gman
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- Graham
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Only the FL ED version. Don't consider anything other than the last F mount version of that lens.
They're still quite dear but ideal for them. Really viceless lens and very little between it and the latest greatest mirrorless S version. It's a very similar optically formula and easily the best 70-200 2.8 lens for a SLR camera. I've seen samples from the Canon one and it s***'s all over it.
None of the Nikkor made 24-70's are really upto the job btw and some of the longer short/medium zooms are just beastly piles of plastic crap.
I'd think prime for the shorter FLs. I quite liked the 20 1.8 Nikkor on my D810, not so much on the 850. Sigma 24,28, 35, 40 and 50 ARTs all fine. Over the years I've had them all. the 35 is the weakest, then the 24, the 40 is the best, then the 28 and 50 is a nice lens. The pixel denisty of a D810 is more than a 50mp MF digital, so the lenses have to be pretty tip top. It's a bigger worry on the D850 again.
On the theme of MF digital, I would be very confident using the 100-200 on the 50mp, and probably the 45-100. The 32-64 didn't impress me, and I suspect the 20-35 will be ok. On the 100mp it is a very high-density sensor, more than a D850 so I'd really have to try the zooms on a trial basis before committing, as I suspect the primes probably will be needed to really resolve 100mp worth. It's a problem I will revisit in a few years.
Thanks for that, lots to think about. That 70-200mm is probably more than I want to spend on a stop gap, but I need to weigh up if going for something of lesser quality would be false economy. This is just home use though.




















