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- 18,695
- Name
- LongLensPhotography
- Edit My Images
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Just looking for all possible alternatives, in this case something that doesn't require a matt and glass
Canvas in a frame glued on a board actually works, but the sort of canvas I'm preferably using is mega £££ (for example Permajet Saturn) and I'm not entirely sure if it still doesn't need varnishing. It is very borderline on that topic. You can clean with wet cloth, but it is very fragile once you start bending and stretching or scratching harder.
Obviously I can get the regular baryta print glued on the same mount board and stuck in the same frame. Now can you get it varnished and looking good at all and have it stay like that for reasonable number of years?
For reference, if you go to museum or most respectable art galleries, you rarely if ever see glass and mount on their pieces. I am not sure when these became fashionable but clearly I don't love them nor find them to be a requirement in such context.
Of course you can do a <1cm black mount, museum glass but that's mega money at A1+ sizes. If customer is happy to pay that then obviously this is an option I would gladly offer. Other than that I absolutely can't stand using regular glass and what it does to my work.
I generally prefer Winsor and Newman acrylic varnish. I had more than horrible experience with all photo based brands, from smell to look to price.
Canvas in a frame glued on a board actually works, but the sort of canvas I'm preferably using is mega £££ (for example Permajet Saturn) and I'm not entirely sure if it still doesn't need varnishing. It is very borderline on that topic. You can clean with wet cloth, but it is very fragile once you start bending and stretching or scratching harder.
Obviously I can get the regular baryta print glued on the same mount board and stuck in the same frame. Now can you get it varnished and looking good at all and have it stay like that for reasonable number of years?
For reference, if you go to museum or most respectable art galleries, you rarely if ever see glass and mount on their pieces. I am not sure when these became fashionable but clearly I don't love them nor find them to be a requirement in such context.
Of course you can do a <1cm black mount, museum glass but that's mega money at A1+ sizes. If customer is happy to pay that then obviously this is an option I would gladly offer. Other than that I absolutely can't stand using regular glass and what it does to my work.
I generally prefer Winsor and Newman acrylic varnish. I had more than horrible experience with all photo based brands, from smell to look to price.