Lens focal length / aperture for Car Stills

christurbo

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Hi,

I have had a number of cameras and lenses but have been out of the game for years.

My last was a Sony A7RII and various lenses, but have been using an iPhone 14 Pro Max for what I mainly shoot = cars (static, non motion).

I am getting a bit fed but with the limitations of using a smartphone (but love the convenience), so I'm buying a used Sony A7III body. But I am looking for a lens/options.

I believe the most common used for static car photography is the 35mm and 50mm focal lengths (FF), f1.8 or faster.

I can't decide on choosing this or a zoom lens (looking at the Tamron 28-75mm, f2.8) to give me some flexibility at a compromise on speed.

Are there any car photographers on here who could advise on this, obviously a considerable investment so want get it right.

Thanks,

Chris
 
Hi,

I believe the most common used for static car photography is the 35mm and 50mm focal lengths (FF), f1.8 or faster.
The lens you use will depend on what you're trying to achieve. I use everything from 14mm to 800mm (courtesy of zooms, of course) depending on the situation.
I can't decide on choosing this or a zoom lens (looking at the Tamron 28-75mm, f2.8) to give me some flexibility at a compromise on speed.
With digital cameras, lens speed is nothing like as important as it was with film. I find that depth of field is the important thing, to get the subject sharp where you want it.

To be fair, my interest is more towards what might be described as recording or reportage - I don't set out to "prettify" the subject...

Grass maintenance car Seefeld golf course TZ7 P1020560.jpg
4x4 special Glassouse Lane Exeter S10 DSCN0823.JPG
Austin A40 in Paignton G2 1030060.JPG
 
Hi,

I have had a number of cameras and lenses but have been out of the game for years.

My last was a Sony A7RII and various lenses, but have been using an iPhone 14 Pro Max for what I mainly shoot = cars (static, non motion).

I am getting a bit fed but with the limitations of using a smartphone (but love the convenience), so I'm buying a used Sony A7III body. But I am looking for a lens/options.

I believe the most common used for static car photography is the 35mm and 50mm focal lengths (FF), f1.8 or faster.

I can't decide on choosing this or a zoom lens (looking at the Tamron 28-75mm, f2.8) to give me some flexibility at a compromise on speed.

Are there any car photographers on here who could advise on this, obviously a considerable investment so want get it right.

Thanks,

Chris
I think you'd be best served with the standard zoom, f2.8 is plenty wide enough aperture since unless you are trying to isolate a particular feature of the car you'll likley be around f8 to keep the whole car sharp enough. Unless you can garuantee s constant subject distance a zoom will give you best options for compositions even if you don't have a lot of room, 28 is as wide as I would go, any wider and you will need to deal with perspective distrotion that comes with the wider lenses (unless you are shooting straight on (90 degrees to the subject)).

These 2 were shot at 35mm equiv, I was tight for space on this shot.

001 TR4 01a-1660 PS Adj Upload.JPG

Less so with this one.

MGB L1010811 upload.JPG
 
Great shots guys and thank you.

You make a good point about the 2.8, to capture the whole car for certain shots I would be using a higher apature.

Sounds like for a one lens killer kit the Tamron 2.8 28-75 would be perfect for my needs.

To answer the question about what I was trying to get. Some interesting closeups for cars with standout features (I have a GT4 so things like intakes and wing etc), but also nice full shots of the car but with separation with depth of field.
 
Just like there is no hard set combination / rule for portraits, or for that matter anything - same applies here. It depends on mood you try to create, car, lighting, background, customer requirements...
 
To answer the question about what I was trying to get. Some interesting closeups for cars with standout features (I have a GT4 so things like intakes and wing etc), but also nice full shots of the car but with separation with depth of field.
The longer end of the zoom will be good for that, standing further away will create that look. Is that zoom a constant f2.8 or does the aperture change as you zoom?
 
The longer end of the zoom will be good for that, standing further away will create that look. Is that zoom a constant f2.8 or does the aperture change as you zoom?

It's a constant 2.8 and has great reviews on Flickr for sharpness as well as bokeh quality.
 
It's a constant 2.8 and has great reviews on Flickr for sharpness as well as bokeh quality.

Hi, for static car pics I generally use 35mm or 50mm primes at f 2,8.

So, the TAMRON zoom covers this.

Any Zoom (and any lens) is a compromise. According to a review I just read the TAMRON is a good one:

 
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My go to for static is 85/1.8 - It is nice to throw the odd 35/1.4 shot in there too though for some environment or a bit of interior. So, a standard'ish zoom might do you fine if f/2.8 is okay such as the Tamron 28-75mm.

I used to shoot a lot of static at 135mm but having the space can be a pain.

I am not a fan of wide angle car stuff personally.
 
At shows, access is often patchy (at best!) so a wide angle can get you close enough to keep most people out of shot, although that does restrict the viewpoints you can get. I usually use either a compact (with about a 24-100mm range [35mm/ff equivalent]) or a similar range zoom on an interchangeable lens body. The compact I tend to use has a decent close up capability and is reasonably fast so I can get detail shots with limited DoF should I want to. Flip out screens make higher (or lower) PoVs a breeze!
 
Pick your focal length for the perspective you want or based on where you can stand and pick your aperture for the depth of field you want.

I don't suppose you want a lot of perspective distortion and I don't suppose you want very thin depth of field or if you want these things I don't suppose you'll want to use them for every picture?
 
I think this depends on personal style, me, I like to shoot static cars with faster lenses than F2.8 on FF, but I would agree with a lot of posters here than the sweet spot is probably between 35mm and 50mm, most of my static shots are around 50mm, and those taken with wider lenses I often crop into (its an intentional crop, I'll frame the overall view with the crop in mind)

I would suggest that the OP thinks about what kind of style he wants to adopt, someone who is after record shots won't want to shoot as fast as I do, I'd rather have something that leaps off the page at you!!
 
Thanks for your advice.

I have now taken delivery of:-

Sigma 85mm f1.4
Tamron 28-75mm f2.8

This should cover most bases, I like the compression I will get from the 85mm as long as I get the space to shoot!
 
Thanks for your advice.

I have now taken delivery of:-

Sigma 85mm f1.4
Tamron 28-75mm f2.8

This should cover most bases, I like the compression I will get from the 85mm as long as I get the space to shoot!

That ^^

I took some at 85mm of my car on Saturday. Probably the best I've ever taken of it in many many years. The look from it knocks anything wide angle out of the park imo :)
 
someone who is after record shots won't want to shoot as fast as I do,
Could you clarify that?

If I'm recording an interesting vehicle, it's moving as often as not. If so, I often have only a few seconds to frame the image. Is that different from what you mean?

Motorbike with sidecar in carpark 002483A Leica M3 09.jpg
Three wheel JZR car in Exmouth GM5 _1040192.jpgParamedic car   Heavitree Road blue lights P1140269.JPG
 
Could you clarify that?

If I'm recording an interesting vehicle, it's moving as often as not. If so, I often have only a few seconds to frame the image. Is that different from what you mean?

Andrew, I meant fast as in fast aperture, sorry if I wasn't clear

Whilst I appreciate your style is documentray/reportage, thats not what I'm looking for in my automative shots.


Oulton Park - Autos De France - 1973 TVR 3000M by David Yeoman, on Flickr
 
Andrew, I meant fast as in fast aperture, sorry if I wasn't clear

Whilst I appreciate your style is documentray/reportage, thats not what I'm looking for in my automative shots.
Thanks for the clarification.
 
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