Sadly with all these various high speed sync workaround tricks, the downside is a huge loss of light which makes it effectively impractical. The best option by far is to use an FP/HSS enabled flash gun.
Sadly with all these various high speed sync workaround tricks, the downside is a huge loss of light which makes it effectively impractical. The best option by far is to use an FP/HSS enabled flash gun.
D70s are great. Not sure how you are managing to get that sync though. With pocketwizards, the fastest you can go before you get crazy moire patterns and other odd anomalies is 1/800th.
with this one is an electronic shutter so it works anyway![]()
And a Mamiya 40 has selectable leaf or focal plane shutters that syncs at 1/1600s
http://www.digitalpixels.net/2010/0...apixels-11600th-flash-sync-speed-dm40-camera/
I want one.
Rubbish
I get a consistent flash exposure all the way to 1/1500s using rear curtain sync.
From 1/125 - 1/1500s in a dark environment the histograms are absolutely identical, no loss of flash power at all until the shutter speed gets up to 1/2000s. Nothing other than the shutter speed is changed. No drop off in exposure, no loss of light or power they're identical. Which makes sense since the flash duration is around 1/15,000 second at 1/16th power.
In an environment with ambient, the flash exposure's consistent so I can pull ambient way down. Just got to wait for a free sunny day now.
I now know that with a speedlight I can sync at up to 1/1500s, I'll try the Safari gear tomorrow but I think the limitation is probably in the Skyports, and maybe I should retest using first curtain sync and just a cable.
Elinchrom Skyports consistently upto 1/1500s (Elinchrom claim 1/1000s so can't expect more)
I've just tried a cable and it comfortably goes to 1/4000s.
Not seen any strange effects yet.
1/4000? Must be faulty, mine'll go to 1/8000 with a neutered ttl cable![]()
However, it cannot increase the power of the flash. Say for example that a full power flash pulse lasts for 1/1000sec with a typical hot-shoe gun,
It's also 1/1000s for my Safari heads.
That is firing at full power though.
If you drop the power the duration drops quite dramatically too so that around 1/4 power you're at 1/5,000s flash duration. It's not a linear tail off and the first few drops in power have the biggest impact on duration. 1/64 should be around 1/30,000s. That's on a hotshoe flash, not sure if it will tail off in a similar manner for the Safari as it's got bigger and better tubes, so may go to an even lower duration.
This extra sync speed also opens up the option of much lower flash power being required to control ambient because I don't need to overpower it so much and recycle time gained too. It also allows for larger apertures, and hence even lower flash power.
It's not so much about having the ability to fire full power shots of light into a scene but I've now got a lot more leeway for certain scenarios without needing extra w/s.
Even at 1/1000s, I have 2-3 stops extra gained over a typical sync speed (my other body maxes at 1/180) whilst still allowing me to benefit from a full power flash output. So that's 3 stop bigger aperture, 3 stops less power from the flash or 3 stops better ISO (Disappointed that Nikon only goes down to ISO 200 though).
1/1000s is probably where my working limit will be as it's a sweetspot of camera, skyport, full power duration all wrapped up together.
The D70s isn't my main body, it was bought with the sole purpose of getting access to these much higher sync speeds with studio / portable gear and to allow for experimentation.