Best Nikon lens for Portraits

Hi,
In the studio I use my 24-70mm f2.8 Nikon, if I'm out and about depending on what I am shooting I have a 135mm f2.0 defocus Nikon or use the 24-70mm. Neither have image stabilisers though.
 
Ashley, please spell Lens properly...

I use anything from 50mm up to 300mm depending on the where the subject is placed and how I wish them to appear...

Usually a lens with a focal length of about 85-100mm is best for studio use...so I just use a 28-70 and a 70-200 for most of it...
 
One of your biggest problems will be space... make sure that you don't get sucked into the lovely 135mm f2 and find you've not got enough studio space...
 
One of your biggest problems will be space... make sure that you don't get sucked into the lovely 135mm f2 and find you've not got enough studio space...

Actually that's a very good reason for a revised mortgage schedule...
 
Personally, I love the 85mm 1.4. If I need a bit of reach I just step a bit closer! Can't wait for the new one with VR, although it will probably be well on the wrong side of a grand.
 
85mm f/1.8 -great bokeh, great DoF wide open and ultra sharp. I've got the pre-'D' version which is apparently better than the more modern AF-D. I like it - test below taken shot with mine:

4405924951_0724ec2b7e.jpg
 
The 105 DC f2 doesn't need quite the same amount of room as the 135 version. I love mine, it is a very special lens - but to be honest the 24-70 and 70-200 do perfectly well, they just don't have that same feel the DC gives with its creamy softening.
 
For portraits outside the 200 F2 is the kiddie for me. In a studio I tend to shoot with the 24-70 for groups but would use the new 70-200 if it was a single model and I had space. Shallow DOF isn't so important in a studio but outdoors the 200 f2 or the 84 1.4 would be my choice. I've not tried the DC lenses but they are supposed to be very good too.
 
I shoot daily with the 70 to 200 f2.8 as my group lens, and 85 f1.4 as my solo lens. I much prefer the 85, but it's hopeless for White BG stuff - contrast is sucked right out of it. Turn those backdrop lights off though, and it just beats all other lenses IMO.

Some examples of the 85 f1.4, all recently posted and crit given elsewhere....

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire01.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire02.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire03.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire04.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire05.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire06.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire07.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire08.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire09.jpg

http://www.inspirephoto.co.uk/onBla...www.inspirephoto.co.uk/examples/Inspire10.jpg


Worth mentioning I used to shoot exclusively on my 24 to 70 f2.8, but I found it too easy to get lazy, and end up really close and shooting wide. Perspective was awful at times.

Now I stand close to my front shop and shoot towards the studio in the back, using all of the range on the 200 at times (full frame).

Gary.
 
Yep, I firmly believe that the further you are from the subject the better they look. Not very personal but they'll like what they see :)
 
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