HoppyUK
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In this thread http://www.talkphotography.co.uk/forums/showthread.php?t=159420 the OP asked if you could use a simple optical slave to trigger a Canon hot shoe gun in a studio lighting set up. I said you could, and I bought one to do just that with my 580EX. It works, but will only fire the flash once; you then have to turn the flash off to reset the slave before it will fire again, just once - obviously useless :bang: The OP had the same problem.
I couldn't understand why, but after a few hours googling, I have found the answer, which is a slightly modified optical slave which gets over a condition which I believe is common with a lot of hot shoe flashes - the SCR lock-out (silicon controlled rectifier).
Apparently there is residual current present in the gun's hot shoe which prevents an optical slave from resetting itself, but some simple electronic components in the cable can sort it. This guy, Michael Bass in the US, sells the bits you need - the trick cable is $40 and if you want a hot shoe that's another $40, optical slave $20 more. http://michaelbass.blogspot.com/2007/01/misc-custom-connections.html#CanonSoniaConnect
Michael Bass also custom makes dozens of different leads and connectors to get around the myriad of problems associated with stobist techniques, especially when trying to make dedicated auto exposure guns work in ways they were not primarily designed to. He's also extremely helpful as well as knowledgeable - answered my emails in a few hours
Here's a link to another handy site with simple instructions to fit a sync socket to a Canon 580EX http://blog.rrdphoto.com/2007/04/how-to-add-sync-port-to-canon-580ex.html But if you want to plug an optical slave into that, which seems to me to be the best way of getting hot-shoe and studio flashes to sync up together, then you'll still need Michael Bass' magic connector
I couldn't understand why, but after a few hours googling, I have found the answer, which is a slightly modified optical slave which gets over a condition which I believe is common with a lot of hot shoe flashes - the SCR lock-out (silicon controlled rectifier).
Apparently there is residual current present in the gun's hot shoe which prevents an optical slave from resetting itself, but some simple electronic components in the cable can sort it. This guy, Michael Bass in the US, sells the bits you need - the trick cable is $40 and if you want a hot shoe that's another $40, optical slave $20 more. http://michaelbass.blogspot.com/2007/01/misc-custom-connections.html#CanonSoniaConnect
Michael Bass also custom makes dozens of different leads and connectors to get around the myriad of problems associated with stobist techniques, especially when trying to make dedicated auto exposure guns work in ways they were not primarily designed to. He's also extremely helpful as well as knowledgeable - answered my emails in a few hours
Here's a link to another handy site with simple instructions to fit a sync socket to a Canon 580EX http://blog.rrdphoto.com/2007/04/how-to-add-sync-port-to-canon-580ex.html But if you want to plug an optical slave into that, which seems to me to be the best way of getting hot-shoe and studio flashes to sync up together, then you'll still need Michael Bass' magic connector
) and I think I'm going to go for this one