Any tips of taking self portraits?

JohnN

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Hi,

It seems due to a lack of willing models in my house I'll be doing waaaay too many self portraits for my 52 project so I could do it some tips.

So far all Ive come up with is figure out roughly where it going to be, collar my wife as a stand in, set the f pretty high, 14 or so, use a flash and see what I get, then go back, adjust the angle if needed and so on.

I tried tethering but it packed in half way through last time so I'm working blind, I have considered a monitor, although I would prefer to use the tablet

Anyway any tips?

Ta,

John

PS: This was posted in the speciaility section but wasn't getting seen (I think)
 
Get a light stand, stick a flash or whatever you have that can be clamped on, set it to the height your eyes will be when posing. Put it directly behind you. You can now use this as a point of focus when setting up.
 
hmmm ok
1. a remote goes a long way
2. a tripod is a must
3. try to hook up your camera to your pc if it comes with the appropriate software and face the screen so that you can see whats in the frame before you take the shot
4. continuous focus might come in handy so that you stay in focus if you move. but do give that a try. you might be better off with regular focus if the lens keep refocusing on the wrong parts
5. i like to set my camera to continuous shooting so that it takes multiple photos while i stand there and "do my thing". whatever that is :P
6. finally take a few shots, check the results, and adjust accordingly


hope this helps =)
 
Any tips of taking self portraits?
Don't.
Just... Don't.
There's a reason the view-finder is on the back of a camera!
Its natures way of saying that we are better looking with a box infront of our bonce!

First steps in taking better pictures, ask the questions...
- Why do you want to take a photo in the first place?
- Who is going to look at it?
- What is the 'interest' in the photo to whoever is going to look at it?

Now, think hard about this... whats the purpose of the picture?

I have lots of pictures of myself.... I rarely took any of them; the interest is the 'memory' they contain of what I was doing.

Studio self portrait.... "Oh yeah! Look at me! Oh That was such fun, sitting in that studio pointing a camera at myself!"...... COME ON! Is this even remotely likely to result in a single worthwhile, interesting photo you are going to look back at fondly?
 
I have taken a few self portraits - Typically when I have been fishing.

The best bet is to get a wireless remote from amazon or ebay and use that.

I bought a 600d as the flip out screen makes it much easier to see what is going on. Just don't get much chance to go fishing at the moment...
 
Have a google of "Miss Aniela".

You may struggle to reproduce some of the self portraits that she has done (though I must admit I don't know how blonde and lovely you are!). She does have some really creative ideas though. If you look more like me than her, there is a collection of self-portraits on my website:

www.mikewalshphotography.co.uk

Mike
 
Don't.
Just... Don't.
There's a reason the view-finder is on the back of a camera!
Its natures way of saying that we are better looking with a box infront of our bonce!

hahaha, truly outstanding answer :)

Thanks all for the feedback, I did try tethering which worked until it suddenly decided to stop for no good reason - I put this down to Windows 8 though.

Sadly the reason for self portraits are most defiantly not to look at myself (having little hair, let alone blonde hair and I don't think I'd fit in a french dress let alone look good in it!) - the reason is a lack of willing subjects and plus its convenient, I don't argue or give up, nor do I suddenly have to go to bed because I have school in the morning :)
 
Don't.
Just... Don't.
There's a reason the view-finder is on the back of a camera!
Its natures way of saying that we are better looking with a box infront of our bonce!

First steps in taking better pictures, ask the questions...
- Why do you want to take a photo in the first place?
- Who is going to look at it?
- What is the 'interest' in the photo to whoever is going to look at it?

Now, think hard about this... whats the purpose of the picture?

I have lots of pictures of myself.... I rarely took any of them; the interest is the 'memory' they contain of what I was doing.

Studio self portrait.... "Oh yeah! Look at me! Oh That was such fun, sitting in that studio pointing a camera at myself!"...... COME ON! Is this even remotely likely to result in a single worthwhile, interesting photo you are going to look back at fondly?

Really? Surely then, any model in a studio would be thinking "Oh yeah! Look at me! Oh That was such fun, sitting in that studio with someone pointing a camera at me!"

What's the difference? I have a good few selfies I do and will look back on fondly :)

To the OP:
When I'm taking self portraits, I use a tripod and have my husband stand where I will be. I've gotten self portraits with an aperture of 1.8 that way. If he, or someone else, isn't available I stand where I want to be in the photo, mark the ground with chalk, focus on the tripod head, place the camera on the tripod and go back to my spot on the ground :thumbs:
 
Really? Surely then, any model in a studio would be thinking "Oh yeah! Look at me! Oh That was such fun, sitting in that studio with someone pointing a camera at me!"
You have completely ignored the questions posed, and the rhetoric within them.
REMEMBER THE VIEWER!
What the model thinks may be entirely irrelevent - unless they are the intended viewer!
What are most studio shots?
Probably school photo's. Model isn't the intended viewer. Intended viewer is Mum, Dad, Gran, auntie Joan.... whats important is what THEY think. Poor kid can be happy as larry they got of a geography lesson, or as irritated as heck about having a comb dragged through thier hair first.... photo wasn't for thier benefit!
Pro shots.... again, model is not the intended viewer. Intended viewer is the general public... what they think of it is very important, its usually trying to flog them something. What does the model think? Well... how much they got paid, what a prat the photographer was; possibly what a gadawful get-up the client made them wear, or the dogs dinner the stylist made of their hair... but immeterial... really... they aren't the intended viewer.

