Out with SLR this morning.

Oldbones

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This morning I went out with my new to me Nikon SLR, It was bright and every where was covered in snow.
So light was something that I have never tried to photograph before.
Using the light meter was a new thing to me and of course its all manual operation.
Therefore I has a vey educational morning using the F-stops and meter and manual focus as well as shutter speeds.
When the light meter was off the scale all I did was adjust the F Stop to get the shutter speed or both.
I had great fun and did learn so much, just hope that the pics come out when I send them away.
 
This morning I went out with my new to me Nikon SLR, It was bright and every where was covered in snow.
So light was something that I have never tried to photograph before.
Using the light meter was a new thing to me and of course its all manual operation.
Therefore I has a vey educational morning using the F-stops and meter and manual focus as well as shutter speeds.
When the light meter was off the scale all I did was adjust the F Stop to get the shutter speed or both.
I had great fun and did learn so much, just hope that the pics come out when I send them away.

Just treat that first roll as an experiment and if any good images come from it, that's a bonus :)

We all have our ups & downs shooting film and if you keep at it you'll soon get used to the camera and meter you are using.
 
This morning I went out with my new to me Nikon SLR, It was bright and every where was covered in snow.
So light was something that I have never tried to photograph before.
Using the light meter was a new thing to me and of course its all manual operation.
Therefore I has a vey educational morning using the F-stops and meter and manual focus as well as shutter speeds.
When the light meter was off the scale all I did was adjust the F Stop to get the shutter speed or both.
I had great fun and did learn so much, just hope that the pics come out when I send them away.
I'm not sure what you've done there, because I haven't been following your story. But snow's a particular case that often needs exposure compensation. An in-camera meter is a reflected light meter & will tend to average what it sees to a mid-tone. So snow can fool it, by being abnormally bright - which results in underexposure. Did you figure that out & deal with it somehow?

A typical scheme, using either a through-the-lens meter or a separate hand-held reflective light one, with a snowy scene, is to take a general reading then open up the aperture by at least a stop & a half, or maybe 2 stops (or the equivalent shutterspeed alteration, on the basis that a 'stop' doubles or halves the exposure). An alternative is to meter off a surface under the same overall lighting that you guess to be a mid-tone - full blue sky, clothing, back of the hand, etc. Set the exposure accordingly, then recompose & take the shot.

(If a camera's exposure settings were fully auto, hopefully it would have an exposure compensation dial, if not a mode dial labelled 'snow'.)

Is that intelligible & relevant?
 
This morning I went out with my new to me Nikon SLR, It was bright and every where was covered in snow.
So light was something that I have never tried to photograph before.
Using the light meter was a new thing to me and of course its all manual operation.
Therefore I has a vey educational morning using the F-stops and meter and manual focus as well as shutter speeds.
When the light meter was off the scale all I did was adjust the F Stop to get the shutter speed or both.
I had great fun and did learn so much, just hope that the pics come out when I send them away.
Whats the camera?

So much fun, Its amazing. So happy for you!

If you have not allowed for exposure compensation with your meter, before you send it off check with the guys here if you will be able to ask the developer for a bit of a pull in the process.

@droj
 
Just treat that first roll as an experiment and if any good images come from it, that's a bonus :)

We all have our ups & downs shooting film and if you keep at it you'll soon get used to the camera and meter you are using.
Thank you, its sort of what I am expecting to happen, sacrificing a few rolls of film will not be too bad of an event.
 
Whats the camera?

So much fun, Its amazing. So happy for you!

If you have not allowed for exposure compensation with your meter, before you send it off check with the guys here if you will be able to ask the developer for a bit of a pull in the process.

@droj
Ok The camera is a Nikon FG-20, as far as I can tell its in good order, don't know for sure about the light seals at this point.
I will ask them (analog wonderland) when I send the film.
 
I'm not sure what you've done there, because I haven't been following your story. But snow's a particular case that often needs exposure compensation. An in-camera meter is a reflected light meter & will tend to average what it sees to a mid-tone. So snow can fool it, by being abnormally bright - which results in underexposure. Did you figure that out & deal with it somehow?

A typical scheme, using either a through-the-lens meter or a separate hand-held reflective light one, with a snowy scene, is to take a general reading then open up the aperture by at least a stop & a half, or maybe 2 stops (or the equivalent shutterspeed alteration, on the basis that a 'stop' doubles or halves the exposure). An alternative is to meter off a surface under the same overall lighting that you guess to be a mid-tone - full blue sky, clothing, back of the hand, etc. Set the exposure accordingly, then recompose & take the shot.

