Teflon-Mike
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- Name
- Mike
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Many years ago, I was loaned a Hassablad, by a chap determined to convert me to Medium Format.. he almost succeeded; but that's another story.
The 'thing' is that the 'blad took square pictures. My 35mm camera's of course took oblong ones. Which raises the question of 'preferred' viewing shape.
When showing people, non-camera-folk, pictures from either the borrowed 'Blad, or an antique Voiglander I had initially dabbled in MF with, often got the query "Where's the rest of the picture?' I got a similar query showing pictures from fish-eye; "Why's it round? Where's the rest of it?"
Now... looking at and critiquing pictures, we... 'Camera-folk' of course dive straight in and look at what is 'in' the picture, and start looking for... well whatever concerns us really, because we are 'above' such superficial points of first impression, and know better.... or are we?
It is a 'natural' thing, and when presented with a picture, we automatically start judging it on first impressions, AND the shape of the picture MATTERS.
Now; I am not a fan of wide-screen TV or Wide-Screen TV aspect ratio... BUT, it is actually a more 'natural' field of view.. maybe not what our eyes 'see', but what we look at in what our eyes see!
Psychologists can explain it in tedious detail; but it's the "You cant see what's right under your nose" effect. or my example... "Where's the Washing Powder?"... BIG, as in larger than your head, sized box. Brightly coloured, instantly recogniseable, thanks to so many washing powder adverts, this is an object that ought to literally leap out at you when you look for it... BUT.... people don't look up or down....... They will stand in the middle of a room and look round and round... but not at whats up on a shelf above their head or whats on the floor beneath their knees.. they could literally have a box of Daz fall on their head, or trip over it, without 'seeing' it!
(As a motorcyclist; this phenominon of "perception" is something I have researched quite extensively; The SMIDSY... "Sorry Mate! I Didn't See You!"... far too common a cause of motorcycling calamity; usually not due to people not 'looking' but not taking much notice of what they do 'see'.. but an asside to topic here)
So, Photo. How often do we critasise people for sticking the subject SLAP bang in the middle of frame, little care of whats in the corners, and always shooting 'Land-Scape', not thinking to tilt the camera through 90 Degrees to shoot 'Portrait' when that would better suit the subject?
Mia Culpa... LOTS.
BUT! I was working through some sets the other day; and I'll own up here, 99.9% of my pictures are only EVER going to be viewed on a screen.
Mostly by me, on my screen with a 'monitor' aspect ratio of 4:3....
Most of my photo's; taken on 35mm are 3:2 so short and wide, and taking up full width of MS Photo-Viewer window... top and bottom of the screen is filled with back-ground colour. Not a lot, and its not too distracting... :bang: Yeah... I dont look up or down do I?! See we ALL do it!
Bit better on my lap-top, of course, that has 16:9 aspect ratio, so masks them less....
UNTIL I have a photo in 'Portrait'... and jumping to fill the screen top to bottom, the sides... where we look most.. get filled with back-ground, and its half the screen!
And subconsciously, I was starting to get a bit frustrated by it, and when I opened a portrait mode photo, actually groaning before I really looked at it!
And I was starting to ponder pictures, and consciously wondering whether I could crop 3:2 portrait mode pics down a bit top and bottom, to perhaps 4:3 so they filled the screen a bit better.....
So... where does this lead us?
Well... basically, wide aspect ratio photo's fit very nicely onto wider aspect ratio screens, provided they are in landscape orientation.
Turn the camera, shoot portrait, and the wider the aspect ratio, the less nicely it fits onto a landscape orientated screen, and the more wide-aspect the screen and the picture, the more 'annoying' it is, due to the 'Cant see whats under our nose" effect.
Which begs a few questions; like:
-what is the 'nicest' proportions to shoot?
- do we avoid portrait orientation more these days as it works less well on modern viewing media?
- do we think more or less about it?
- is the age old advice of using the frame to advantage and not being scared to twist it 90 Degrees less important now?
- Should we think more about shooting FOR screen viewing?
