour saturation, dynamic range... all of those issues can be handled with existing digital technologies (EG Fuji S5), but they are seldom brought together in one place at once. I am inwardly amused at how the digital market chases "Accurate colour" when Ektar, Velvia etc have been making a business out of "Pleasing". Sure, we now have Lightroom/Aperture, but I've yet to see anyone do a thoroughly convincing job of emulating emulsion. (Of course, that then sparks the whole 'should we imitate film, or evolve' discussion, but when you think about the human response to Kodakchrome and the response to a D300 OOC JPG, it's really a no brainer...)
Also, in a film v digital debate, you have to be competing on some metric for the comparison to be, well, a comparison.
In the technical, digital has surpassed film in every metric I believe. Resolution, colour accuracy etc. Artistically? Well you can't put metrics on art, so the comparison becomes impossible. Talk of highlight shoulders, non-linearity, colour saturation, dynamic range... all of those issues can be handled with existing digital technologies (EG Fuji S5), but they are seldom brought together in one place at once. I am inwardly amused at how the digital market chases "Accurate colour" when Ektar, Velvia etc have been making a business out of "Pleasing". Sure, we now have Lightroom/Aperture, but I've yet to see anyone do a thoroughly convincing job of emulating emulsion. (Of course, that then sparks the whole 'should we imitate film, or evolve' discussion, but when you think about the human response to Kodakchrome and the response to a D300 OOC JPG, it's really a no brainer...)