roadeh
Suspended / Banned
- Messages
- 137
- Name
- Ben
- Edit My Images
- Yes
Hi guys,
Done a search for surprisingly not found that many related threads. A friend of mine is semi pro and wants to buy a wide lens for his 5d mk2.. He does a lot of events so the 2.8 aperture is really appealing, but comparing the images side by side shows that the 17-40 seems to be a lot sharper at f5.6 onwards..
http://www.the-digital-picture.com/...meraComp=453&SampleComp=0&FLIComp=0&APIComp=2
I'm really surprised by this given the 17-40 is half the price.. and whilst the 17-40 has worse barrel distortion and vignetting, the 16-35 is apparently worse for CA.. and I know which I'd rather fix in Photoshop!
What do you guys think?
Cheers,
Ben
Done a search for surprisingly not found that many related threads. A friend of mine is semi pro and wants to buy a wide lens for his 5d mk2.. He does a lot of events so the 2.8 aperture is really appealing, but comparing the images side by side shows that the 17-40 seems to be a lot sharper at f5.6 onwards..
http://www.the-digital-picture.com/...meraComp=453&SampleComp=0&FLIComp=0&APIComp=2
I'm really surprised by this given the 17-40 is half the price.. and whilst the 17-40 has worse barrel distortion and vignetting, the 16-35 is apparently worse for CA.. and I know which I'd rather fix in Photoshop!
What do you guys think?
Cheers,
Ben
The two might have been made for each other. In terms of sharpness, there is no better super-wide available this side of an L-grade prime.