And stuff like that?
So spoiler for a discussion; what do you reckon?
The 'thing' is that the 'blad took square pictures. My 35mm camera's of course took oblong ones. Which raises the question of 'preferred' viewing shape.
When showing people, non-camera-folk, pictures from either the borrowed 'Blad, or an antique Voiglander I had initially dabbled in MF with, often got the query "Where's the rest of the picture?' I got a similar query showing pictures from fish-eye; "Why's it round? Where's the rest of it?"
Now... looking at and critiquing pictures, we... 'Camera-folk' of course dive straight in and look at what is 'in' the picture, and start looking for... well whatever concerns us really, because we are 'above' such superficial points of first impression, and know better.... or are we?
It is a 'natural' thing, and when presented with a picture, we automatically start judging it on first impressions, AND the shape of the picture MATTERS.
Now; I am not a fan of wide-screen TV or Wide-Screen TV aspect ratio... BUT, it is actually a more 'natural' field of view.. maybe not what our eyes 'see', but what we look at in what our eyes see!
Psychologists can explain it in tedious detail; but it's the "You cant see what's right under your nose" effect. or my example... "Where's the Washing Powder?"... BIG, as in larger than your head, sized box. Brightly coloured, instantly recogniseable, thanks to so many washing powder adverts, this is an object that ought to literally leap out at you when you look for it... BUT.... people don't look up or down....... They will stand in the middle of a room and look round and round... but not at whats up on a shelf above their head or whats on the floor beneath their knees.. they could literally have a box of Daz fall on their head, or trip over it, without 'seeing' it!
(As a motorcyclist; this phenominon of "perception" is something I have researched quite extensively; The SMIDSY... "Sorry Mate! I Didn't See You!"... far too common a cause of motorcycling calamity; usually not due to people not 'looking' but not taking much notice of what they do 'see'.. but an asside to topic here)
So, Photo. How often do we critasise people for sticking the subject SLAP bang in the middle of frame, little care of whats in the corners, and always shooting 'Land-Scape', not thinking to tilt the camera through 90 Degrees to shoot 'Portrait' when that would better suit the subject?
Mia Culpa... LOTS.
BUT! I was working through some sets the other day; and I'll own up here, 99.9% of my pictures are only EVER going to be viewed on a screen.
Mostly by me, on my screen with a 'monitor' aspect ratio of 4:3....
Most of my photo's; taken on 35mm are 3:2 so short and wide, and taking up full width of MS Photo-Viewer window... top and bottom of the screen is filled with back-ground colour. Not a lot, and its not too distracting... :bang: Yeah... I dont look up or down do I?! See we ALL do it!
Bit better on my lap-top, of course, that has 16:9 aspect ratio, so masks them less....
UNTIL I have a photo in 'Portrait'... and jumping to fill the screen top to bottom, the sides... where we look most.. get filled with back-ground, and its half the screen!
And subconsciously, I was starting to get a bit frustrated by it, and when I opened a portrait mode photo, actually groaning before I really looked at it!
And I was starting to ponder pictures, and consciously wondering whether I could crop 3:2 portrait mode pics down a bit top and bottom, to perhaps 4:3 so they filled the screen a bit better.....
So... where does this lead us?
Well... basically, wide aspect ratio photo's fit very nicely onto wider aspect ratio screens, provided they are in landscape orientation.
Turn the camera, shoot portrait, and the wider the aspect ratio, the less nicely it fits onto a landscape orientated screen, and the more wide-aspect the screen and the picture, the more 'annoying' it is, due to the 'Cant see whats under our nose" effect.
Which begs a few questions; like:
-what is the 'nicest' proportions to shoot?
- do we avoid portrait orientation more these days as it works less well on modern viewing media?
- do we think more or less about it?
- is the age old advice of using the frame to advantage and not being scared to twist it 90 Degrees less important now?
- Should we think more about shooting FOR screen viewing?
And stuff like that?
So spoiler for a discussion; what do you reckon?
