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Another vote for number 2 but I love the way you have got him to stand up in number 1.
Another fantastic model Iain. I have no idea how you managed to get it to stand up in that first shot. If I had to choose one it would be #2, mainly because I love that fanI would like to see a little more separation from the wall as you've managed with 1 and 3, just to lose the texture. But these are all very creative once again.
I was struggling to find the link to transform, but it's clicked now. Doh!
All excellent shots again Iain.
Number 2 is my favourite as well. Reflections from the metallic surface on the fan are well controlled. You have a small shadow on the left hand side of the frame though.
Andy
Iain, i love your last couple of offerings, great work with the wires, it must have been fiddley creating the models, i'm no good at that sort of craft as my fingers are too big and clumsy.
Wired for sound is great and the spotlight set works really well with the theme you have set.
Your transform pictures all work pretty well to me, i think the fan version stands out for me, you have set a very good pose, the colours are fantastic and its a quirky image. Well done![]()
Definitely number 2 for me too in the transform set. I love the colour of the fan, the fact that the man appears to be turning the fan and that his hair is being blown. Good images and clever craft again Iain.
Another vote for number 2 but I love the way you have got him to stand up in number 1.
love the action in #2. Nice to see electric man's cousin !




I think my fav is in fact the first one, but it is very difficult to choose. You have created a real sense of personality in that little chappie.Finally catching up here...
Endings: just to be different I prefer the cropped first version, with the gate in focus. Beautiful mono conversion brings out all the textures of the gate which marks the boundary or "ending" between the living and the dead, while the OOF graves beyond hint at the great mystery of death.
Electric: clever and works well - the overcooked colours fit the theme.
Transform: Pure brilliance!I think my fav is in fact the first one, but it is very difficult to choose. You have created a real sense of personality in that little chappie.



One of the things I really enjoy about the 52's is the way people interpret the themes. They are so diverse. Your last couple of images are really clever, Iain.
"Electric" is exactly what last week's is. The colours are stunning and I love the shadow and reflection. Very clever indeed
And now you follow it with his big brother. I like all three, but maybe slightly prefer number 2. This is because there is a reason why his hair is blowing back! I love the fan, the colours and the reflections. Excellent.
Jenny
Wow - love all three of your wire transformations. I love the implied motion in the shot with the fan, so going with that as the favourite, but all are great!
Phil



Hi Iain,
Another very clever take on the theme! I love it especially with the road and the white line disappearing into the unknown. This reminds me of a very stressful time when our son was learning to drive. I really like the fact that you have captured the driver in the wing mirror rather than through the window.
Excellent
Jenny
I'm glad I still have a few years left before I have to experience this. Nice idea for the theme this week and I like the way it's been processed. Only thing I might like to see is a landscape crop to lose the sky and rear tyre and really focus attention on the L and mirror/driver.

I prefer that thanks Iain. How long did you leave the poor girl sat there whilst you took photos?![]()

What a great picture for the theme! I really like it - the the way the bold contours and smooth colours of the car contrast with the background, and the driver's face in the mirror. I really don't think you need to worry about the highlight on the bumper - it just looks like a parody of a car ad.
I prefer the second crop but you seem to have darkened the image which I think is a pity, as it gives a rather gloomy feel. The brighter version for me is full of optimism and excitement.

I agree with Darren. The closer crop would give more emphasis of the car and driver. I prefer the angle of the first with the road leading away. I would crop at the top of the road, just below the rear lamp and just to the left of the L plate.
The brightness, as Tracer has mentioned give the impression of embarking on something new and exciting.
I agree with your comment regarding the rear bumper but it's not too distracting.
Oh - I hope she was indicating as she pulled out!![]()

Nice idea and good composition, its tricky getting the light right and i can see your would not be happy with the bumper. Not sure how you could address this other than a slight HDR treatment. Good luck to your daughter, will this mean you will loose the use of your car in the evenings?
that's good, I also like the wing mirror portrait. Hope the engine was off !
Hi Iain,
Trying to stay in touch with people's 52's, although mine has come to a bone shattering halt (temporarily..)
Like yuor little guitar man you made and the one with the fan - was it the Electric wweek was very good both from a photographic aspect and a creative one.......... just how long did it take you to make him........
Onto mobile.......
Great take on this weeks theme and for me the landscape crop works a lot better as it draws more attention to the L plate (preparing / learning to be mobile) and also your daughter's reflection in the door mirror........
The cropped version adds something that the original was lacking... think it's more drawing the viewer to the points mentioned above............
Transform: All three are really creative and interesting, but #2 is my favourite. I love it.
Mobile: Both the original and the cropped version have merits and on balance I prefer the original. The blown area doesn't bother me, and I think it gives more of an impression of pulling out onto the empty road ahead - leading who knows where! I wish Lisa luck with her lessons.An excellent interpretation of the theme.
Jean


Best of luck to Lisa with her driving lessons . . . I remember mine and it's not something that I'd want to ever do again.
I like both of these shots - the second cropped one has the most impact, but I prefer the feeling of space and openness in the first. The angle with the car looking like it's pulling into the road also works better in the first. It's a tough call this week, but I think it has to be No.1.
My only criticism on both shots is the reflections on the side of the car - I wonder if a polarising filter might have helped
And I love transform![]()
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All 3 of these are absolutely genius, but I think I have to go with the crowd and pick no.2 as my favourite.
.
I sympathise with you over the weather and light - landscape (or seascape!) photography doesn't favour the 52er at all.
I like the composition of this and the varying surfaces. I think a mono conversion is a good solution when the light lets you down and you had obviously considered it too. Darren's version is very eye-catching, although after a little while, I found it just a tad too contrasty on the tops of the groynes, Darren. But between you I think you can say you've done a good job with absolutely no co-operation from Nother Nature.
Jean
Thats nice enough to go on the wall. The rusty reds and green look good and the curves are beautiful
I like your orginal - like the colours and the curve leading into the picture .. also all the different surfaces !
Prefer the original, the various colours and the texture looks good, i do agree the sky is a little flat but personally i wouldn't worry about that as the focus is on the curves.
I love the composition of this Iain - that sweeping curve is just fantastic. For some reason it reminds me of a nautilus shell :shrug:
Definitely spot on for the theme, there are some great shapes and textures in the different surfaces.
Darren's mono conversion works well to give the sky and sea some of the lift it needs, but I'd quite like to see something in between the two. Maybe not quite as contrasty and slightly less desaturated to retain some of the green tones in the foreground.
Hi Iain, I like both of these. I love the curve to lead in the eye. I think the actual surfaces are more accentuated in the mono version. Definitely a very good fit to the theme.
Jenny
Lovely lansdscape, what a great breakwater too. The Composition is strong, i think to nail the surface theme a longer exposure on the water( 10 stop) would have been spot on.