Oh crud... Someone's watching the thread...
: panic :
So today I went out to shoot some images for my "Social Documentary" project at college and ended up close to one of the factories in our town. It was a day out for the 10-20 to be honest, but the prime came with me.
I also bust my "questioned when out photographing" cherry and was caught on video camera. Turned out - when we got chatting - that he was there recording the smoke belching from the chimneys. I tried explaining that I was there to try and record (badly) the juxtaposition between folks holidaying along the canal, the lovely green fields and the abortion of nature that is the chemical works. He thought I was taking pictures of him. Oh well.
Anyway, the Lion Salt Works in Northwich would probably be an excellent photo opportunity if it wasn't all gated off, closed and guarded by deity knows what.
So, after taking my wide shots, I screwed on the 50 and had a look around. This is going to be hard work! On a crop frame, the 50 is more like 75mm so is quite "Long" in that sense.
Lion Salt Works by
Harlequin565, on Flickr
- I'd crop out the broken bits of corrugated steel if I could, also would probably clone out the trees to the left.
- I was trying to get the lines and pattern in the shot more than anything else. To me - it's just a bit boring.
The second shot was of the Salt Works itself through the iron gate - the only access available - and straight into the morning sun.
Lion Salt Works II by
Harlequin565, on Flickr
Not as bad as the other shot, and I'd probably go for a widescreen crop to remove the dead foreground.
Also suffered from flaring through the trees. Not a lot I could do about that apart from shoot from another angle - which would have been impossible.
Maybe I should stick to cats & chickens
Ian.