Books to understand and appreciate photographs, photographers and photography

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I'm not sure how to define this, I'm interested in recommendations for books that are more about the "why and how" of photography in the broadest sense, than the "how to" of taking photographs.

EDIT: Studying books of photographs (e.g. monographs) are a crucial part of learning about photographs, photographers and photography, but in this thread I am thinking about books aimed at helping with this learning. Books focussed more on directed teaching and learning rather than books of pictures to look at , even if most of these books are likely to be picture heavy. Recommendations for picture based books deserve a separate thread,

Books that will be of interest to people beyond those interested in taking photographs. ie cultural and social historians, art historians, gallery and museum curators, psychologists and sociologists studying the brain and vision. Scientists using photography to see and measure things that would be impossible to measure without photography. And probably other things, I can't think of at the moment..

So books that aren't directly aimed at improving the way you take photographs or primarily designed at providing a source of photographs to look at..

As a starter, I suggest two books, (one of which was recommended on another thread by @StephenM) and another I mentioned on the same thread


This is rather pricey (most textbooks are), but I like itm because the focus really is about living with art as part of our everyday life, and the way it integrates photography into the story. It introduces art, gives an introduction to the different art media, and then provides a chronological history of art. My copy is an older version than linked to.

As an online alternative (but not really the same) there is:


A search on the site for photography will pull together all the articles on photography

The book suggested by Stephen is


This is about the psychology of seeing, and entirely focussed on photographs and photography. The most recent edition is written John Suler, who also contributed to the previous edition (the final edition before Zakia's death), I have the older edition.

Although it has a different approach, Suler has a downloadable book on Photographic psychology on his website, as well as an exercise manual for the Perception and Imaging book.


And just to give something slightly different there is


This is a book that doesn't mention photography, but discusses how the way society thinks about the landscape has influenced how painters painted it and how writers wrote about it, but more interestingly, how the way painters painted it, and writers wrote about it influenced the way society thought about it. It seems to have a fairly narrow view of what "society" is, but still a fascinating read ('m only half way through).

I know that others have suggested relevant books in other threads over the years, so hopefully others will suggest some titles to add to my list. As I literally have hundreds of books, I may also come back and add some more.
 
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At the risk of deluging this thread this is an edited list of my collection.

I revisit the two in bold from time to time.
  • The Pleasures of Good Photographs - Gerry Badger
  • The Genius of Photography - Gerry Badger
  • Ways of Seeing - John Berger
  • The Photograph: A Visual and Cultural History (Oxford History of Art) - Graham Clarke
  • The Ongoing Moment - Geoff Dyer
  • Why it does not have to be in focus - Jackie Higgins
  • Approaching Photography - Paul Hill
  • On Being a Photographer - David Hurn and Bill Jay
  • Image Makers, Image Takers: The Essential Guide to Photography by Those in the Know - Anne-Celine Jaeger
  • The Making of Great Photographs: Approaches and Techniques of the Masters - Eamonn McCabe
  • On Photography - Susan Sontag
  • The Photographer's Eye - John Szarkowski
  • The Creative Habit - Twyla Tharp (a choreographer)
 
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At the risk of deluging this thread this is an edited list of my collection.

I revisit the two in bold from time to time.
  • The Pleasures of Good Photographs - Gerry Badger
  • The Genius of Photography - Gerry Badger
  • Ways of Seeing - John Berger
  • The Photograph: A Visual and Cultural History (Oxford History of Art) - Graham Clarke
  • The Ongoing Moment - Geoff Dyer
  • Why it does not have to be in focus - Jackie Higgins
  • Approaching Photography - Paul Hill
  • On Being a Photographer - David Hurn and Bill Jay
  • Image Makers, Image Takers: The Essential Guide to Photography by Those in the Know - Anne-Celine Jaeger
  • The Making of Great Photographs: Approaches and Techniques of the Masters - Eamonn McCabe
  • On Photography - Susan Sontag
  • The Photographer's Eye - John Szarkowski
  • The Creative Habit - Twyla Tharp (a choreographer)
Thank for these, got the Paul Hill one for £11 used !!
 
