ryank
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I don't understand Gear Whores. Keep it cheap, and enjoy your photos.
Gary![]()

I don't understand Gear Whores. Keep it cheap, and enjoy your photos.
Gary![]()

in london traffic you will see many marques making frustrating progress homewards... i had a big V8 then bought a fiesta 950
i got home around a minute later..
And with fuel still left in the tank ready for the next day's journey..![]()
in london traffic you will see many marques making frustrating progress homewards... i had a big V8 then bought a fiesta 950
i got home around a minute later..
you always get the overkill in a situation..musical instruments as well which is an area i have spent too much on 'the right gear'
its a part of life and growing up not just taking the pictures
Tools appropriate to the job in hand - I'm pretty sure if I still lived in London I'd still be cycling everywhere - but let's face it, a 2cv will get there as fast as a Jag in rush-hour traffic - not as comfortably or with as many toys, perhaps, but not much quicker...
For German autobahn-brawling though, a big V8 is just the job...

Originally Posted by HoppyUK
"That's a wonderful justification for indulgence.
"Complete rubbish too."
Not entirely, just 90%? If we get filters, we get the best possible, because the coatings are better than the cheap ones. The same holds true to an extent on L to non-L glass.
Also, consider the 70-300 IS, and the 100-400 L IS. The L lens is L due to the fact that the optics are great, and it is built well. The 70-300 is a good lens, but really not as good (or at least mine isn't). I posted a snippet up 2 weeks ago, when I was really impressed that the quality of a 1" high area of text I shot at 8m away, there was no way that my 70-300 could have made a representative image (at a closer distance). The image is always, somehow different.
Yes they did - by the standards of the day, they were using state of the art equipment and optics... HCB used a Leica for most of those 'iconic' images you mention (after a while he didn't even have to pay for them as they were 'gifted' to him by Leitz) ... and Youssef Karsh used an 8x10 Calumet plate camera - hardly amateur kit...
If our own 'modern' kit had been available then, most of those 'iconic' photographers of the past would have used them...to ignore the advances in technology would have left them at a disadvantage...
That's like saying that Stirling Moss or Fangio were great drivers with primitive equipment by modern standards. The fact is that they had the best cars and the best support teams available at that time. The same is true of Bresson and Karsh and if they were around today you can bet they'd be using the best available equipment as they did then.
I think the point is, they didn't use 21st century tech because it wasn't available, so why do we need it.
If images from yesteryear still stand up in they're respective genres today, what did they have that we don't.
Well, it isn't equipment, clearly.
The improvements in tech are mainly in areas where the photo wasn't actually possible back in Dicks day, and the photos that were possible are just made easier.

just wanted to know why people spend so much esp when there are few members (inc me sometimes) that think its not the camera but the person behind it.
No, act i dont have a problem at all. if people wanna pay 20-30grand on equiment then so be it...just wanted to know why people spend so much esp when there are few members (inc me sometimes) that think its not the camera but the person behind it.
heck if i had 5grannd burning a hole in my pocket i'd be spending it on the state of the art camera gear too...even though i prob wouldnt know how to use it.
But no matter what skill you have you can't make your lens aperture wider, your focal length longer, your glass have lower dispersion, your frame rate increase, force the AF to lock on accurately and faster or use an old jedi mind trick to reduce shutter lag...
All of those things will hinder you in action photograhy, which is what I was saying earlier.
If *none* of those things (or any other technical performance aspect) are important in whatever area of photography you choose to practice in, then yes, the photographer and not the machinery is what will yield results.
Here we go, all over again, like this thread.
I have expensive kit and I see no reason to defend myself by explaining why!.