Hint of an interesting development from Capture One

myotis

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C1's CEO has just posted an announcement about Capture One, mainly reiterating their policy on AI, but with an interesting snippet about analog.


"Soon, we’re launching Negative Film Conversion. Analog, yes."

That is all he said, so what this means we must wait and see, but still something potentially useful for any C1+ Film users

 
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"Soon, we’re launching Negative Film Conversion. Analog, yes."

That is all he said, so what this means we must wait and see, but still something potentially useful for any C1+ Film users

I use C1Pro, and have stuck at version 16 (or 23, depending how you describe it!). Since I almost exclusively use film, there didn't seem any reason to upgrade, although a few recent niggles have made me start to wonder. But I don't have Adobe photo tools, and therefore don't have easy access to Negative Lab Pro etc. I've tried a couple of conversion tools including darktable negadoctor, and they're not working for me. So a negative film conversion built in to C1Pro might be just what I need to unlock the piggy bank!
 
I use C1Pro, and have stuck at version 16 (or 23, depending how you describe it!). Since I almost exclusively use film, there didn't seem any reason to upgrade, although a few recent niggles have made me start to wonder. But I don't have Adobe photo tools, and therefore don't have easy access to Negative Lab Pro etc. I've tried a couple of conversion tools including darktable negadoctor, and they're not working for me. So a negative film conversion built in to C1Pro might be just what I need to unlock the piggy bank!
There "was" already a free "Analogue Tool box" for Capture One, but it relied on an AppleScript capability which Apple recently removed.

C1 apparently suggested they would add the capability back via an update to the C1 SDK, but haven't.

I wonder if this issue (aligned with their stance on generative AI and "real" photography") has prompted them to go the whole way and add the capability as a native C1 tool.

It seems that high end commercial photographers (probably C1's largest income stream) are looking at using more film because their clients are asking for product photographs that are clearly "not" generated by AI.
 
Ohh.. I've been toying with the idea of switching from Adobe and hadn't considered film conversion
I'm a great fan of C1, but it's expensive, and until recently I found the catalogue unusable. And because I still feel the need for a pixel editor, which I actually prefer using over C1 or LR (the latter I don't enjoy using at all, even if it's perfectly functional), I still have an Adobe subscription.

I also hope, if they add an analogue tool they don't do what they did with their Pano and HDR tools, where they bent to the will of a vociferous minority and added these tools by public demand, but in a rather half-finished fashion. Which, they have never come back and fixed.

I suspect they never will fix these tools, as it was in their. "compete with LR" phase, which they seem to have now grown out of and returned to their roots.
 
I just discovered that I can get a student discount and for capture 1 it's 65%. I have the photographers package with adobe, and rarely use PS. The student discount there gives you everything so not point me taking that and the price is much higher than just taking C1.

What was unusable about the catalogue? It's the bit I really like about LR and could prevent me from switching more than anything
 
What was unusable about the catalogue? It's the bit I really like about LR and could prevent me from switching more than anything
I have used the catalogue ever since I started using C1Pro maybe 6 years ago. It works for me, although there are some concepts that took me a while to get my head around (group, project, album, smart album in particular). The catalogue is not as good as Aperture's library, particularly for finding images from the past, although by being fairly rigorous with my keywording, it is getting better for me.

The other option is Sessions, which I understand are useful for Pros who do a lot of different, self-contained jobs. In my mind I liken it to having a mini-catalogue for each job, but I've never used them so could be wrong.

The only digital camera I have is a 14 year-old Fuji X10. Aperture couldn't deal with the RAW files from that, but C1Pro did so very well. I believe they still have one of the best RAW developers for Fuji XTrans files.
 
I'm a great fan of C1, but it's expensive, and until recently I found the catalogue unusable. And because I still feel the need for a pixel editor, which I actually prefer using over C1 or LR (the latter I don't enjoy using at all, even if it's perfectly functional), I still have an Adobe subscription.

I also hope, if they add an analogue tool they don't do what they did with their Pano and HDR tools, where they bent to the will of a vociferous minority and added these tools by public demand, but in a rather half-finished fashion. Which, they have never come back and fixed.

I suspect they never will fix these tools, as it was in their. "compete with LR" phase, which they seem to have now grown out of and returned to their roots.
I use Affinity Photo (a little) rather than PS for pixel editing. Generally no idea what I'm doing, but works for me.

I'm a little worried by your comments about the half-baked Pano and HDR tool (not that I'm likely to use them). Given C1's stingy attitude to updates if I buy another perpetual licence, I think I'll need to wait a bit and see how any negative inversion tool is received by the community.
 
