Byker28i
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Whenever someone offers you advice, you need to ask them how they are qualified to offer that advice and ask them for proof.
Hi DAn,
How qualified are you to offer that advice?
Whenever someone offers you advice, you need to ask them how they are qualified to offer that advice and ask them for proof.
ROFLMAO As I said; as a beginner how are you supposed to figure that out![]()
remember there are no pockets in a shroud !
Hi DAn,
How qualified are you to offer that advice?![]()
You don't take stuff as gospel, it's an opinion, perhaps some suggestion as to a direction to go, but thats just a starting point for your own investigation and final decision. Obviously if there's a few people saying the same thing then it may weight those opinions
Thats easy - I'm not - I'm now a university dropout so all I can offer is an opinionWe could go round in circles here![]()
Gear does matter. It obviously matters more to those who don't have it too. This thread isn't a moral crusade - it's the politics of envy.
I'm probably the nemesis of any anti gear-head and have more kit than a lot of the pro's. So what? I do my kind of photography almost every day (for pleasure) and the results with better gear are significantly better.
Anyone who tells you that a bird on a stick 20m away looks just as good with a 1000D/kit lens versus a 1Dxii and L-glass is seriously deluded. What I choose to practise my craft with is my business. End of.
But you could still get a bloody good pic of it with a 1000d and Sigma 150-600, at a fraction of the cost of a 1dx2 and "L glass".
Exactly! Bingo, it is an opinion. Everyone got oneYou don't take stuff as gospel, it's an opinion, perhaps some suggestion as to a direction to go, but thats just a starting point for your own investigation and final decision. Obviously if there's a few people saying the same thing then it may weight those opinions
Exactly! Bingo, it is an opinion. Everyone got oneThe point I made when I raised this when @Pookeyhead to it to some extreme, was exactly that. And funnily we are now at educating yourself which is what I said in the beginning opposed to just listen to the experts which is what @Pookeyhead suggested earlier. Funny how circular this goes; then again some studies suggest that words only make up about 7% of communication so it shouldn't come as a surprise.
Fraction of the cost - yes. Bloody good pic - you decide.But you could still get a bloody good pic of it with a 1000d and Sigma 150-600, at a fraction of the cost of a "1dx2 and L glass".
Fraction of the cost - yes. Bloody good pic - you decide.
Sigma 600 zoom sat next to me last weekend. The difference is perfectly clear to me. Maybe my idea of bloody good is just different to yours.
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This thread seems to go on and on , I've created a monster !
Reading back , there could be a bit of GAS or gear envy involved
Thing is , for what I shoot , I do need faster lenses
And I appreciate the people who looked at what I shoot , and told me I have gas.... I don't actually post every photo I take on here or Flickr , surprisingly enough when a photo hasn't turned out the quality I want ( because I'm shooting on a f/4 lens when I really could do with an f/2.8) , I don't post it for the world to see.
As much as I would like to just invest in better glass I can't afford now i think I'm going to look at some more old m42 fast lenses, a 2.8 m42 can be had a lot cheaper than modern ones , and some of those old metal lenses are still good quality , and produce great bokeh...sure they're manual focus only, but that can't hurt me in the long run
I started out with a Canon T70 in the 1980's, moved onto filming wildlife in the 90's, had a sabatical for 20yrs and came back to it with a 550D and a few kit lenses. Only when I worked my way up to prime L glass did the IQ of my shots actually improve. To suggest otherwise, or that perhaps I don't know what I'm doing is your opinion and perogative I suppose. Snob? I know I'm not a snob about my gear, as I share my toys and give freely to strangers in hides for a play. Last weekend, a chap in a hide was having a shot of both my 400F2.8 & 500F4. Is that a snobby thing to do?You can get great images from kit that isn't "L", top of the range or whatever, if you know what you're doing, you work around it, prove your worth as a photographer and produce the goods.
I started out with a Canon T70 in the 1980's, moved onto filming wildlife in the 90's, had a sabatical for 20yrs and came back to it with a 550D and a few kit lenses. Only when I worked my way up to prime L glass did the IQ of my shots actually improve. To suggest otherwise, or that perhaps I don't know what I'm doing is your opinion and perogative I suppose. Snob? I know I'm not a snob about my gear, as I share my toys and give freely to strangers in hides for a play. Last weekend, a chap in a hide was having a shot of both my 400F2.8 & 500F4. Is that a snobby thing to do?![]()
Ah well, it must be true, it's all down to the operator.....the L lenses do not show image improvements over the others.
Ah well, it must be true, it's all down to the operator.....![]()
A 35mm f/2 mk1 and 85mm f/1.8 aren't that expensive used? Looking back at some of your posts you do seem look to replace like for like with a view to an "upgrade" (your Canon 55-250 thread). That is a massive waste of money! Always make sure the upgrade is significant and worthwhile.
the 35mm f2 is something I've considered next to the 24mm 2.8 stm
I'm very happy with primes, my 50 1.8 stm lives on my camera, but I needed something wider
Maybe this wildlife malarky isn't as difficult as some make it out to be....if only I had the gear... LOL
The main things you need to get good wildlife pics are being in the right place at the right time and fieldcraft. Two things most hobbyist wildlife photographers don't get to grips with. They try to buy their photos with longer lenses and more pixels so they can crop the crap out of their shots.You're not going to try and shoot birds with a wide angle kit lens.
