You may not be 'into' post-production now, but you may be at a later date.
If you shoot to JPEG you certainly are not post processing before you take the picture simply by definition. Post means after so you can never post process before you take the image its a totally different thing.
In fact raw images still contain all the parameters that you set before you take an image. It sits in the data and if you shoot nikon and use capture NX or viewNX editing software all those settings will be applied to the image as soon as you open it in those programs. Camera manufacturer don't really want you using third party editing software. Adobe tried to get Canon and Nikon to adopt DNG but quite obviously they didnt go for it. Each company has a propriatary format and they all contain a certain amount of lockdown over their settings this means that when you load up your raw image in Lightroom or photoshop they cannot read all the settings you set before shooting the picture. The third party software just has to make a best guess as to how the image should look.
JPEGs from nikons consumer DSLRs are all soft and over compressed. Shooting raw is a huge advantage. There really is no reason not to shoot in RAW. If you dont want to do any editing to the images and you also just want to store JPEG files rather than NEF then get your self a nice big memory card shoot in raw then download viewNX free from the nikon site, load the pictures into that and do a batch export to JPEG. The JPEGs will be much better quality being processed on the computer than in camera the JPEG engine is not so good on the lower models
I always shoot jpeg. I'm not a fan of photo shopping. and I feel that you should have an idea of what the image should look like before you press the shutter. and Its also a training exercise as it means you have to get all the setting right in camera.
It also save you money on hard drives! you should get 10mp from Jepg fine on your D60 although there will be a slight loss of resolution due to compression. but if you are shooting with standard lenses then 10mp is over sampling the optics anyway.
Stuart
I always shoot jpeg. I'm not a fan of photo shopping. and I feel that you should have an idea of what the image should look like before you press the shutter. and Its also a training exercise as it means you have to get all the setting right in camera.
It depends what your shooting.
Me (like most other sports shooters I know) shoot jpegs every time. We set-up the processing to give us contrasty, colourful shots SOOC & we tend to only touch levels.
If I'm shooting landscapes or anything without a deadline I just shoot RAW. It lets me recover the brightest tip of a cloud & gives you the very best.
But for a deadline, set-up your jpegs properly and your set.
I think RAW shooters should learn to shoot jpegs too. It makes you think much more about nailing WB, exposure, lighting, metering etc. etc. DONT RULE OUT JPEGS!!!
I always shoot jpeg. I'm not a fan of photo shopping. and I feel that you should have an idea of what the image should look like before you press the shutter. and Its also a training exercise as it means you have to get all the setting right in camera.
The best anaology is to think of raw as a film negative and JPEG as a Polaroid. Using Photoshop today is no different to having used a darkroom in the days of film, the same tweaks and manipulations are still made, but in a different way.
Nice analogy, will have to remember that one for the next time I'm asked about 'photoshopping' images.
Do you have any evidence for that? I've heard it said, never seen it.
There is no loss of resolution with a JPEG. The file size is compressed, but there is still the same number of pixels represented.
Example of Raw data: 1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1
Compressed JPEG: 1x20
The answer is still 20.
There is no loss of resolution with lower quality JPEGs either, just that the compression isn't as fine and the groups of data are bigger. Maybe not groups of 20 pixels, but groups of 100, or 200 etc. What you lose with high rates of compression is very subtle tone separation, not resolution.
Easy test - shoot two idential frame, first as a regular JPEG, and then switch the picture style to monochrome. The mono version will be about half the file size, as all the colour data has been dropped, but resolution is the same.
I think you're missing the point of shooting in raw, Stuart. When shooting in raw all of the data that enters through the lens is recorded on the card, when you shoot in JPEG the camera has already decided that a huge chunk of that data isn't required to produce an "acceptable" image.
With JPEG, before the data is recorded the camera looks at it and says to itself "do we really need all these 100 tones of blue in the sky? No, 10 will do, so let's discard the data for the other 90." Then it goes on to do the same with every other colour in the image, so right away you have surrendered the interpretation of how your image should look to the machine.
The best anaology is to think of raw as a film negative and JPEG as a Polaroid. Using Photoshop today is no different to having used a darkroom in the days of film, the same tweaks and manipulations are still made, but in a different way.
Example of Raw data: 1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1
Compressed JPEG: 1x20
The answer is still 20.
There is no loss of resolution with lower quality JPEGs either, just that the compression isn't as fine and the groups of data are bigger.
This is like saying all RAW shoots don't know what they are doing....I think RAW shooters should learn to shoot jpegs too. It makes you think much more about nailing WB, exposure, lighting, metering etc. etc. DONT RULE OUT JPEGS!!!
You can process jpegs in Adobe camera raw and enjoy many of it's benefits if you so wish.
In Elements editor- File/open as/select camera raw and select image.
Which is fine if you are only bothered about making small tweaks. Everyone talks as if the camera manufacturers have no clue, I'm sure the camera's decisions are fine for many people and many applications. In fact, I know they are.You're completely missing the point of working with a raw file there, John. If you start processing a JPEG then most of the decisons pertaining to what can be adjusted or tweaked have already been taken by the camera software and any "surplus" data discarded.
Certainly you can still make some changes, but you have nowhere near the lattitude that you would have had, had you started with a raw file.
Since this forum seems to love a bit of over-information (because knowing more technical stuff makes one a better person somehow) I think I need to make a few points here.
The compression example you have given is more akin to GIF or PNG compression. JPEG compression is a rather different beast and would be difficult to give a simple example of here... I just think it needs to be put out there so that no one reads this thread and comes away thinking that JPEG works in a way it doesn't.
As for loss of resolution, lower quality JPEGS can and do lose resolution as part of the compression algorithm. Certainly in the colour channels (not so much in the luminosity) and if the quality level is set too low, though the number of pixels isn't reduced, image resolution is, quite dramatically.
Anyway, to bring things back on topic, I would say that for most purposes, shooting JPEG in camera is fine and no waste of a DSLR. Sure, shooting RAW and processing properly will typically give better results, but the payoff there is time and effort. Out of camera JPEGs from the DSLR will be better than those from a compact camera, which is enough for most of us really. It's more important to get things right at the time of shooting unless you care about getting the absolute best out of your camera, which as I said isn't entirely necessary for most of us.
Would I shoot a drunken night out in RAW? Probably not. I'd probably not take my DSLR on a drunken night out anyway. In fact, you'd be hard pushed to find me on a drunken night out. I digress.
am i wasting my d60 by not shooting in raw?
I shoot in 7mp jpeg, instead of 11mp raw as can't be arsed with the software.
is it worth shooting in raw, does it make much of a diference?
