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Contax 139 by kendo1111, on FlickrYou say you get a similar effect with acrylic, do you use opaque or clear?
What's the best way to avoid double reflections in shots the one below (taken on 2mm glass)?
I get a similar issue with acrylic. Cellophane is a 'mare to get even. US websites suggest something called tileboard but it doesn't seem to have a UK equivalent.
No, that would produce the double reflection he's trying to avoidI've not tried but I'm told a black surface underneath the glass should give you a solid reflection.
No, that would produce the double reflection he's trying to avoid
Zorki 4K Jupiter - 8 by kendo1111, on FlickrClever website that - I can't see the photos because I'm not a logged in memberWouldn't the black side not reflect? They seem to have done OK painting one side here (last post on the page):
http://photography-on-the.net/forum/showthread.php?t=1417431&page=1
Clever website that - I can't see the photos because I'm not a logged in member
But we're going round in circles here. Short answer, don't use a reflective material that is covered with a transparent material if you don't want a double reflection, it's as simple as that.
Yes, I suppose that you could simply paint a bit of glass or anything else and use the painted surface as the product base, but even the smallest irregularity would jump out and hit you.
Black and white acrylic works great, so does a front surfaced mirror, and as I pointed out earlier, the strength of the reflection can be controlled by camera height (and of course, to a certain extent anyway, by using a polariser) so why mess around with alternatives that can't work as well?
Clever website that - I can't see the photos because I'm not a logged in member
But we're going round in circles here. Short answer, don't use a reflective material that is covered with a transparent material if you don't want a double reflection, it's as simple as that.
Yes, I suppose that you could simply paint a bit of glass or anything else and use the painted surface as the product base, but even the smallest irregularity would jump out and hit you.
Black and white acrylic works great, so does a front surfaced mirror, and as I pointed out earlier, the strength of the reflection can be controlled by camera height (and of course, to a certain extent anyway, by using a polariser) so why mess around with alternatives that can't work as well?