BBC HD Question

Mr-Neutron

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Paul
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I have just watched a fantastic programme on BBC HD Britain from the sky or something like that, but what really amazed me was the clarity of the shots. Last week I took my daughter up to the top of Peel Monument on the top of Holcombe Hill and looking out on a reasonably clear day could not see anywhere like the same clarity that theey achieved from a camera in a helicopter. So my question is what kind of filter are they using, if any, or are their cameras equipped with such good lenses?
 
I have just watched a fantastic programme on BBC HD Britain from the sky or something like that, but what really amazed me was the clarity of the shots. Last week I took my daughter up to the top of Peel Monument on the top of Holcombe Hill and looking out on a reasonably clear day could not see anywhere like the same clarity that theey achieved from a camera in a helicopter. So my question is what kind of filter are they using, if any, or are their cameras equipped with such good lenses?

Not quite sure, the HD gear they use costs thousands so i image the glass is pretty darn good :)
 
Maybe they were lucky and had an exceptionally clear day.

I used to fly gliders in Kent, and it wasn't uncommon to be able to see the coast of France on a clear day whilst soaring above the Kent countryside. I do remember on one occasion though, that the air was gin clear, and it was possible to see with some clarity quite some distance inland of the coast. Several of the pilots who flew that day mentioned it, adn I only ever experienced it the once.
 
Firstly, its not what they were filming with, but when. Get the timeing right, the clarity at 5am is totally different to the haze at 2pm. Also, you said helicopter - get a few hundred feet above the ground, again a lot of the haze will go away. Also, early in the morning, less people to make the shot look messy! Look for long shadows, that's a give away...

Once you've planned when to do the shot, checked the weather forcasts, rescheduled 3 times, and done it once - you do it again, and again, and again, until its right. Then if the budget allows, you come back with the helicopter again another day!

As for the technicalities, yes they will be using a very expensive camera and lenses - didn't see it but if it was a specific show for aerial shots, probably some form of film-quality camera instead of a standard ENG unit - but this just means you can downscale the image to make it crisper, and have a wider dynamic range for grading in Post. If on a special shoot the camera would probably have been gyro-stablised and external to the helicopter, in addition to any normal lens IS - but this won't have much to do with how clear it is, you can't magic away haze, you just need to avoid it!
 
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It has only got 2/3 in sensor so not quite as good as it could really be.

Actually, they've made the web page very confusing. The SRW-9000PL has a 35mm sensor and the SRW-9000 has a 2/3" sensor. The price shown is for the more expensive PL model but the text is for the ordinary 9000. They've copied the wrong text from Sony's site.
 
I'm guessing RGB 4:4:4 is the video equivalent of raw?

Sort of. The first 4 represents the b&w information (i.e. luminance) and the other two 4's refer to the colour information. 4:4:4 means all the colour info is included in the signal. To reduce bandwidth some signals don't include all the colour info - they're called 4:2:2.
 
The programme I was referring to is TOWN with Nicholas Crane and is BBC 2 & BBC HD tonight at 9.00pm if anyone is interested, well worth a look for the stunning shots.
 
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