I'm not sure how to define this, I'm interested in recommendations for books that are more about the "why and how" of photography in the broadest sense, than the "how to" of taking photographs.

Books that will be of interest to people beyond those interested in taking photographs. ie cultural and social historians, art historians, gallery and museum curators, psychologists and sociologists studying the brain and vision. Scientists using photography to see and measure things that would be impossible to measure without photography. And probably other things, I can't think of at the moment..

So books that aren't directly aimed at improving the way you take photographs.
A great thread start, Graham. And a spirited improvement on all the threads about camera shopping ;-).

I'll dig out a few titles of my own. We should be able to just look and see, but life isn't always that simple, so a bit of thought and analysis can be helpful. Though the image is the thing, & should speak directly - which it can, of course, if your mind is free enough.

Also, a book needn't be seminal to be grist to the mill.
 
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A great thread start, Graham. And a spirited improvement on all the threads about camera shopping ;-).

I'll dig out a few titles of my own. We should be able to just look and see, but life isn't always that simple, so a bit of thought and analysis can be helpful. Though the image is the thing, & should speak directly - which it can, of course, if your mind is free enough.

Also, a book needn't be seminal to be grist to the mill.
Thanks, I look forward to seeing what you end up suggesting.

I believe that freeing the mind is one of the most important ambitions of education (reading books in this case).
 
Here's a couple, not even from my photography shelves:

Wabi-Sabi
for Artists, designers, Poets & Philosophers
by Leonard Koren
- This touches on being and seeing, without mentioning photography.

A History of Pictures
by David Hockney & Martin Gayford
- Photography is definitely mentioned in this one, as one might expect from Hockney.
 
Here's a couple, not even from my photography shelves:

Wabi-Sabi
for Artists, designers, Poets & Philosophers
by Leonard Koren
- This touches on being and seeing, without mentioning photography.

A History of Pictures
by David Hockney & Martin Gayford
- Photography is definitely mentioned in this one, as one might expect from Hockney.
I nearly added the Hockney and Gayford book to my initial list. It's one of my favourites.

One of the most enlightening moments for me when reading it, was something I already knew but hadn't. really thought about. i.e. that the "camera" has been around for centuries and that you can identify a "camera perspective" in paintings made with the help of a camera, long before we had photography.

I'll have a look at the Wabi-Sabi book, as I've often looked at getting one, but been unsure of which one to buy. I've read bits and pieces on the Internet, but it isn't the same as reading a book.
 
At the risk of deluging this thread this is an edited list of my collection.

I revisit the two in bold from time to time.
  • The Pleasures of Good Photographs - Gerry Badger
  • The Genius of Photography - Gerry Badger
  • Ways of Seeing - John Berger
  • The Photograph: A Visual and Cultural History (Oxford History of Art) - Graham Clarke
  • The Ongoing Moment - Geoff Dyer
  • Why it does not have to be in focus - Jackie Higgins
  • Approaching Photography - Paul Hill
  • On Being a Photographer - David Hurn and Bill Jay
  • Image Makers, Image Takers: The Essential Guide to Photography by Those in the Know - Anne-Celine Jaeger
  • The Making of Great Photographs: Approaches and Techniques of the Masters - Eamonn McCabe
  • On Photography - Susan Sontag
  • The Photographer's Eye - John Szarkowski
  • The Creative Habit - Twyla Tharp (a choreographer)
A few books I haven't read on this list. The two in bold, I naturally own, and have read more than once, I don't think I've ever heard of Anne-Celine Jaeger. All the others I've read or are on my ever expanding shopping list . Graham Clark, I was aware of but wasn't on my shopping list, until now.

For those interested but don't want to rush out and buy:

John Berger's Ways of seeing is online here (but I much prefer paper):


And the TV series behind the book is on youtube

View: https://www.youtube.com/watch?v=hXl4U1gFTto


As I said, I'm not familiar with Graham Clark's book, but The Photograph as Contemporary Art by Charlotte Cotton 4th edn 2020 was an interesting, if difficult to get my head around, read. I really need to read it again.