(If a camera's exposure settings were fully auto, hopefully it would have an exposure compensation dial, if not a mode dial labelled 'snow'.)

Is that intelligible & relevant?
My story, took up photography about a year ago, using an older DSLR with the stock lens, which has gone slowly but surely for the better.
This was my first time trying to take shots in snow, with film, so no I di not actually figure it out quilt like you have explained,
But what I did do was avoid the harshness of the strong sunlight, and adjusted the camera settings when the light meter went past 1000 of a second.
The camera also has a an overexposure button which reduces light down by 2 stops, and I took a few with that in operation.
I did try and stay in places where the trees did defuse the strong light.
Needless to say I am pretty new to all of this, but I feel like I have learned more in a couple of hours with this camera while outdoors than any other camera at any other time in the last year.
So yes it is very relevant and intelligible, all I have to do is practice and take photographs.
What I did notice was, that I was very slow at deciding what to shoot and I only took 12 images. simply because I am now looking what I would consider properly at composition, not saying that I am good at it at this point.
With the DSLR I can take loads of photographs and might get one or two reasonable shots, but using this camera with film (Nikon FG-20 and a 50mm prime lens)
Just have to complete the rest of that roll and send it away, Kodak Gold 200, then I will try B&W after that.
Thank you so much for your reply, it has really helped me out today.
 
Ok The camera is a Nikon FG-20, as far as I can tell its in good order, don't know for sure about the light seals at this point.
I will ask them (analog wonderland) when I send the film.
I had one of those, many years ago.

I didn't get on at all well with it and we soon parted company. Here's hoping you have a better experience.

FG20 With Vivitar 70-210 zoom.JPG
 
The camera also has a an overexposure button which reduces light down by 2 stops, and I took a few with that in operation.
Ah - with snow (lots of white), a straightforward metering will tend to underexpose the film (reduce the snow to grey, because it's averaging everything to a mid tone), so you would have to open up the exposure setting, not reduce it ...

don't know for sure about the light seals at this point.
Usually you can tell a lot by looking at them with the camera back open - with such a camera there's usually a strip in a groove both top & bottom, & a pad at one or both ends but certainly at the hinge end ... you can buy the materials ...
 
Ah - with snow (lots of white), a straightforward metering will tend to underexpose the film (reduce the snow to grey, because it's averaging everything to a mid tone), so you would have to open up the exposure setting, not reduce it ...


Usually you can tell a lot by looking at them with the camera back open - with such a camera there's usually a strip in a groove both top & bottom, & a pad at one or both ends but certainly at the hinge end ... you can buy the materials ...
I have seen them on sale on the net, but I cant open the camera at the moment as it still has 24 exposures in it.
 
For the most accurate results, use a hand held incident meter with the camera exposure set manually, then there is no need to guess the required exposure compensation for a reflective reading (in camera say) exposure.
 
I am going to use it again tomorrow, and try and do some portraits, we will see.
 
While you get used to it, based on my experience as a beginner, keep away from very high contrast scenes, ie bright skies and dark subjects. They are difficult to meter satisfactorily and provide the opportunity for limitless disappointment.

Portraits is a good choice
 
Limitless disappointment, oh boy, I guess that could happen, hope not.
I will be very honest because what ever happens it will be on here.
 
I took almost a whole roll of film that day, about 25 out of the 36 .
Filled up the rest with some local stuff and sent the it to Analog wonderland.
Got them all back, they came out far better than I thought, so I am very happy with my camera and lens purchase.
I got scans sent to my e mail, downloaded them to my computer, I can edit them but not a lot with NX Studio.
But lucky me got a new Laptop and it has a better edit program on it so I am happy there.
Still some work to do and learning to absorb, but first film has been a success.
Think I am going to set up a tripod next time as a lot of these needed a fair amount of leveling.
0018-67e4d.jpg

008-e6042.jpg
 
Beautiful shots there Bryan,

I like all of them, the dark reflections in the water, the alignment of the chap with the boat, lovely crop there, a nice pose for the young lady, interesting shadows on the wood, super detail on the radar tower, A lovely series. Looks like you had a super day out. Did you manage any shots of the cobbles?
 
I did take one, but not really that good, no rain and far to short a street, what I wanted was a street with a hill or a steep contour and wet cobbles.


009-8ec39.jpg
 
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