I was wondering how many people have used one system for a long time then made a complete switch over to another? how did you find it? do you have any regrets? would you do it again knowing what you know now?
I did the same I kept my 5DMk2 ans TS-E lens have never used them so I think they are off to MPBI was all Canon 70D, 1100D and 9 lenses one of which was the Sigma 150-600mm C. Got fed up of the weight so got rid and switched to all Fuji and best move I ever did for me.
I would say most people will answer "I made the switch and it has been the best thing I've ever done".
Partly because deep down nobody want to admit they made a mistake….and partly because they have looked at the options and the new system now fits for their purpose. The question you ask isn't not whether people have regrets changing, the question is whether the system you are looking at suits your current needs compare to what you have.
Most people will say the weight saving is the best thing ever.
100% best move I did, and NOT a mistake either, plus for me Fuji colours are better than canon and the glass is great too
PS: Plus the weight is 10 times better.
Made the switch from A6000 to X-T2 instead of upgrading to 6300, 6500 or A7III (II). Wouldn't say it's my best move ever since it's a sidestep and the A6000 has a lot of great features + it is a very light and portable kit with a 12mm f/2, 24mm f/1,8 and 60mm f/2,8. Image Quality wise I don't expect any difference but the X-T2 feels more intuitive to me.I would say most people will answer "I made the switch and it has been the best thing I've ever done".
Partly because deep down nobody want to admit they made a mistake….and partly because they have looked at the options and the new system now fits for their purpose. The question you ask isn't not whether people have regrets changing, the question is whether the system you are looking at suits your current needs compare to what you have.
Most people will say the weight saving is the best thing ever.

I shoot raw, it makes little difference what colours each camera is really.
This question is so personal, it is hard to read the answer and apply to someone else. Because we would all be starting at a different system and switching to another. OP hasn't actually specified which system he has so if he is a M4/3 shooter and thinking swapping to a Hassleblad for studio work, his criteria would be different to someone who shoots outdoors all day, weight would be irrelevant.
FYI...
lol Sounds like me. I went from Canon to Fuji to Sony and now Nikon.I switch around every couple of years, I don't care what I use so long as I'm happy shooting. The gear is only your tool set. I wonder are electricians as brand loyal as the average casual photographer? "Eww, Black and Decker?? I only use Bosch mate!"![]()
This isn't really a personal thing for me I was just curious what experience other people have had with a switch.
When I worked in a boatyard, our boss went for Black and Decker instead of the Bosch we already had on a price basis - said boss was a manager, not a boatbuilder. It was a nightmare. A Black and Decker drill is very good for someone who drills 100 holes each year. It is no good at all for someone who drills 100+ holes every day.I switch around every couple of years, I don't care what I use so long as I'm happy shooting. The gear is only your tool set. I wonder are electricians as brand loyal as the average casual photographer? "Eww, Black and Decker?? I only use Bosch mate!"![]()
Not sure why you would want to do a complete change-over. I have multiple systems - medium format film SLR, 35 mm film SLR and rangefinder, APS-C DSLR digital and M43 digital. Each has its own strengths and weaknesses. In London yesterday, I would not have been happy with anything else than the M43 digital. For church exteriors, medium format SLR (Bronica ETRs) out-performs all the others (I would like a 10x8 field camera but cannot afford one).I was wondering how many people have used one system for a long time then made a complete switch over to another? how did you find it? do you have any regrets? would you do it again knowing what you know now?
Not sure why you would want to do a complete change-over. I have multiple systems - medium format film SLR, 35 mm film SLR and rangefinder, APS-C DSLR digital and M43 digital. Each has its own strengths and weaknesses. In London yesterday, I would not have been happy with anything else than the M43 digital. For church exteriors, medium format SLR (Bronica ETRs) out-performs all the others (I would like a 10x8 field camera but cannot afford one).
Because I don't want all that lot, not really a gear head and prefer spending cash on going places to photograph.
One camera and a couple of lenses in the backpack does for me, I changed from Canon FF to Fuji four or five years ago.
Fair enough if for some people its more about the collecting, but these days I just want to take photos.
Also important that I'm reasonably confident I will return with acceptable (to me anyway) pictures from places I will probably never visit again.
This for me means confidence and simplicity in what I'm using and one system leans itself to that
Didn't realize analogue systems counted too. In that case. Added 6x6 to my 35mm nikon slrs. Sold the 6x6 (Bronica, shouldn't have) and got a P6x7, added a 6x6 TLR and then a 5x7" Sinar Norma, 4x5" Chamonix, mamiya 645Pro and latest analogue is the mamiya RZ67PROII.Not sure why you would want to do a complete change-over. I have multiple systems - medium format film SLR, 35 mm film SLR and rangefinder, APS-C DSLR digital and M43 digital. Each has its own strengths and weaknesses. In London yesterday, I would not have been happy with anything else than the M43 digital. For church exteriors, medium format SLR (Bronica ETRs) out-performs all the others (I would like a 10x8 field camera but cannot afford one).
