F1 this weekend

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Jason
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Ok.

I have got a fantastic day planned Sunday.

D300S
24-70
70-200

What settings for taking the best photos.
What bag to carry camera and spare lens

Managed to get pit ticket

Drink my spoil the photos but will make the day better.

Jason
 
Sounds exciting and I'm sure it'll be a day to remember but regarding settings that'll depend on what's going on with light levels, weather (rain is expected) and the type of bag well make sure it's big enough to carry a snack with you and plenty of water
 
Ok.

I have got a fantastic day planned Sunday.

What bag to carry camera and spare lens

Jason

What bag to take? A waterproof one by the look of the forecast.
Showers forecast for Sunday. Proper heavy rain for Friday.
I hope my tent doesn't leak:'(
 
My suggestion would be if at all possible to try and get a longer lens, apart from the pitlane most of the spectator areas are a fair way from the circuit, the other option will be cropping shots down afterwards if you can't to get the action filling the frame a bit more.

With regards settings, again depends on your level a little but more where/what shots you are hoping to achieve. Unless you shoot manual I'd suggest shooting on shutter priority, the speed of the shutter you should use will depend on the relative speed of the cars ie fast straight or slower corner. For more head-on shots I'd suggest a higher speed as you won't see the wheels blurring anyway and you'll have a better chance of a sharper/non blurred or in focus shot. For this type of shot typically less dof adds to the photo imho.
As for setting I'd suggest you use AI servo for focus (not sure if it's called the same in nikon as canon) ie continually varying focus as the subject is moving and use high speed burst as you're more likely to get keepers out of a whole sequence/bunch of photos. Also normally the centre focal point is the most sensitive which gives best chance of good focus on a fast moving object, and try to focus on/near the front of the car or drive to get the best focal depth on the car. Don't be afraid of taking too many and ensure you have plenty of memory space.
For more 3/4 or side on panning type shots you want the wheels and background to look blurred to give the sensation of speed in the photo, a high shutter speed will freeze the action and the background and make the car look stationary. With high speed parts of the circuit you could still get wheel blur at 1/600 or maybe 1/800 and will get more keepers but risk the shots looking static. As you slow down the shutter you will induce more blur and get better looking shots but the keeper rate will fall off, especially depending on your ability/technique for panning shots. On high speed areas of the circuit 1/250 should give good wheel and background blur. I'd suggest taking a few at different settings at the given point on the circuit/shot you're trying to achieve and review to see what shutter speed gives what blur etc and you might get an idea for your sharpness/keeper rate to give an idea how many you'll need to keep taking.

Apologies if any of this is teaching you how to suck eggs. For manual it depends on the light and weather for the exposure but at a total guess iso 100-200, shutter 1/250-320, f7-11 kind of range.

Of course this is only my opinion, others may have different ideas. I've shot historic f1 and other single seaters recently which will be a little slower but the principal is of course still the same.

enjoy the weekend!

Andrew.
 
Andrew,

That's what I wanted. Thanks.

Let's hope I have a good day.

Jason
 
One last thing, if you can - try and pay attention to the background when framing your shots. It sounds sometimes silly at first but it makes a difference when reviewing afterwards. I've got some great panning shots before and then realised they weren't really usable due to some badly positioned parked cars, advertising hoardings, caravans, porterloos etc in the background which detract and distract from the subject and draw the eye which spoils the shot! It'll be super busy and difficult with the f1 but the less cluttered/distracting/bright coloured objects in the background the better (maybe excepting the marshals). Shooting to backdrop of armco, grass/runoff, looking down onto the cars a little etc helps as does getting more background blur to lose anything distracting from the back drop. An alternative copmposition/shot: try using something attractive in the backdrop to your advantage eg an attractive advertising board or silverstone branded sign, maybe even use a very slow speed (still hand held) and focus on (eg) a silverstone banner and time it so you get a nice blurred car streaking across the shot infront of it.
 
I went yesterday. If you can get inside the circuit there's a couple of really good shooting places around village, which isn't far from the back of the pits. Two are where the fencing doesn't meet leaving decent size gaps to shoot/pan through. The other is a purpose built large letterbox in the fencing for the TV cameras, but the camera at that position is on a crane. From that position you can see them exit the loop, around village and exit. They are moving quite slowly at some points and the GP2/GP3 cars were spitting flames nicely.

Oh and the point about backgrounds - quick nice hordings there with a DRS sign on the exit of village.

If you do get there, there were deep (for f1 cars) puddles appearing on the apex of the loop and on the inside of the track at village. Both were causing cars to have wobbles.
The-Grand-Prix-Circuit.gif


The other point is near to the Aintree corner. Don't try standing at the gate to shoot (although if your taller than me you'll be alright) but stand on the hill next to the big tv screen. You'll get the cars exiting the pits and into Aintree.
 
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