 
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Hockney's always worth reading or listening to about picture making.
The maybe, more obvious Hockney book for photographers is



With the TV series of the book on youtube

View: https://www.youtube.com/watch?v=R-0UXBcjlRY


But, I enjoy everything he does with lots of documentaries and interviews with him on Youtube.
 
I don't think I've ever heard of Anne-Celine Jaeger.
The book is a collection of interviews with photographers and others involved in photography/visual arts. Easy reading and one that can be dipped in to.
 
Although this series of books are more directly aimed at photographers and a bit more "hands on" than some of the others suggested, they are still rooted on gaining a deeper understanding of photographs and photography and I have found them all very useful. My copies are all the 1st editions, and I've copied the introduction to each volume from the linked web sites.


In an age over-saturated with photographic imagery, Design Principles for Photography demonstrates how design awareness can add a new level of depth to your images. By adapting and experimenting with the tried and tested techniques used by graphic designers every day, you can add dynamism and impact to your imagery, whatever the style or genre - something that today's editors, curators and publishers are all crying out for.The second edition includes examples of unsuccessful compositions, annotated images highlighting key techniques and an expanded glossary. There’s also a new section on movements in photography and their reflection in composition, including modernism, expressionism, and surrealism and interviews with international practitioners discussing how they’ve included design principles in their work. Featured topics: Basic design theory; the use of space; positional decisions; the elements of design; line; shape or form; space; texture; light; colour; pattern; rhythm; contrast; scale and proportion; abstraction; movement and flow; containment; emphasis and emotion; justaposition; incongruity; mood and emotion.


However beautiful or technically dazzling your photographs might be, if they don't tell a story, convey an idea or make your viewer stop and think, they are unlikely to make a lasting impression.Context and Narrative in Photography introduces practical methods to help you plan, develop and present meaningful, communicative images. With dozens of examples from some of the world's most thought-provoking photographers, this is a beautiful introduction to a fascinating aspect of photography.Beginning with an exploration of different narrative techniques, you'll be guided through selecting and developing a compelling concept for your project and how it might be conveyed either through a single image or a series of photographs. You'll also learn ways to incorporate signs, symbols and text into your work and how to present the finished piece to best reach your audience.New to this edition are extended projects, additional exercises and discussion questions, expanded case studies, around 25% of the images and an expanded Chapter 6 on integrating text into photographic projects.


A body of photographic work is developed through knowledge gained in exploring the medium: investigating histories and theories of photography, observing the world, reading and listening, taking part in debate and critical reflection. With 150 images bringing together an eclectic range of photographic styles and genres, Fox and Caruana demonstrate how research can lead to fruitful, original photography projects.Designed to help you create better pictures, for portfolio or for profit, Research in Photography offers essential research and communication techniques to complement your technical expertise through a range of practical tools and examples. Two new chapters have been added to this second edition on 'Writing for Research' and 'Commercial Practice', as well as additional coverage discussing how to secure funding and professionalizing research.


Reading Photographs is a clear and inspiring introduction to theories of representation and visual analysis and how they can be applied to photography. Introducing the development of photography and different approaches to reading images, the book looks at elements such as identity, gaze, psychoanalysis, voyeurism and aesthetics.Striking visual examples are used to illustrate the text and engaging case studies delve deeper into issues raised within each chapter, with brief activity points to allow the reader to apply relevant theories to their own practice.


This book explores a range of photographic practices, including landscape and portraiture, still life and abstract, and considers techniques such as, directorial photography, photomontage and camera-less photography. With case studies and practical exercises, the reader is introduced to a structured way of developing creative solutions to the work they want to make, fusing personal ideas with knowledge, compositional elements and practical skills. The book enables informed choices to be made about the reader's personal growth as a photographer, contributing to the creation of original photographic work that is informed, meaningful and relevant. Additional reading and resources, on historical and contemporary practices, ideas and techniques, are suggested in each chapter to inspire further enquiry and experimentation.
 
The book is a collection of interviews with photographers and others involved in photography/visual arts. Easy reading and one that can be dipped in to.
Another one for the list. I like hearing what photographers have to say about their work.

One of the reasons I like the VII foundation site, which has now become much easier to access

 
Photography - a Concise History by Ian Jeffrey touches on the cultural context of photography.

