sk66
Suspended / Banned
- Messages
- 9,557
- Name
- Steven
- Edit My Images
- Yes
I've purchased a Godox AD360 bare bulb flash (Neweer branded..also sold under Cheetah/Lencarta/Calumet/ brands). I do a bit of event photography, often in the evenings, and I'm hoping the power will allow knocking back the sun more easily. I'm also hoping it will be "better" than an SB800 w/ a "beemer" (I'm going to get a qflash telephoto reflector for it) and the ability to use lower flash durations at shorter distances. Both will be useful for wildlife/action photography.
But, I'm stepping into a new realm for me...manual flash for event/action photography, and I'm trying to figure out the best way to approach it. FWIW, I'm fine w/ manual flash for studio type work but I don't think I've ever used manual flash for these types of situations.
I'm thinking full manual exposure may be the way to go. This way the ambient exposure can be locked down and I only have to worry about flash power (output/distance). I can then set the flash exposure for say 10ft and just change the flash power by 2stops every time the distance doubles/halves (1 stop for 1/2 that). My problem with this is it locks my aperture because any change will affect both the ambient and flash exposure. And I'm dependent on flash duration to freeze motion above 1/250 equivalent. (The AD360 has T1's of ~1/100- 1/3000 and it is also HSS compatible)
To get away from this I could use aperture priority w/ fixed ISO. This means the SS will change w/ aperture changes and the SS change will not affect the flash exposure. But it does mean the ambient exposure will vary with metering...matrix metering and EC?? And it will affect the flash exposure due to the aperture change which means another setting change is required (flash output) if I'm changing the aperture for "creative effect" (i.e. fixed distance).
But maybe this is the best approach for variable situations. If I start with my flash exposure set for a descent aperture then as working distances shorten, the DOF gets shallower/flash power greater; then I can simply compensate by stopping down to get back some of the DOF and fix the flash power...
I could go with aperture priority(or manual) with auto ISO. With Nikon, aperture changes will then be offset by ISO changes (within limits set) which will keep the flash and ambient exposures constant but both dependent on metering. I would then only have to adjust flash output for changes in distance...
I don't really see SS priority being useful...
Maybe I'm over-thinking this. I've completely skipped the manual mode/SS for ambient/aperture for flash...
Anyone have any suggestions??? I'm trying to decide on the best/most versatile approach to try to develop/master... I'll have to pick one and stick with it a while...
or forget the whole thing and just stay with TTL; I've become very dependent on TTL it seems... :shake:
But, I'm stepping into a new realm for me...manual flash for event/action photography, and I'm trying to figure out the best way to approach it. FWIW, I'm fine w/ manual flash for studio type work but I don't think I've ever used manual flash for these types of situations.
I'm thinking full manual exposure may be the way to go. This way the ambient exposure can be locked down and I only have to worry about flash power (output/distance). I can then set the flash exposure for say 10ft and just change the flash power by 2stops every time the distance doubles/halves (1 stop for 1/2 that). My problem with this is it locks my aperture because any change will affect both the ambient and flash exposure. And I'm dependent on flash duration to freeze motion above 1/250 equivalent. (The AD360 has T1's of ~1/100- 1/3000 and it is also HSS compatible)
To get away from this I could use aperture priority w/ fixed ISO. This means the SS will change w/ aperture changes and the SS change will not affect the flash exposure. But it does mean the ambient exposure will vary with metering...matrix metering and EC?? And it will affect the flash exposure due to the aperture change which means another setting change is required (flash output) if I'm changing the aperture for "creative effect" (i.e. fixed distance).
But maybe this is the best approach for variable situations. If I start with my flash exposure set for a descent aperture then as working distances shorten, the DOF gets shallower/flash power greater; then I can simply compensate by stopping down to get back some of the DOF and fix the flash power...
I could go with aperture priority(or manual) with auto ISO. With Nikon, aperture changes will then be offset by ISO changes (within limits set) which will keep the flash and ambient exposures constant but both dependent on metering. I would then only have to adjust flash output for changes in distance...
I don't really see SS priority being useful...
Maybe I'm over-thinking this. I've completely skipped the manual mode/SS for ambient/aperture for flash...
Anyone have any suggestions??? I'm trying to decide on the best/most versatile approach to try to develop/master... I'll have to pick one and stick with it a while...
or forget the whole thing and just stay with TTL; I've become very dependent on TTL it seems... :shake: