Sylvester XxX
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Monopod and 70-200mm 2.8 is what I would go for unless I had the money for the MKII
Having just skipped most of the thread I'll just say...
I just got a non IS 70-200 f/4 and the only reason I didn't get the IS... money. If I had it I would have got the IS version. Yes it doesn't work in every situation but it can be worth it's weight in gold in a lot of situations.
Got the money? Get the IS.
The extra money I save by not investing in IS will go on a nice wide angle zoom when I've got enough in the camera budget.
I really dont understand why people wouldnt want IS/VR on EVERY lens they own!!!!
I challenge the nay-sayers to name me one photographic situation, even at high shutter speeds, where a steadier frame would not be an advantage in getting the better end result?
Landscapes - check (invaluable on my 18-135 in normal light, eliminating the need for tripod in anything other than night shots)
Motorsport - check. My 55-250 IS is excellent for panning with IS, noticably sharper images at the high tele end.
Portraits - check. Shaper results and far more able to use natural light
Equestrian - check. Even at high shutter speeds it eliminates camera shake at the high end of the 55-250.
I could go on but if you havnt got the point now you wont!!
...and as for cost, it only seems an expensive 'option' on the L series lenses, there are plenty of nicely priced EFS lenses with supurb IS built in as standard (17-55, 18-135, 15-85) which are all reasonably priced.
I really dont understand why people wouldnt want IS/VR on EVERY lens they own!!!!
I challenge the nay-sayers to name me one photographic situation, even at high shutter speeds, where a steadier frame would not be an advantage in getting the better end result?
Landscapes - check (invaluable on my 18-135 in normal light, eliminating the need for tripod in anything other than night shots)
Motorsport - check. My 55-250 IS is excellent for panning with IS, noticably sharper images at the high tele end.
Portraits - check. Shaper results and far more able to use natural light
Equestrian - check. Even at high shutter speeds it eliminates camera shake at the high end of the 55-250.
I could go on but if you havnt got the point now you wont!!
...and as for cost, it only seems an expensive 'option' on the L series lenses, there are plenty of nicely priced EFS (and EF) lenses with supurb IS built in as standard (17-55, 18-135, 15-85) which are all reasonably priced.
Interesting thread this one with people assuming the OP is shooting what they do a bit... Clearly an IS lens will produce less visible camera shake at a slower shutter speeds than non-IS. But, there is a serious cost to get IS and unless you have a large wallet dedicated to camera kit, which there are few people on here with, then you have to weigh up the additional cost to the alternatives. I shoot dogs and horses in action with my 70-200 F2.8, IS is pointless as I need to shoot at 1/250 anyway as the subjects move fast and erratically! The extra money I save by not investing in IS will go on a nice wide angle zoom when I've got enough in the camera budget.
This brings you back to what is the OP going to be taking photos of?
Heaven help you two who have suggested that IS on a 70-200 isn't a necessity. May the God's smite you for that!
I agree this thread has got a bit daft, but I certainly agree with you Gordon that we really need to hear from the OP about what sort of photography he does and whether IS is really significant to him in most situations and therefore worth the extra money.
You say though, that you shoot horses and dogs with a 70-200 lens at a shutter speed of 1/250th , which is only barely the reciprocal of the lens focal length in safe hand holding terms. I can well envisage situations where 1/250th may well be enough to freeze subject action but still not fast enough to prevent cameras hake , particularly when working quickly, as I imagine you must.
I can only see advantages for you in using a stabilised lens. :shrug:
ok, i'll add a bit more i forgot in one of my last posts.. I used to own a Tamron 70-200 f\2.8, i looked at the original canon equivalent with IS. At the time i couldn't afford the canon. However, the guy who i work with owns one. We had the same bodies and settings, but every time he came up with the sharper shots. I shoot equestrian events both in and outdoor, and theatre shows\events. I think judging by my experiences i will find IS very very useful!
Don't you just hate it when someone comes up with a more convincing argument for IS... I guess I'll have to do a side by side one day to see if it is more important than the ISO issue! Doesn't make it any cheaper thoughand I'm not convinced my customers will notice the difference...
To assume that the images were sharper because of IS seems rather ridiculous to me