Interesting video on colour spectrum

I think it's very helpful.
I'm constantlybanging on about Color Rendition Index on this forum and elsewhere and nobody takes a blind bit of notice, with people constantly confusing colour temperature with colour rendition, and stating that it can be corrected in PP - which is an "interestiong" bit of misinformation.

The simple fact of the matter is that CRI is vitally important in all types of photography (and especially colour). Daylight, flash and tungsten (the old fashioned filament lamp) lighting produces light across the entire colour spectrum, which means that all colours are reproduced accurately. Fluorescent lamps and LED lamps have a discontinuous spectrum, which means that different colours are not rendered equally.
And, to make matters even worse, although even the "good" makes of discontinuous spectrum lights are nowhere near as good as Daylight, flash and tungsten lighting, the worst of them are truly appalling. Very often, sellers of these lights either don't state the CRI value or state it falsely (perhaps knowing that most people don't even know what it is, don't know why it matters and have no means of testing the veracity of their statements). And because anything sold as "professional photographic lighting" carries a price premium, many of the so-called "photographic lights" sold on Ebay, Amazon and elsewhere are in fact just household or security lights in terms of their LED components.


The downside of http://woodgears.ca/misc/led.html is that he compares household-quality CFL lights with LED lights and concludes that LED is the answer. What he should really do is to compare both CFL and LED to daylight, flash and tungsten lighting.
 
It's a very biased test from which little can be drawn.

The simple answer is that people should be researching how the lighting they're considering in conjunction with the camera sensor in use will affect the reproducability of colour.

Diagrams highlighting the issue are shown in: http://downloads.bbc.co.uk/outreach/BBC_LEL_Guidelines.pdf

I would question whether CRI is the way to do this, that's a measurement of the lighting in isolation from the camera system.
 
I saw this video and it's highly relevant to me and the illumination of my cave photography images.
Well worth a watch - and yes, lovely workshop!

I'd noticed that some of my cheap but powerful bike lights don't render rock and mud in the same way as the video lights I also use - not just a question of white balance but something far more subtle.
Not to say they are useless, but have to be used with care.
When I give this test a go I suspect the bike lights will have narrow spectrums; gonna be an interesting test.
 
It's a very biased test from which little can be drawn.

The simple answer is that people should be researching how the lighting they're considering in conjunction with the camera sensor in use will affect the reproducability of colour.

Diagrams highlighting the issue are shown in: http://downloads.bbc.co.uk/outreach/BBC_LEL_Guidelines.pdf

I would question whether CRI is the way to do this, that's a measurement of the lighting in isolation from the camera system.
I sort of agree with you, in part.
I would describe that tutorial as incomplete, rather than biased though.
I was speaking to a technical rep from one of the major filter manufacturers, and she told me that they are now biased towards testing T (transmitted) CRI rather than CRI per se. They can't measure every sensor of every camera of course.

Of course, going back in ancient photographic history, we've alway been able to manipulate colour rendition when shooting monochrome. We've used filters to suppress colours and also we used to have orthocromatic films when we preferred the rendition of their skin tones to pancromatic films. The difference of course was that these were deliberate manipulations, based on knowledge, not accidental ones based on inadequate lighting.
 
It's a very biased test from which little can be drawn.

It's a bloke holding a CD to check the colour spectrum, it was never going to be a perfectly sound scientific test but I can't think of anyone else who's illustrated so simply and quickly why you should care about CRI and is probably perfect for his intended audience.

http://downloads.bbc.co.uk/outreach/BBC_LEL_Guidelines.pdf

Interesting read, it's a shame most people won't see it.
 
That is one wicked work station chap!
 
It's a bloke holding a CD to check the colour spectrum, it was never going to be a perfectly sound scientific test but I can't think of anyone else who's illustrated so simply and quickly why you should care about CRI and is probably perfect for his intended audience.

Well put:agree:
 
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