Photographers' Sketchbooks by McLaren & Formhals investigates some of the work strategies of various contemporary practitioners, including Roger Ballen. Heavily illustrated.

Photography - An Independent Art by Mark Haworth-Booth reviews photographic history by referencing work in the V&A whilst touching on its socio-cultural context.
 
Photography - a Concise History by Ian Jeffrey touches on the cultural context of photography.

Photographers' Sketchbooks by McLaren & Formhals investigates some of the work strategies of various contemporary practitioners, including Roger Ballen. Heavily illustrated.

Photography - An Independent Art by Mark Haworth-Booth reviews photographic history by referencing work in the V&A whilst touching on its socio-cultural context.
Photographers' Sketchbooks looks interesting, but at "from £179" on Amazon I feel the need to give it a miss.

I own, but haven't read the Haworth-Booth book, (I will now) and Jeffrey's book with a cultural context sounds interesting, and affordable.
 
Photographers' Sketchbooks looks interesting, but at "from £179" on Amazon I feel the need to give it a miss.
Ha! When published it was £30, now it seems to be out of print. So I have a collector's item! Mind you, many sellers (of many things, not just books) try to egg things up and wait for the first sucker ...
 
Ha! When published it was £30, now it seems to be out of print. So I have a collector's item! Mind you, many sellers (of many things, not just books) try to egg things up and wait for the first sucker ...
I haven't had a proper search, but it may well be, that it can be found for less money from other sellers. In the past, I've been able to find used books much cheaper than they are being sold on Amazon.

Although, I haven't boycotted Amazon, I still try to buy from smaller sellers, when I can.
 
I don't have any of my books anymore...
I once started a photographer's book share (get one-pass one); but the end result was that I don't have any now. :mad:

Perception and Imaging is one of the few references that I have seen which covers gestalt principles in relation to photography... which I think is far more relevant/important than a lot of the other compositional theories/guides.
 
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I haven't had a proper search, but it may well be, that it can be found for less money from other sellers. In the past, I've been able to find used books much cheaper than they are being sold on Amazon.
Similar prices on AbeBooks, where I picked up the Hockney book for £7.00 this morning.
 
I don't have any of my books anymore...
I once started a photographer's book share (get one-pass one); but the end result was that I don't have any now.

Perception and Imaging is one of the few references that I have seen which covers gestalt principles in relation to photography... which I think is far more relevant/important than a lot of the other compositional theories/guides.
Yes, it;'s an excellent book, which I am currently re-reading.
 
The book is dead! It's YouTube these days.

Rubbish!

Most of my photographic books are monographs (or compilations) and essentially image-based, so outside the brief.

But here's a couple that might fit the job description:

On Seeing Nature, Meyers, Fulcrum, 1987.

The Nature of Photographs, Shore, Phaidon, 2007 etc.
 
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More of a visual book but anything by Gregory crewdson .....could look at his images for hours
 
The book is dead! It's YouTube these days.

Rubbish!

Most of my photographic books are monographs (or compilations) and essentially image-based, so outside the brief.

But here's a couple that might fit the job description:

On Seeing Nature, Meyers, Fulcrum, 1987.

The Nature of Photographs, Shore, Phaidon, 2007 etc.
I fully endorse Shore's book, and of the one's I regularly pick up and re-read. though not for some time I now realise.

Meyer's I've never heard of, but the title sounds good.

Both out of print, at least not available on new on Amazon, but following on from my last email on Amazon, a book I looked at on Amazon yesterday was only available on Amazon at £22 for a s/h copy, but available new on Wordery for £13.

I think you are right about image-based books, even though I didn't explicitly exclude them. I might add a line to my OP.
 
More of a visual book but anything by Gregory crewdson .....could look at his images for hours
Thanks, Yes, books of photographs (e.g. monographs) are an important part of learning about photographs, photographers and photography, but I was thinking more about books directly aimed at helping with this learning.

But maybe, the inclusion of a personal seminal book of photographs that changed the direction of your photography might fit in here. Then again, thinking about myself, different books of photographs, at different points in my photographic progression could be considered "seminal" So the list could get rather long. Maybe this deserves to be a separate thread, as it seems better if this one stays more tightly focussed.

