Richard Gill
Suspended / Banned
- Messages
- 261
- Name
- Richard
- Edit My Images
- Yes
Strong - I like your thinking! Nicely composed image.
Texture - technically can't fault it.
Texture - technically can't fault it.



Graham,I know you appreciate a bit of honesty Peter... And again I applaud the technical and compositional "perfection" of the image, (that bullrush is exactly on a third isn't it?).
I much preferred the more daring composition of your sausage dinner a few weeks back, or the real world unseeable view of your two b&w long exposures.
Now I know the "correct" composition is that for a reason but... (and I'm noticing the same in my set-up shots) over use becomes obvious and therefore less striking.
Not sure if I'm questioning myself more than you here... But I wonder if a less perfect, but more "real", or emotional image would carry more of a wow factor. If I may cite an example.... It would be your Sarah's shot of her father a few weeks back.
As said, this may well be an outlet for my own thoughts on myself rather than a direct critique of your work. And obviously the themes themselves as well as other factors such as time and other responsibilities dictate where our shots end up.
Cheers.
Thanks CraigStrong - great detail and composition works for me
Texture - agree with the above a nice image but could do with a bit closer
Thanks MarkStrong - Very good detail in the string fibres, nice compositionally as well
Texture - Nice detail in the rush, good blurring of the background.
Thanks for the feedback LynneHI Peter
Strong....inspired title & different take on the theme which works compositionally & technically.....top job
Texture.....yup , good as good can be in technical terms....can't help wondering if a bolder portrait crop might work as well ?
Thanks Dean. Mmmmm Fluffy clouds? Maybe a bit of extra PP required?Hey Peter
Strong - Now that is a strong image, love your imagination, super fine detail, bang on corner to corner crop/lining up, great background to boot - Perfect
Texture - Real nice image again, love the negative space to the left, real nice detail, the evening sun seems to be the perfect light for the bulrush, my only crit - where are the white fluffy clouds![]()
Northern Marsh Orchid (Dactylorhiza Purpurella) by Delta Skies, on FlickrGraham,
I really appreciate this. For me this has been one of the strongest crits in the 52 threads I've seen this year. Not only have you shown some honesty and a willingness to be open but you've provided an insight into your view of photography and the need to operate at times outside the rules we too often adhere to.
More importantly you have not just challenged me but also yourself. I not saying I will easily be able to take heed but it is certainly something I've thought about since reading this the other day. I'd already taken my wild image (I'll post it in a few minutes) as it was taken on the same trip out as the bulrush - in fact it was only a few metres away - so there won't be an immediate change but maybe your words are why I've stalled on producing an image for dream/dreamy. That's not a negative comment - quite the opposite. What can I do that's different? I may have to resort to type to keep up with the weeks but I may well come up with a start of something
Again many thanks for making me stop and think.
Cheers
Peter
Thanks Graham. I did feel it needed the two leaves left in. OK it gave it a little off centre feel but I think it adds a little more of what the plant is aboutThankyou Peter, for taking that in a constructive way. You're right in that I was challenging myself as well as you.
The main reason that I have "gone round again" is to, quite simply, get photographs I want to look at again, and keep. A few weeks go by where they tick a box, but no more than that and frustration and resentment of the challenge begin to creep in.
Don't change what you do, certainly not for me! But nothing wrong with stopping and thinking once in a while.
Where does that leave us with the Marsh Orchid, I really like the central, vertical composition, balanced by the two curvy leaves on the right, easy to say the right one of the two should have been plucked, or cloned out, but I like it, un-centering the balance of the composition.
Colour, sharpness, detail, all go without needing to be said.![]()
Thanks MandyWild - beautiful image, nicely blurred background zero crit from me as I love it.
Thanks Paul. Maybe it's those leaves that do that?Really nice shot of a lovely flower. Only tiny thing for me is it's a tad too central, horizontally. I might have had it very slightly to the left?
Thanks Andy. I'm a bit worried about the "bile" sky thoughTexture world well. Good detail and nice bile sky. Wonder what a lower composition would looks like, ie removing the sky.
Wild, good colours and detail. I like to prune, as in bend distractions out of the way, but I'm glad you left the two lower right leaves (?) in.
Cheers.

