My first 2 days using the M5 in the real-world of wildlife photography :
The weather improved and so I ventured out armed with the Canon EF 100mm F/2.8L IS Macro + 1.4x Kenko mounted on my EOS M5 and the Canon 100-400mm L II mounted on my 7D Mark II. As an amateur photographer specialising in wildlife I was primarily hunting Dragonflies but ready to shoot a bird if the opportunity arose. My usual approach is to get some first shots in the bag with my zoom lens at a distance and then if tolerated, and physically possible, I move closer with my macro lens. Having only one camera body (the 7D2) and swopping lenses had always been consuming valuable time and any commotion can spook the subject. Also, in the environments I operate there is often lots of pollen and other plant debris flying around - Not good to get inside a camera body or lens while hurriedly faffing around.
The M5 has a lot of customisation options and so I have been able to match most with my 7D2 including Back-Button-Focus and the same Manual-mode setting controls. I half expected to feel that changing to and fro between bodies would be awkward for my existing muscle memory but it wasn’t awkward in the slightest. The Canon user interface is brilliant in its consistency across the system.
On each day I came home with about 100 images on each camera - I exclusively shoot RAW and post-process in Capture One (not Lightroom). I didn’t shoot any specifically direct comparisons by photographing the same subject with the same lens but swopping the bodies - I was out there to test how my new combo serves me, not anyone else, in the field and the M5 will happily live on my 100mm Macro lens. The combo is very practical and the physical handling nicely balanced. The tilt screen is invaluable. However, its small size does make it awkward to shoot manually in portrait format, especially as I am used to a battery grip on my 7D2.
After uploading each day’s session into Capture One I found that I had to check the Exif data in order to tell which camera shot which image. In other words, the image quality is virtually the same to the naked eye for both the M5 and 7D2. Any differences were either down to the suitability of the lens or my own photographic inconsistencies. I can’t shoot closer to a Dragonfly than about 3ft with the zoom lens and I can’t achieve enough of the subject in the frame of the macro lens unless I am closer. As always with camera gear, it’s Horses-for-Courses.
The amount of noise is of course a major consideration for all serious photographers but if you are happy with the 7D Mark II level of noise then you will certainly be happy with the M5 which has the latest version of Canon’s Dual Pixel APS-C CMOS 24 megapixel sensor. In all cameras noise is something which varies with the individual exposure of every image and is visible accordingly.
In conclusion, the M5 with its EF lens Adapter fits into the EOS D-SLR system very well and its performance is up to speed, in fact quite surprising - It might seem tiny but appearances can be deceiving. Apart from being thirsty for battery juice (a problem solved by carrying a couple of extra batteries) so far it is difficult to find fault with it. Even its lack of weatherproofing is solved by it fitting very snugly in a Lowepro bag.
^ Click image to view on Flickr