gramps
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We're too polite over thereI’ve posted some shots in the street photography section and no one’s told me to do one so…?!
We're too polite over thereI’ve posted some shots in the street photography section and no one’s told me to do one so…?!
I do think that a lot of my photography probably qualifies under some wider definition of street.
Well, I’ve posted some shots in the street photography section and no one’s told me to do one so…?!
Generally people seem to think of Street photography as being picture of people taken in the street. I would describe yours from the just 3 pictures I saw as being more like architectural and documentary photography, not that I want to pigenon-hole you.
Fair. I do occasionally include people, they’re definitely never the main focus though.
If we all set our standard to be "the decisive moment" we would probably never press the shutter button ......... but maybe one day by chance or skill it will be there

I think, as I hinted at before, there are several split genres of 'street' imo
I tend to look for moments, characters, and always people as the main subject. I go out to photograph people. I don't look for the scene & then wait for a person to walk through - at the moment, that just doesn't float my boat.
And, to add...... That doesn't mean that style isn't good. It doesn't mean I don't like it even. It just means it's not what I want to/enjoy shooting![]()
It's an interesting topic that deserves its own thread. What do we think HCB meant by the decisive moment? I think he meant nice composition, e.g all elements have come togetherIf we all set our standard to be "the decisive moment" we would probably never press the shutter button ......... but maybe one day by chance or skill it will be there
architectural street photography? isn't that blending into "urban landscapes"I guess I tend to be more at the 'architectural' end of the street photography spectrum too but say that and people think you're either talking about tripods and tilt shift lenses or photos for estate agents!
I agree, many random 'snaps' taken on the street with no purposeI've noticed that 'street photography' tends to include a lot more (in my opinion and sorry to be blunt) crap photography than other genres so it's a term I stay away from as much as possible.
a bit like random birds, car, boat etc snaps - though not necessarily on the street.many random 'snaps' taken on the street with no purpose
a bit like random birds, car, boat etc snaps - though not necessarily on the street.
It's an interesting topic that deserves its own thread. What do we think HCB meant by the decisive moment? I think he meant nice composition, e.g all elements have come together
I think the same, for me it's the moment worthy of being photographed. The idea is problematic though, what about multiple decisive moments?I would have said the moment when a scene comes together from the lenses perspective to create a picture that has something to say. It might be someone jumping over a puddle, a kiss or something else.
I think the same, for me it's the moment worthy of being photographed. The idea is problematic though, what about multiple decisive moments?
The difference being that street photography is actually societal reportage - telling a story though visual imagery as its purpose. Without that its just a snap on a streeta bit like random birds, car, boat etc snaps - though not necessarily on the street.
Every picture tells a story - not everyone can read and not every subject appeals to every reader.The difference being that street photography is actually societal reportage - telling a story though visual imagery as its purpose. Without that its just a snap on a street
I wonder if folks who are engaged in documentary photography would disagree - a lot of street photography is focused on the single image and the aesthetic, something that could be contrary to reportage. I'm not saying all street photography isn't reportage - there's a ton of overlap, but there is a lot of great street photography that isphotographed with purpose that isn't reportage imoThe difference being that street photography is actually societal reportage - telling a story though visual imagery as its purpose. Without that its just a snap on a street
I'm minded to say that photographs don't tell stories, especially single ones, they just show you what something looked like. They can be packed with description and signs that can be analysed for connotations. A lot of the 'stories' I read in the comments to posted photos is often someone letting their imagination run wild rather than reading the image imoEvery picture tells a story - not everyone can read and not every subject appeals to every reader.

Most 'street' photography is all about the image. At its best the photos stand repeated viewing and stick in the mind, but all too often it's what I call one-liner pictures that are only worth a first look before you move on to the next. With the passage of time even the least considered street pictures become historic documents showing how things used to look. It's rarely the primary intention of the photographers to do that though.I wonder if folks who are engaged in documentary photography would disagree - a lot of street photography is focused on the single image and the aesthetic, something that could be contrary to reportage. I'm not saying all street photography isn't reportage - there's a ton of overlap, but there is a lot of great street photography that isphotographed with purpose that isn't reportage imo
"I take photographs, and photos explain nothing; they describe."I'm minded to say that photographs don't tell stories, especially single ones, they just show you what something looked like. They can be packed with description and signs that can be analysed for connotations. A lot of the 'stories' I read in the comments to posted photos is often someone letting their imagination run wild rather than reading the image imo
Thats a snap and to go back to the origins of this line of thought, the prevalence of snaps that are called street photos are what makes the pool of c**pI'm minded to say that photographs don't tell stories, especially single ones, they just show you what something looked like.
I cannot say that I have seen many of these because there are no underground train near where I live. Some that i have seen are very intrusive in a person's space which is taking the right to photograph anyone so long as it is in a public place to a point where it should be off limits.Some excellent street photos are posted on here but there are 2 styles that I just do not "get".
1. Image inside a full underground carriage with no one particularly interesting.
2. Images of the rear of people - someone walking down a street away from you.
Rant over.
The image of the rear of a person can sometimes be better than the front.