I just discovered that I can get a student discount and for capture 1 it's 65%. I have the photographers package with adobe, and rarely use PS. The student discount there gives you everything so not point me taking that and the price is much higher than just taking C1.

What was unusable about the catalogue? It's the bit I really like about LR and could prevent me from switching more than anything
I've been using a C1 catalogue for over a year now, and it's OK. Note: C1 introduced Catalogues with version 7. I have used it since version 6 (we are now at Version 16, but the numbers haven't increased annually).

The C1 approach to probably every aspect of managing the catalogue is different to LR, and overall it's just a bit clunkier, Every other aspect of C1, I by far prefer over LR but the catalogue has been a disaster, and for years I have run a LR catalogue while using C1 sessions (see below) for image processing.

Overall it's not as good (slower searches) or as easy to use as a LR catalogue. BUT it does some things noticeably better, ie scrolling through large numbers of thumbnails is faster in C1 than LR, but searching is faster in LR. Lots of minor differences beyond that, which are neither better or worse, just different, and depending on my mood, I change my mind over which approach to individual tasks I prefer.

In the past everything was slow with the C1 catalogue (even moving to an M1 Mac, didn't make the difference I was hoping for) and after a few weeks of using a catalogue, it would corrupt, and the backups "never" imported properly.

Every time the C1 release notes said they had improved the catalogue, I tried it again and never found it any better until about 18 months ago. Since then It's been working fine (50,000 files). It still doesn't feel as "robust" as LR, but I have had no issues since dumping my LR catalogue a year ago.

Even when I was having problems, other people with very large catalogues (250,000 images plus) seemed to be happy with the catalogue, while others, like me, found it a disaster, but it seems good enough now.


As an aside, C1 has traditionally used "Sessions". which are sort of like stand-alone catalogues, and assumes the photographer organises their photographs by project. You create a new session for every project, and every system folder related to that project is managed by the C1 session. When the project ends and the photographs have been delivered, ie an advertisng campaign, a wedding, a portrait. a football match, an expedition to the Andes etc, C1 allows you archive the session (including all raws, final images, drafts etc) into a chosen location for safe keeping.

Sessions are fast and remarkably stable, but you cannot search across sessions**. However, you can have multiple sessions open at the same time. This makes it a great approach for project-based work, but not much use if you are, for example. a wildlife photographer who wants to search across all your files for a particular bird species in a particular habitat or location.

The C1 catalogue interface is based around one of the best DAMs ever made, Media pro, which I used decades ago, This was a British DAM, sold to Microsoft, and then later bought by Phase One (when Phase One and Capture One were the same company). Initially, Phase One integrated C1 sessions into Media Pro, which I found brilliant, it allowed the stability and organisation of sessions, but with the sessions fully searchable from within Media Pro.

But Media Pro was written in an obsolete programming language, which Apple were going to stop supporting, and instead of re-writing Media Pro, they simply stole some aspects of its GUI to put into Capture One, and wrote a backend in SQLite (also used by LR), which according to some database programmers who have looked "behind the scenes" wasn't written very well. Hopefully, this has improved over the years.

** PeakTo, a third party Digoital asset management tool allows searching across multiple sessions where it also shows the C1 edits, as does Neofinder (but it doesn't show the edits). And you can create a C1 catalogue of sessions, but this gets confusing as you can now edit in either the catalogue or the session and the changes aren't shared. Finally, you can import the session into a C1 catalogue as part of the archiving process, as long as you no longer edit the session. This isn't as confusing as it sounds and adds a fair bit of flexibility to your workflow options.

If I was starting again, I would go back to using Sessions along with PeakTo to catalogue them.
 
I use Affinity Photo (a little) rather than PS for pixel editing. Generally no idea what I'm doing, but works for me.

I'm a little worried by your comments about the half-baked Pano and HDR tool (not that I'm likely to use them). Given C1's stingy attitude to updates if I buy another perpetual licence, I think I'll need to wait a bit and see how any negative inversion tool is received by the community.
I have some plugins and actions for PS that I like using, which aren't available in Affinity Photo.

Things have changed since the Pano and HDR tools were added.

My take, is that Phase One lost their way. C1 has always been an expensive option that was clearly aimed at professional users. When I started using it (version 6) it was hardly ever mentioned on forums.

