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From a MOMA press release: "Szarkowski, however, is quick to point out that the mirrors-and-windows dichotomy is not a hard and fast one. 'It must be emphasized that the distinction proposed here...is not intended as a method of dividing recent photography into two discrete and unrelated bodies. On the contrary, the model suggested here is that of a continuous axis. No photographer's work could embody with perfect purity either of the two divergent motives; it is the nature of his problem to find a personally satisfactory resolution of the contesting claims of recalcitrant facts and the will to form.'""The two photographers characterize opposite modes of the new photography, with its divergence between those who believe that art is a mirror, reflecting a portrait of the artist who made it, and those who see it as a window, through which one may better know the world."