Scenario here is balding chap of indeturminate age cant get any-one else to sit for him..... so he wants to sit for himself..... which significantly begs the original questions.....

a) Why do you want to take a photo?
b) Who's the intended viewer?
c) What is the interest in it for them?

All of which are rhetorical.... but taking a wild stab in the dark....
a) Because I have a camera and want to see what I can do with it
b) Probably only me
c) Err... my own technical mastery of the medium..... displayed in the final results.. or lack of that I may learn from.... so I can take better shots of other people when I CAN get them to sit for me.....

Which, MAY make the photo 'worth-while'... but it is worth asking the questions before you start.... especially as the technical challenge here is not being behind the camera, and solving THAT problem... which is of no real consequence to the 'purpose' of the exercise... learning to take better pictures of other people..... is it?

Maybe my presumptions are wrong... but pondering questions posed, would help assess the importance of problems and the merit of solutions to them!
 
Maybe it's just me but I take a photo because I want to take a photo. It doesn't bother me if other people won't want to look at it. It doesn't bother me if it has a meaning or a reason behind it or not. I get an image in my head that I want to make a reality... so I do. I take photos for me. If it teaches me a better technique, so be it. But most of the time? I just want to. Some of the time, it's because I want this photo but have no one to take that photo of. So I step in myself. Why? Because I want to. What makes the photo worthwhile is that the person taking it wanted to take it. Isn't that enough? I don't think anything needs to be assessed...
 
You have completely ignored the questions posed, and the rhetoric within them.
REMEMBER THE VIEWER!
What the model thinks may be entirely irrelevent - unless they are the intended viewer!
What are most studio shots?
Probably school photo's. Model isn't the intended viewer. Intended viewer is Mum, Dad, Gran, auntie Joan.... whats important is what THEY think. Poor kid can be happy as larry they got of a geography lesson, or as irritated as heck about having a comb dragged through thier hair first.... photo wasn't for thier benefit!
Pro shots.... again, model is not the intended viewer. Intended viewer is the general public... what they think of it is very important, its usually trying to flog them something. What does the model think? Well... how much they got paid, what a prat the photographer was; possibly what a gadawful get-up the client made them wear, or the dogs dinner the stylist made of their hair... but immeterial... really... they aren't the intended viewer.

Scenario here is balding chap of indeturminate age cant get any-one else to sit for him..... so he wants to sit for himself..... which significantly begs the original questions.....

a) Why do you want to take a photo?
b) Who's the intended viewer?
c) What is the interest in it for them?

All of which are rhetorical.... but taking a wild stab in the dark....
a) Because I have a camera and want to see what I can do with it
b) Probably only me
c) Err... my own technical mastery of the medium..... displayed in the final results.. or lack of that I may learn from.... so I can take better shots of other people when I CAN get them to sit for me.....

Which, MAY make the photo 'worth-while'... but it is worth asking the questions before you start.... especially as the technical challenge here is not being behind the camera, and solving THAT problem... which is of no real consequence to the 'purpose' of the exercise... learning to take better pictures of other people..... is it?

Maybe my presumptions are wrong... but pondering questions posed, would help assess the importance of problems and the merit of solutions to them!

All worth thinking about,

Or you could just keep it simple and enjoy taking the shots and working out what works for you use that as a learning curve
 
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Well as the balding guy in question I thought that all got far too deep, I was just looking for technical advice.

The reason for the photo is just to make the shots for my 52 project better, for you guys to critique so that in time I get better at my hobby, I don't have the confidence to go pro so will never make money from this, all I can hope for is to make my family snaps better and to enjoy what comes out.
 
Maybe it's just me but I take a photo because I want to take a photo.
Toni, you dont have to justify your photography to me or any-one else; like I said the questions were rhetorical.

But, you have, just in taking umber at the suggestion, considered and answered the questions.... reason for the photo is your own pleasure, the intended viewer yourself... the interest? Realising an idea into an image... How does that awareness effect you? More rhetoric... where does the analysis take you? How do you judge your own work? How well does it realise the ambitions of your ideas? And ultimately... DO the pictures achive your ambition; has the process of taking them, given you pleasure, and do the pictures you have taken ultimately interest and entertain you? I dont need to know the answers, only YOU do.

All too easy, to get an idea and motivation to take a photo, then NOT get pleasure from its taking... and to NOT get a photo that gives pleasure. Even as a self indulgence. That was the 'risk' I saw in John's original query.

Well as the balding guy in question I thought that all got far too deep, I was just looking for technical advice.