But three things happened: The C1 price stayed relatively stable, making it closer to the price of LR, C1 did a much better job at processing Fuji Xtrans files than LR/ACR did, and Adobe went subscription.

Suddenly C1 became popular, and there was a clamour from LR users to make C1 more like LR, and there seemed to be a change at Phase One where they saw a new market beyond the specialist/professional market they had focused on up till then.

Based on the dedicated Capture One forums, there was little interest in either HDR or Pano in C1 from "old timers" and it came across that C1 themselves didn't have much enthusiasm for adding the features, making it mainly a marketing exercise to appease the LR users, and increase their market share.

At the time, if you followed any C1 tutorials, and given it's professional focus, there was an assumption that every C1 user would also have Photoshop, and neither feature was all that important to add to C1.

Since then, C1 has clearly reverted to their professional focus (hence the pricing/subscription changes, and its recent press releases about their role in supporting photographers and photography).

I therefore suspect that this Analogue tool will be very good, and while I doubt they will drop the pano feature, I will be surprised if it ever sees any love. Both Affinity Photo and Photoshop do a better job, and if you are serious about panos, then PTGui and Hugin do a better job again. Hugin being free. I must add that I don't do panos, and that assessment is based on what I've heard people who do make panos say about it.
 
I use C1Pro, and have stuck at version 16 (or 23, depending how you describe it!). Since I almost exclusively use film, there didn't seem any reason to upgrade, although a few recent niggles have made me start to wonder. But I don't have Adobe photo tools, and therefore don't have easy access to Negative Lab Pro etc. I've tried a couple of conversion tools including darktable negadoctor, and they're not working for me. So a negative film conversion built in to C1Pro might be just what I need to unlock the piggy bank!
To be pedantic, its "release" 16 and "version" 23.

The release numbers have existed since the first release, but the versions only started when they decided to get you pay for an upgrade every year. Now reverted back to just using the release numbers.

Before then, there was only an upgrade cost when they brought out a new release, which was every 18 to 24 months, and that only happened when they felt there was "big enough" new feature to warrant a new release number.

e.g. when they added cataloguing to release 7 If I remember that correctly :-(
 
Thanks @myotis - I'm just waiting until I have some spare time, then I'll download and trial it. I don't need it to do a lot, but just needs to be easy and logical to use. A project based catalogue might help me
It needs a very different approach to using LR, and a lot of sliders in C1, even if they have the same name don't do the same things, e.g the main Saturation slider in C1, does roughly the same as Vibrance in LR. But if you use saturation in the colour editor in C1 it does roughly the same as the saturation slider in Lightroom. The main exposure slider in C1 is more linear than the exposure slider in LR, and it's the Brightness slider in C1 that works more like the exposure slider in LR. I could go on, but the key thing is that doing things in C1 isn't the same as doing things in LR.

C1 is also very customisable, which makes it a bit more complex than LR to learn.

It's really worthwhile looking at the tutorials from C1, which will save you a lot of time and frustration


It's also worth watching Paul Reiffer, where he edits files that viewers have sent him. You can really get a feel for what C1 can do from these videoa

 
negative film conversion is already available in ON1 RAW 2026 https://www.on1.com/videos/on1-photo-raw-2026-new-negative-mode-for-film-scans/

It’s great to have something built-in, but that conversion shown in the video looks really poor to my eyes, even though he picked an easy negative complete with colour chart to show off the feature! Negative Lab Pro (especially with the new ‘whole roll’ feature) looks generations ahead of this kind of conversion.
 
The Negative Film conversion tool is in the just released beta, so the comment from the CEO was more than just a hint.

Having said that, I've seen beta features, in the past, not make it to the final release.

I no longer have a "backup" machine to run betas on, so I won't be giving it a go, nor do I have any scanned negatives !

EDIT: I had forgotten that the C& H version of C1 already has a negative conversion tool, so it may well be that they have just ported it from the very expensive version down to the "budget" versions of the program.
 
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I realise this isn't that relevant to the majority, but for interest.

The Film Conversion tool in C1 Pro/studio isn't the same as the existing tool in the CH version, but something completely new.

The CH version of C1 will offer both tools, but the Pro and Studio versions will only offer the new tool. I don't know what the differences are.

It also looks as if Negative Supply have been involved in developing the new tool, but I have no idea in what way.

