want something stronger in the way of lighting
If you get that, digipix, then also get a fire extinguisher for just in case (they're cheap these days), and check the ventilation of your studio/shooting area, and check your fire insurance policy. Are you covered in case of a mishap?
I'm not joking.
Digipix
I tried to access the web site you mentioned to see exactly what it was you had ordered, but the address seem wrong
www.fotosuppliers.co.uk
gives me a server not found message.
I'm a complete novice at this, (see another post on this board) but I have a light tent and 2 5000 Kelvin bulbs, the long life low power things.
Some of my shots from my first attempt with this are at http://www.graemesforumpics.fotopic.net/c1403379.html
There are one or two other bits and pieces in there which you can ignore
Been doing a bit of research into using flourecent lamps in photography. Found this little bit of information about CRI Colour Rendering Index. . The interesting bit is near the bottom. Daylight by the way has a CRI of 100
http://www.energystar.gov/index.cfm?c=fixture_guide.pr_fixtures_guide_lightquality
The way we work in studio at college is their are two types of product photographs, the creative shot and the product shot, we use studio flash units smallest units are 500 heads. The product shot is simple you want to see the detail on the product so its a big soft box, soft lighting very simple. The creative shot is a bit more detailed showing the product in use etc its just about being creative, you could use all types of lighting and attachments with these shots? great examples in asda magazines etc? Still life is the same idea really. HTH![]()