I think I will add some text to my OP about it.
 
Photographers' Sketchbooks looks interesting, but at "from £179" on Amazon I feel the need to give it a miss.

I 'might' be tempted to sell my copy if the price was right . . . ;)
 
I 'might' be tempted to sell my copy if the price was right . . . ;)
Thanks, but at the moment, I am only adding books to my wishlist, and I'm not sure how near the top this book will fall, once I am back to actually buying again.

I did, in fact, buy one yesterday, but that was with an Amazon gift voucher I had been given.
 
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As much as I still love books, I rarely keep them anymore once I've read them. I used to have hundreds, but they take up so much space and as I now live in a two-room flat in a retirement complex I'm very limited with that. :rolleyes:
 
As much as I still love books, I rarely keep them anymore once I've read them. I used to have hundreds, but they take up so much space and as I now live in a two-room flat in a retirement complex I'm very limited with that. :rolleyes:
I understand the problem, and admire you discipline.

I still have hundreds of books, many job related from pre-retirement (ecological science, animal behaviour, biology, environmental science, statistical modelling, risk management and decision science books), which I have already culled. But, they still take up eight large storage boxes and two book cases. I then have to add my photography, natural history, countryside and outdoor activity books, my books on Scottish history, my books on technical and creative writing, and all the other books, on all the other things I have taken an interest in over the years.

I've always had periodic book culls and always regretted them. And having moved all my books from my university office into my home office (and garden shed) my home office now looks like an abandoned book shop store room, It also stores nearly 60 years of accumulated photographic and fly fishing gear (even though I haven't fished for well over a decade), which I am l also reluctant to cull. Oh, and a box of 14 bat detectors/loggers, and... Now that I'm making this list, I realise just how much "stuff" I have in that room that 'm keping "just in case". Books I will probably never read again and kit that I will probably never use again..

I really need to make some hard decisions, because my cluttered and difficult to move around in "office" is very far from providing an appropriate environment for editing photographs.

My wife, whose books are mainly novels, has been culling, her almost as many books as me, novel collection and re-buying on the kindle. But I'm not keen on the kindle and the cost would be prohibitive for my books, as well the kindle not really being suitable for viewing them.

Maybe this post will encourage me to look at a cull again. :-(
 
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Yes, it's very hard. I've had to do what you're facing several times over - about five I think. It's heartbreaking - I've always loved books and I'm a bit like Johnny Five according to my kids.

Like you, most have been technical and a lot of them work-related, but I've also had lots of hobbies and several different vocations that all involved lots of studying.

I can read a novel in two to four hours, so for me the Kindle was a revelation. No more bag full of books when I travel. I do miss having lots of books around though . . .
 
Yes, it's very hard. I've had to do what you're facing several times over - about five I think. It's heartbreaking - I've always loved books and I'm a bit like Johnny Five according to my kids.

Like you, most have been technical and a lot of them work-related, but I've also had lots of hobbies and several different vocations that all involved lots of studying.

I can read a novel in two to four hours, so for me the Kindle was a revelation. No more bag full of books when I travel. I do miss having lots of books around though . . .
The Kindle is great for novels and travelling (to my shame, I rarely read novels) but there is something special about the tactile "real object" feel of a book.
 
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For bird/wildlife photographers, Wildlife Photography by Chris Gomersall is excellent.
Do you mean

"Wildlife Photographer: A course in creative photography"

I can't find a book called Wildlife Photography by this author. And the books I can find are both out of print,

Whatever the title I would be interested in more detail as to why this book meets the brief of this thread. I don't think I have come across a wildlife photography book that isn't clearly focussed on "taking" better wildlife photographs,


 
Do you mean

"Wildlife Photographer: A course in creative photography"

I can't find a book called Wildlife Photography by this author. And the books I can find are both out of print,

Whatever the title I would be interested in more detail as to why this book meets the brief of this thread. I don't think I have come across a wildlife photography book that isn't clearly focussed on "taking" better wildlife photographs,


Sorry, yes, you're right. I'll just quote the chapter headings for you -

1. FIRST FORAYS
2. ORDER FROM CHAOS
3. SEEING THE LIGHT
4.SEIZING THE MOMENT
5. FINDING YOUR VOICE
6. TELLING STORIES
7. SAVING THE EARTH
8. TRUTH, ETHICS AND INTEGRITY
9. CASE STUDIES

A lot of the content is about "taking better photographs" but it goes further and deeper than that.

