Best studio softbox

Ralphmyster

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Graham
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Yes theres lots and yes I uderstand why. Question is all about size lol, I now have a bowens 60cm x 60cm bowens wafer 100cm x 75cm. would a 140cm x75cm be a good investment ? :thumbs::thumbsdown:
 
Ive just bought a 150 Octobox...dying to try it out...so Id say what the hell...if you are gettin a good deal...Have a word with FITP...I think he still has a 170 Octo....Woooooooooooooo!!!

STEVIER
 
It isn't all about size.
Size (or relative size) is just one consideration. A large softbox placed close can produce soft frontal lighting, or in a rimlight situation can produce high local contrast even when close. In other words, a large softbox can produce either low overall contrast or high local contrast. A smaller softbox, or the same softbox from further away, can't produce such soft lighting.
But that doesn't mean that a larger softbox is always better. Sometimes you don't want the light to be too soft. OK, you can move the softbox further back to make the light smaller and therefore harder, but by moving it further back the light you also change the rate at which the light intensity falls off.

Another consideration is shape. Different shapes produce differently-shaped catchlights.

Another consideration is feathering, if the softbox is deeply recessed to allow feathering. only square or rectangular softboxes can be used to feather light accurately or to create graduated lighting, say on the background.

The there's ceiling height. There's little point in having a big softbox if the ceiling is too low for it to be positioned high.
 
Thanks Gray, Not having a long softbox do you think that I will run into problems lighting a full model even. thats what I worry Also Gray while your here can you give me some advice. Lencarta do a s type backlite reflector which I guess fit my Bowens, just over £50 however a Bowen one is £123 why. is it anything more than name thanks Graham
 
Gray is good, but really it's mainly white now, although there's still some grey at the top, near the bald patch:)

You can change a rectangular or octa box into a strip box simply by masking it with Cinefoil (blackwrap) or even binbags.

The Bowens and Lencarta background reflectors are very similar and produce exactly the same results. One reason for the difference in price will be that Bowens are sold in shops, which increases the price quite a lot. Most Bowens products are about 2 1/2 times the cost of Lencarta, you'll have to decide whether there's any real difference between the two makes.
 
Sorry Garry. I have never seen any Lencarta equipment first hand, it always seems to get a good rep on here.I am hoping to set this studio up soon hopefully invested in some high quality equipment, Dare I say 95% pro end Bowens. Mainly because the average photographer who comes into a studio sees Bowens in big bold letters on all the kit thinks pro studio and hes going to be David Bailey and feels like he is. A ford fiesta gets you from A to B same as a Ferrari but the ferrari cost more, image sells.As for the backlite 2x the price for the same result just for a bit of shaped metal, that could be a brand name rip off for sure. Don't think anyone will take the time to inspect my backlite to see whos made it, if to gives the correct result lol.
 
Dare I say 95% pro end Bowens. Mainly because the average photographer who comes into a studio sees Bowens in big bold letters on all the kit thinks pro studio and hes going to be David Bailey and feels like he is.

Dunno - I've hired a few studios. I'm never overjoyed when they have Bowens because they seem to change their controls every release. I worked in a studio where they had 3 generations each with a different dial system. Plus personally I don't like the whole dial on the side thing - I always end up with one rammed against a side wall so I can't change it ;)

But yes, I suspect you'll get some brand snobs in first and second time users. Personally I'll go with any light that can keep up with me :)
 
Hi Ram,

As you are setting up a studio and intend to do it with the right equipment, would it not pay you dividends to visit somewhere like Lencarta to look at all that is on offer and have the experts there to guide you. From what I have seen on various lighting questions, you can visit Lencarta and spend hours with experts such as Garry to explain the various uses of all equipment and make an informed decision on whats best for your studio.

Personally, I don't hold to the opinion that the name on the tin is necessarily a good guide to how the product tastes. It's really the results that count and prospective customers will want to see a wide portfolio of well shot studio photographs and usually don't have a clue what equipment names are. The reports on TP about Lencarta equipment all say that it's the bees knees!

It may say Farrari on the car badge, but it don't mean a thing unless the driver can handle the controls correctly, in which case it can then perform as required.

All the best in your search

Malcolm

P.S.

If you decide to make a trip to Lencarta, let me know when and I may come up at the same time as I would like to look around also and the Lencarta lighting tuition dates are a long way away yet!
 
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