Recent content by LIMEfotographic

Fair enough, and thanks.

Ok Garry thats great, can you just clarify something for me on the butterfly lighting scenario? Should I be using soft lighting like through a brolly or something like a honeycomb?

OK, I have an open day at the studio coming up with a plan to shoot as many micro shoots as I can, as I am new to the area and want to raise awareness. I am going to be using an entire SB900 + SB800 set up (9 lamps) and have 3 separate set ups (white, dark and environmental), my only real...

How do you use your flash? On or off camera? Bounce or direct? How do you set your exposure? Do you use one or more flash guns? Mark.

I think that ultimately this industry is unique. We all work as individuals (most of the time), two equally talented photographers working in the same environment at the same time will take in most cases vastly different photographs. What one person likes another hates and visa versa. We all...

I know this has been mentioned already but a studio does have that unattainable at home quality what ever the background and a client generally is put at ease by your running around making invisible alterations to your lighting. The perception of location work for a member of the public is that...

Many thanks, some ideas to play with.

OK had a look at that, it looks OK but seems a little limited. What concerns me is the vignette just looks like an overlay and at times is just not subtle enough.

Great thanks, will look at that. Any chance of showing a before and after example?

Hello all, I am trying to work on my digital vignette options. Up to now I have added a new layer and using the gradient fill set to 9% been slowly adding a black vignetteto areas I want to work with. I will tend to go over the top and then bring the opacity down on the vignette layer until I...

There is a good article in this months Photo Pro by Julia Boggio that covers this, worth reading.

Hello all, directed here by Rob Arkadu, looking forward to linking up. Mark