...snip
Why not? Stick the camera on a tripod and use a remote and you can get some corkers. They won't be the generic bird on twig with out of focus background picture either.
Hobbyist wildlife photography is as set in its ways as every other genre hobbyists indulge themselves in. But then most hobbyists aren't interested in making original pictures or what they could do with photography. I think that's where David's frustration lies.
the 35mm f2 is something I've considered next to the 24mm 2.8 stm
I'm very happy with primes, my 50 1.8 stm lives on my camera, but I needed something wider
I love primes too, I actually enjoy using them more than zooms for landscape / mid range walkabout stuff, and the end result is normally a lot nicer
There's plenty of good wide ones out there, especially the new Sigma 20mm f/1.4 (but that is quite dear!).
If you're after something wider why not have a look at the Tamron 17-50 (either VC or non-VC). Both I believe are well under £200 used these days and have the constant f2.8 which will be fast enough for most things. Great lenses for crop bodies.
hence my problem , and I gave a distrust in3rd party lenses (sigma/tamron)
I had a sigma 18-50 2.8 and didn't get on with it , found it too slow for my needs
But in context of what I wrote you are missing the point that the beginner doesn't know at that stage what they want themselves. They will have to grow into that, learn and experiment and figure it out. They think they know, but it will take time and experience to figure that out. And then they likely ask a very different question which will warrant a very different response.My point is, you're saying "how does the beginner know".. well, first of all, does the person giving you advice seem to have anything to back up what they're saying, and then of course, you can just check out their advice yourself.. which amounts to the same thing... checking out the advice given. Checking the person, or the advice will usually end you up in the same place: Whether you can trust that advice or not.
hence my problem , and I gave a distrust in3rd party lenses (sigma/tamron)
I had a sigma 18-50 2.8 and didn't get on with it , found it too slow for my needs
I don't think anyone is suggesting iq isn't better it doesn't make it a better picture though which is what people are getting at.I started out with a Canon T70 in the 1980's, moved onto filming wildlife in the 90's, had a sabatical for 20yrs and came back to it with a 550D and a few kit lenses. Only when I worked my way up to prime L glass did the IQ of my shots actually improve. To suggest otherwise, or that perhaps I don't know what I'm doing is your opinion and perogative I suppose. Snob? I know I'm not a snob about my gear, as I share my toys and give freely to strangers in hides for a play. Last weekend, a chap in a hide was having a shot of both my 400F2.8 & 500F4. Is that a snobby thing to do?![]()
Don't be such a snob, [emoji38], both are great images...
val05 by Steve Jelly, on FlickrThing is , for what I shoot , I do need faster lenses... because I'm shooting on a f/4 lens when I really could do with an f/2.8
For example, shooting equine and dog sports in a dingy arena where you cant use flash
As much as I would like to just invest in better glass I can't afford now i think I'm going to look at some more old m42 fast lenses, a 2.8 m42 can be had a lot cheaper than modern ones , and some of those old metal lenses are still good quality , and produce great bokeh...sure they're manual focus only, but that can't hurt me in the long run
I enjoy buying new kit, and right now I can afford it, so make hay while the sun shines. However, one of my favourite shots:
val05 by Steve Jelly, on Flickr
Taken back in 2005 on my old Olympus C5050Z, before I ever had a DSLR (in fact it was this trip to Valencia and the enjoyment I got from the images which pushed me towards a new camera set up).
I still have the Olly, well, at least my Son has it at present.
However, there are other shots I've taken (birds in flight are a good example) where having better kit made the capture easier. There is no getting away that better kit helps, but you have to have an understanding of photography, your kit, and an idea of what you want your image to look like before you'll get consistently good results. My lacking is the last bit - I have issues with my artistic side, or lack of it, at times.....

Fraction of the cost - yes. Bloody good pic - you decide.
Sigma 600 zoom sat next to me last weekend. The difference is perfectly clear to me. Maybe my idea of bloody good is just different to yours.
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Clearly the second is better, but the first one is noisy... is it cropped more? Without EXIF it's really hard to tell where the "fault" lies.
Any way.... I'm out, as it's just going nowhere. Amateurs just love cameras more than photography and you'll never talk them around. If you need kit, then buy it.. otherwise, just save your cash for beer/petrol/drugs/prostitutes... delete as appropriate depending on your interests/tastes/moral compass (again, delete as appropriate).
If you just like buying kit, then do so, but just admit it, and stop trying to use photography to justify it.
They're tools to do a job.. nothing more. I admit that wildlife has a certain gear requirement, but that just makes the point I've always insisted upon - which is that wildlife of this sort (birds on twigs) is not skilful photographically: It's all about patience, field craft, and knowing the animals you are shooting. Photography has little to do with it, and almost certainly why it's so popular amongst amateurs - you can buy results and creativity doesn't even enter the equation. Having tons of gear doesn't make you Andy Rouse though, no matter how much you convince yourself it does.
Wasn't Andy Rouse a British Touring Car Champion...? I'll get my coat.