Its not about collecting. Its about having fun photographing, using different approaches and processes.Because I don't want all that lot, not really a gear head and prefer spending cash on going places to photograph.
One camera and a couple of lenses in the backpack does for me, I changed from Canon FF to Fuji four or five years ago.
Fair enough if for some people its more about the collecting, but these days I just want to take photos.
Also important that I'm reasonably confident I will return with acceptable (to me anyway) pictures from places I will probably never visit again.
This for me means confidence and simplicity in what I'm using and one system leans itself to that
Its not about collecting. Its about having fun photographing, using different approaches and processes.
Though you could argue it should be possible to take the same pictures No matter the gear I often find spending time under a darkcloth composing my image on the groundglass of a 4x5" viewcamera lead to different images than what i get from the same scene with my digital. The same can be said for the 6x7. Its different approaches different experiences in this fantastic hobby of photography and once paid for, the pennies analog gear costs these days its all about spending time taking pictures and processing them.Whatever floats your boat is good if you enjoy it, just prefer spending my time and money on other things
I was wondering how many people have used one system for a long time then made a complete switch over to another? how did you find it? do you have any regrets? would you do it again knowing what you know now?
Whilst you ‘can’ mess with the colours in RAW to taste it is extremely difficult to develop a preset that works across the board and having to constantly fettle colours can be annoying. This is true of all systems of course, but if you have a camera that naturally produces pleasing colours most of the time then it is less faff.I shoot raw, it makes little difference what colours each camera is really.
This question is so personal, it is hard to read the answer and apply to someone else. Because we would all be starting at a different system and switching to another. OP hasn't actually specified which system he has so if he is a M4/3 shooter and thinking swapping to a Hassleblad for studio work, his criteria would be different to someone who shoots outdoors all day, weight would be irrelevant.
FYI...
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They would be if having bought a power tool they were then locked into a ‘sytem’ and could only use drill bits etc from the same company I suppose.I switch around every couple of years, I don't care what I use so long as I'm happy shooting. The gear is only your tool set. I wonder are electricians as brand loyal as the average casual photographer? "Eww, Black and Decker?? I only use Bosch mate!"![]()
Whilst you ‘can’ mess with the colours in RAW to taste it is extremely difficult to develop a preset that works across the board and having to constantly fettle colours can be annoying. This is true of all systems of course, but if you have a camera that naturally produces pleasing colours most of the time then it is less faff.
Of course, if you only shoot scenes where you use such things as the colour passport checker then it really doesn’t matter![]()
Of course, it depends if you're a jpeg or RAW shooter, and what your preference is. But that brings me back to my point, you shouldn't neglect the way a camera interprets colours just because you shoot RAW. Having a camera that naturally produces colours that are pleasing to you can save a lot of faff.What I do find a little strange are the colours we often see on this and other sites, colours that maybe belong on some strange alien world. Whilst an alien world look may be nice now and again I personally wouldn't want them to be the norm. The other worldly JPEG's and filter / film effects we see seem to me to make the relatively small differences we see between different manufacturers raw files completely insignificant![]()
Of course, it depends if you're a jpeg or RAW shooter, and what your preference is. But that brings me back to my point, you shouldn't neglect the way a camera interprets colours just because you shoot RAW. Having a camera that naturally produces colours that are pleasing to you can save a lot of faff.
For example, I was recently giving serious consideration of jumping ship from Nikon to the Sony A7Riii and downloaded numerous sample RAW files and developed a preset to get the colours the way that I liked them which was great. However, I applied this preset to other photos and the colours were all wrong. This told me that for each series of photos there was going to be abroad chance that I was going to have to tweak the colours, which can be a real faff as you might know if you've tried it. Trying to balance the colour hues, luminance along with the calibration primaries etc can be very frustrating.
I personally prefer my colours to be as true a representation as possible, some prefer warmer tones, some more red etc etc., there is no right or wrong. However, I stand by my point that you shouldn't automatically dismiss the colours that a camera produces just because you shoot RAW![]()
Not from my experience, but if I've still got the RAWs I'll go back and double check. I know the first thing I did try and match was change WB and tint. But this is the problem isn't it, to get a preset that works across all photos is nigh on impossible. You'd either have to use a grey/white card and set up your own custom WB every time if you want everything to look pretty much the same every time.You sure this isn't a WB/colour temp/tint/lighting issue?
Shooting raw I find that other than colour temp, tint and WB which will vary depending upon the scene it's all pretty much the same.