The technical 'challenges' of a self portrait, being created, by the original idea... to take pictures of wife or kids... already failing by thier reluctance to sit..... THAT 'idea' is not going to be translated to image, before you begin. So re-analyse. Is this 'revision' born of circumstance a new challenge that will give pleasure tackling? Is there a new idea in there? Will this new or revised idea still have interest and give pleasure? If the race is over.. stop running... find a new race.

All worth thinking about,

Or you could just keep it simple and enjoy taking the shots and working out what works for you use that as a learning curve

Point is it IS simple. Asking yourself a few pretty fundemental questions before you press the shutter, like, "Why do I want this picture? Who is going to look at it? Why?" is not exactly rocket science, or existential philosophy!

Messing around with light stacks, flash-meters, reflectors, exposure values apartures, shutter speeds, film ratings, lens lengths, and then trying to interpret all of that in the resultant images, looking at contrast, colour, tone, composition, mood, expression etc and working out 'what works'? You think in comparison THAT is 'simple'?

I'm all for hands on learn by doing; BUT! All I am advocating is 'Look before you leap'! Few seconds forthought, clarify the intent and objective, be sure you know what you are hoping to achive. When you look at the results, and are trying to work out 'what works'.. you have some idea by which to judge by, and its a very simple one! "Does this photo do what I wanted it to?" If you dont know what you wanted your picture to do, how are you EVER going to know if a picture 'works'?

The reason for the photo is just to make the shots for my 52 project better, for you guys to critique so that in time I get better at my hobby, I don't have the confidence to go pro so will never make money from this, all I can hope for is to make my family snaps better and to enjoy what comes out.

OK... getting some-where.... purpose of this pic or session is as a learning excersise as I presumed.... fair enough. That's the point. An excersize in portraiture. Ultimate aim of the excersise? So you can take better family snaps. Brilliant. A very laudible ambition.

HOW is solving the technical challenges of a self-portrait going to help fulfill that ultimate objective? Does the 'lesson' in learning how to get round the problem of not being able to be infront and behind the camera at the same time, give you knowledge or experience that will help you take better family snaps? How where, when, how often are you going to be able to put into practice any lessons learned from THIS part of the excersise? (recognise the rhetoric!)

More imedietly; 52-Project, and point of photo's giving 'us' the forum something to critique..... Hmmmmm...... Well backing up to response to Toni... bottom line is you dont have to please US. Ask half a dozen photographers what they think, you'll get a dozen opinions.... only ONE opinion that REALLY matters... Photo's are for your pleasure, do they please you?

I am going over an archive of maybe five years photo's, that were 'lost' on a corrupt hard drive. Most of them are pretty mediocre happy-snaps taken on a cheap digi-compact. Exposure is often poor, resolution consistently dire. Many are fuzzy due to camera shake. A few... are half decent... BUT.. looking at them with photographer head on, I think, "Oh... if Only I had had a bit more zoom... if only I had had a faster lens, or higher ISO setting" And the really anoying thing is, I could have had all that and more, for the sake of a £5 film and using my old SLR instead of the digi-pact. "Why didn't I shoot that on film!" I ask myself... And from deep in the recesses of my memory, a voice yells "Becouse you couldn't afford a fiver for the frigging film you twit! Dont you remember! You came back from that day out, with the kids asleep in the back, bored of asking "Are we near home yet Dad" for the seven hundredth time... becouse you were trying desperately hard to keep the car under 55mph to save fuel! Remember! When you gave up the falorn hope that you'd make it back on what was in the tank; stopping at the petrol station, hoping the kids wouldn't wake up when you opened the door, hunting through all the oddement trays and lifting the footwell carpets for any lost change, to make up a fiver buy some more fuel!" That is absolutley true! I am not a rich man... and thirty miles from home, after a 120 mile drive, watching the fuel gauge intently... I was litterally scratching the carpets up for lost penies to get me home, once!

Quality costs. Few of us have unconstrained budgets. We have to work with what we got. Yup. I could get SO much 'better' pictures if I had a 55-300 zoom..... £200. But spending that £200 on a lens? How many better pics would I get? Would that £200 be better spent going some-where doing things more worthy of taking photo's of.... even if they aren't technically SUCH great snaps?

My kids aren't photographers. They dont care if the picture is a bit grainy, or if the exposure is a bit off or that its a bit fuzzy round the edges..... "Hey DAD! Do you remember building that sand castle! That was a great day, wasn't it?!"

Wanting to become a 'better' photographer, wanting to take 'better' photo's.... its all very laudible.... but DONT loose sight of why you are doing it in the first place.....

Some-times, I have to take the 'photographer' hat off and put the 'Dad' hat back on to apreciate what I'm looking at properly.

"Family Snaps"........ What does that mean? And getting 'better' family snaps? What would make them 'better'?

Back to the rhetorical questions; and getting deep again, but point is, dont loose sight of the bigger picture, getting tangled in the technicalities. Remember WHY you want to take the photo in the first place.
 
shoot as much as you want and whatever you want, learn from your mistakes whilst doing it, id set F number lower try bouncing the flash
 
Damon that was a good answer, ironically enough I just dropped a fair few quid on a lens last night, had I read that first I may well not have!
 
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