Thanks for the kind words LynneHi Peter
Beautiful use of DOF ,lovely light , like the central comp & the 2 stray leaves.....the purple really pops off the screen![]()
Hi Peter
Beautiful use of DOF ,lovely light , like the central comp & the 2 stray leaves.....the purple really pops off the screen![]()
Thanks JudiHi Peter,
Lovely Marsh Orchid, good dof and lit well, it only might be better with a bit off the left side![]()
Cheers MarkYep, got to agree.
Thanks SusieHi Peter , wild is a really super image, lovely sharp detail in the flower even when zoomed in in really close. Background is perfect ...very nice indeed.
Thanks for the comments AllanHi Peter, nice and sharp, good colour, Bg is excellent and I like the two leaves bottom right
central composition works for me![]()
Thanks CraigWild - excellent colours and detail in there Peter and the back ground suits it well
Dreamscape by Delta Skies, on Flickr

Many thanks for the kind words Graham. It certainly was an interesting exercise in bringing it all together - both in thought process and execution. It's funny a couple of the things you mention, the light glow and the crescent (the golf ball was there but I thought creating a crescent improved it) weren't in my original plans and were only added quite late in the processBrilliant peter, as dreamy as a dreamscape can be.
I struggle to see how this can be seen as a Marmite shot though. I foresee you having a very sore back from all the pats coming.
I love it and really appreciate how much effort goes into creating something like this, even more so when you have to learn the required techniques as well as doing the work too. Much respect from me,
Love the base photo and the additions of the tree in the bowl with the fantastically over scaled lamppost work brilliantly. The light glow from the lamp really brings it into the photo, rather than simply being an added item.
Top work, in more ways than one.
Edit... And loving the crescent golf ball moon.![]()
Thanks Judi. For me the original wasn't strong enough to do anything with unless something drastic like this came along.Hi Peter,
I like the original image very much, the one you have created? a real fun image that you have put a lot of work into, it does have a dreamy effect. well done![]()
Thanks Lynne. It won't gel for everyone - as I said I think it might be a marmite shot because it doesn't convey reality. The reeds (and swan) are part of the original shot that started all this so would be difficult to change but appreciate the comments.Hi Peter
hell's bells.......from a pp stance that's very impressive ,everything blended perfectly , excellent use of layers......would love to be able to create something that good...1st thought was DALI , one of my favourite artists
However.....it doesn't quite gel for me but I can't quite pinpoint why ? I think it's the reeds but don't know what you could replace them with![]()

Thanks SimonI don't know how you do it, but it's brilliant.
Certainly looks like a dream.
Thanks David
Many thanks PaulI love the idea and think you've done an amazing job with all of the PP aspects. It's brilliant.
Could it be improved? Sure, but I'm sure as certain that I couldn't do it... and if you're still learning a lot of these effects then you need some room for improvementSuperb.
If you think this is genuinely out of your comfort zone, then I'd respectfully suggest your comfort zone might actually be wider than you think! Really good job and you clearly have the PP skills to go with your photography ones.
I'm not sure about your "chests" remark![]()
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Much kudos, Peter must have taken a long time. I've had PSD files over 1GB
Really, well composed, obviously dreamy and as said Dali did spring to mind.
Crit, well after such a submission it ain't easy. For me, a little more work on the blending. Can't really articulate, but maybe, slightly softer blending.
The moon really made me smile.
Good show.
Chests.
....... don't think it needs the swan.........
....possibly something that you wouldn't expect to see swimming in the lake to keep with the dream feeling 
Love it wonderful use off pp skills and very fitting for the theme.
Thanks Phil. But the swan was really thereDefinitely only in a dream Peterwell done on the pp, I wouldn't know where to start. I like the idea and think it all works well together
.....
....... don't think it needs the swan.........
....possibly something that you wouldn't expect to see swimming in the lake to keep with the dream feeling
![]()
Thanks MandyDream -Love it wonderful use off pp skills and very fitting for the theme.
Many thanks for the catchup of critiques Alan. Useful feedback regarding the tennis ball and horizon comments on the dream shot. I enjoyed pulling this together and may well try something similar in the future so all feedback is gratefully received.Hi Peter
Strong - simple and decent comp - like the muted tones and the detail in the elements - b/g tile works really well.
Texture - again a simple idea which comes across well. Good blurred b/g and I do like the rush on the thirdthe 'rule' still has its usefulness!
Wild - central comp works well for this flower. Focus, detail and colour all good
Dream- I do like the thinking behind this and your hard work on the PC has paid off. I find it humorous and interesting throughout. i like the contrast between the natural - the horizon, sky, rushes and swan - and the supernatural - the boat, lampost and tree - and the way that you have managed to assemble them. The glow around the lamp is excellent and the golf ball moon is inspired. My two points of crit would be that the red ball top left seems superfluous and not at the same level of expertise as the rest of the shot. And the level of the 'boat' is such that the tree and lampost have a confusing base - either arising from the land from the boat or from the land of the horizon behind. But this does not spoil the overall shot which overall is excellent
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