Their web page is linked below

 
To be pedantic, its "release" 16 and "version" 23.
But there was a release sold as Capture One 23 (start of the 16.** version series), see below:

Version History
Product nameinitial version, release datenewest version, release date
Capture One 2316.0, 2022-11-0816.1.3, 2023-04-24
Capture One 2215.0, 2021-12-0915.4.3, 2022-11-22
Capture One 2114.0, 2020-12-0814.4.1, 2021-10-21
Capture One 2013.0, 2019-12-0413.1.4, 2020-12-21


But they dropped the year type of naming after that, and the latest working copy seems to be Capture One 16.7.3.3328, and the neg conversion tool is said to be 'nearly here' - but is available now as a beta.
 
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But there was a release sold as Capture One 23 (start of the 16.** version series), see below:

Version History
Product nameinitial version, release datenewest version, release date
Capture One 2316.0, 2022-11-0816.1.3, 2023-04-24
Capture One 2215.0, 2021-12-0915.4.3, 2022-11-22
Capture One 2114.0, 2020-12-0814.4.1, 2021-10-21
Capture One 2013.0, 2019-12-0413.1.4, 2020-12-21


But they dropped the year type of naming after that, and the latest working copy seems to be Capture One 16.7.3.3328, and the neg conversion tool is said to be 'nearly here' - but is available now as a beta.
Interesting, I assume that came from Capture One, but it's not how they explained the difference in an online FAQ, and in some of their videos when they first changed to annual releases.

That was where I took my definitions from.
 
btw - I downloaded and bought a 1-year licence. I don't know why I did that, I have zero time available and having had a quick session on it, it's definitely feels like a relearning top job for me. I'll get there though
Good luck :)

I've already mentioned that it needs a different mindset to using LR, but there are a few people on here that use C1 and will be around to help.
 
I assume that everyone here is probably aware of this, but just in case...

Both Darktable and RawTherapee have film negative tools. I know nothing about them, just passing it on.




 
Looks like the C1Pro Negative Film scan & conversion options have been released today in version 16.7.4 (release notes)! I've had a quick look through the 4 short tutorials, and it seems fairly comprehensive, but left a lot of questions open for me (not surprising as it is based around tethered camera scanning, though it does suggest you can out-source your scanning, so I hope it would cope with Vuescan RAW).

Apparently an update of the catalogue is required for 16.7, so I can't easily just download a trial and have a go (I'm on 16.2).

It certainly looks interesting!
 
Looks like the C1Pro Negative Film scan & conversion options have been released today in version 16.7.4 (release notes)! I've had a quick look through the 4 short tutorials, and it seems fairly comprehensive, but left a lot of questions open for me (not surprising as it is based around tethered camera scanning, though it does suggest you can out-source your scanning, so I hope it would cope with Vuescan RAW).

Apparently an update of the catalogue is required for 16.7, so I can't easily just download a trial and have a go (I'm on 16.2).

It certainly looks interesting!
You should be able to download a trial and install it separately from your existing installation, and then just ignore your current catalogue by either creating a new "test" catalogue, or use a session to test the new version with existing scans. Just avoid loading your old catalogue into the new install.

If you decide to upgrade, you can then load your existing catalogue into the new version and upgrade it.

C1 aways backups your existing catalogue before updating it for a new release, to allow you to roll back. but I have no idea of how the mechanics of doing this works.
 
You should be able to download a trial and install it separately from your existing installation, and then just ignore your current catalogue by either creating a new "test" catalogue, or use a session to test the new version with existing scans. Just avoid loading your old catalogue into the new install.

If you decide to upgrade, you can then load your existing catalogue into the new version and upgrade it.

C1 aways backups your existing catalogue before updating it for a new release, to allow you to roll back. but I have no idea of how the mechanics of doing this works.
I was alarmed by "Once upgraded, they can’t be opened in older versions unless restored from backup."

I'm kind of hoping that someone who has a subscription will test it first! They could use the 3 test RAW files we were using in https://www.talkphotography.co.uk/t...n-conversion-comparisons.756230/#post-9437174 (although they are not currently at the address in the first post, I can make them available)...
 
I was alarmed by "Once upgraded, they can’t be opened in older versions unless restored from backup."

I'm kind of hoping that someone who has a subscription will test it first! They could use the 3 test RAW files we were using in https://www.talkphotography.co.uk/t...n-conversion-comparisons.756230/#post-9437174 (although they are not currently at the address in the first post, I can make them available)...
I would offer to have a go, but I have no experience of working with scanned negatives, so I'm not sure if my views would be of any value, and at the moment, I don't have the time to add this to my current list of learning new things.

It seems to get good things said about it on the C1 Facebook groups, from people who are already processing scanned negatives using other tools
 
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