Landscape-wise have you ever come across anything by Galen Rowell? I have one of his books but can't lay my hands on it at the mo. I would put it in the same category as the Gomersall book. Edit: there are some cheap 2nd hand copies of the latter on Amazon.
 
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Sorry, yes, you're right. I'll just quote the chapter headings for you -

1. FIRST FORAYS
2. ORDER FROM CHAOS
3. SEEING THE LIGHT
4.SEIZING THE MOMENT
5. FINDING YOUR VOICE
6. TELLING STORIES
7. SAVING THE EARTH
8. TRUTH, ETHICS AND INTEGRITY
9. CASE STUDIES

A lot of the content is about "taking better photographs" but it goes further and deeper than that.

Landscape-wise have you ever come across anything by Galen Rowell? I have one of his books but can't lay my hands on it at the mo. I would put it in the same category as the Gomersall book. Edit: there are some cheap 2nd hand copies of the latter on Amazon.
Thanks, I might have a look at getting a copy of this.

Galen Rowell is someone who keeps cropping up, in mountaineering and fly fishing circles as well as photography, but I've never seen one of his books. I should really try and get a hold of one.
 
A great book that costs £25 when new soon becomes a 2nd hand bargain at £2.79 or whatever.......

Galen Rowell was a superb mountain and landscape photographer and environmentalist who died in a plane crash (his own light aircraft).

Mountain Light is the Rowell book I have (somewhere....).
 
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I can't decide how much photo history fits the admittedly elastic remit - I was thinking of 'Photography - A Cultural History', by Mary Warner Marien, which skims the same with a wide brush. Of course there are many others: 'The Photographic Art' by Mike Weaver ...

Otherwise:

'Post Photography - The Artist with a Camera', by Robert Shore, and his 'Modern Instances - The Craft of Photography - A Memoir' - which is, as many others are, a personal ramble.
Or 'The Measure of All Things', ed Peter Weiermair (Edition Stemmle).

I have more to follow that touch on the culture & psychology of photographic seeing, without being scientifically analytical.
 
I can't decide how much photo history fits the admittedly elastic remit - I was thinking of 'Photography - A Cultural History', by Mary Warner Marien, which skims the same with a wide brush. Of course there are many others: 'The Photographic Art' by Mike Weaver ...

Otherwise:

'Post Photography - The Artist with a Camera', by Robert Shore, and his 'Modern Instances - The Craft of Photography - A Memoir' - which is, as many others are, a personal ramble.
Or 'The Measure of All Things', ed Peter Weiermair (Edition Stemmle).

I have more to follow that touch on the culture & psychology of photographic seeing, without being scientifically analytical.
I think photo history fits in fine with the deliberately elastic remit.

I'm not familiar with the first two books you suggest, but I like "Photography" by David Bate, which is a low cost book, putting the history of photography (using short monographs of photographers from different periods) into the context of what else was happening in the world e.g. the second world war.

I also have Phillip Prodgers "An alternative history of photography" which I was disappointed in, in spite of rave reviews. Lots of photographs but very little text, Some of the few photographs, that come with extended captions are on photographers like Strand, Adams and Weston and I couldn't really work out why the book was an "alternative" history. But maybe this is my failure rather than the books.

I have Shore's Modern Instances, and a similar style of book, which I enjoyed more than Shore's book is Ralph Gibson's Refractions 2, which cost me a small fortune. It wasn't going to be available in the UK and the publisher would only send it using some ludicrously expensive airmail courier (carriage was more than the cost of the book).

Now that I have recovered from the cost, I'm really glad I have a copy. The printing is of exceptionally high quality and it's like having a bound collection of original prints.

I look forward to your next post.. I'm not actually buying books at the moment, but I am building a dangerously long wish list.
 
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