Thanks Trevor.
Just tried Alan, he doesn't do MF stuff but gave me another name to chase Graham Rose at GRES. I'' update if I get any joy.
Just tried Alan, he doesn't do MF stuff but gave me another name to chase Graham Rose at GRES. I'' update if I get any joy.
Is there any particular reason you used Provia for your test Paul?On the up side I have just picked up a clean copy from eBay I am just waiting for my test film (Provia) to come back but it looks good so I do have the FL covered. It's expensive to test film kit, including processing (no scans) that test cost me around £20.
Yes, I want to see the exposure properly and I find that slide film on the light box is the easiest way of assessing that. I find negs harder to assess and there's little point using scans to assess. I don't know of a particularly cheap 120 slide film and I have Provia in my fridge so in the interest of expediancy (so I can feedback in a reasonable time) I used one of my Provia films on a still life setup under even lighting with a colour checker chart and grey card at all apertures. I already know my camera is accurate so if my slides are out it has to be the lens.Is there any particular reason you used Provia for your test Paul?
I always tend to use some cheap, but fresh, film - Fomapan or Colorplus (although that’s not so cheap anymore…) or something along those lines.
Yes, I want to see the exposure properly and I find that slide film on the light box is the easiest way of assessing that. I find negs harder to assess and there's little point using scans to assess. I don't know of a particularly cheap 120 slide film and I have Provia in my fridge so in the interest of expediancy (so I can feedback in a reasonable time) I used one of my Provia films on a still life setup under even lighting with a colour checker chart and grey card at all apertures. I already know my camera is accurate so if my slides are out it has to be the lens.
Sorry for the long winded answer.