Amazing Vintage Effect

Marcus Geezer

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Please have a look at the amazing work of this gentleman from France.

http://laurentnivalle.fr/_LMC2012.html

He's obviously a fantastic photographer and he has applied quite a unique sequence of actions to them to give them this look. I've been studying and studying these and it seems like he has given the colours a pastel feel, whilst applying a selective desaturation whilst keeping the prime colours bright, and at the same time given the image a grungy sepia feel.

I've been playing in photoshop and easy enough to give my own work a suitable grungy feel, I can add a sepia tone, but to get the colours to work like his, I'm lost, I can't work it out how he has done it. They seem to have a vintage feel to them, but it isn't typical of how I understand cross-processed typical vintage photo's can look. Also when I apply the sepia or desaturation adjustment layers it kills the prime colours.

Because of the quantity of images and the way the colours work I'm convinced it isn't the old layer mask selective colour trick and I'm thinking it is a mix of some kind of blending mode, maybe within a group, with some kind of contrasting or inversion going on to mute all but the prime colours. I feel like I'm on the edge of understanding this, but can't get it and it's bugging the hell out of me.

Can anyone with suitable photoshop skills help at all? I think I just need to understand a way of desaturating all but the prime colours as a starting point.
 
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It looks like he's used split toning, decreased contrast and vibrancy and then applied the same effect to all the photos, some of them with clarity increased... I'm guessing that he used lightroom instead of photoshop?

it reminds me of the 'aged photo' preset in LR4 but a bit more subtle.
 
parker j pfister action set maybe?

http://www.parkerjphoto.com/pjddrv2/

Hmmm... I can see elements of it here but not the look I'm after I don't think.

It looks like he's used split toning, decreased contrast and vibrancy and then applied the same effect to all the photos, some of them with clarity increased... I'm guessing that he used lightroom instead of photoshop?

it reminds me of the 'aged photo' preset in LR4 but a bit more subtle.

I use photoshop CS5 but I believe the raw editor has the same sliders so what you can do in lightroom you can do in photoshop? Yes he has used some form of split toning or cross processing technique, and clarity or an equivalent action in photoshop, and I've played with vibrancy up, down, combined with saturation up and down and cannot re-create it.


After 6 hours of trawling the internet, researching different actions and techniques, playing with saturation, hue, vibrancy, selective colour adjustment layers, blending modes, inverse blending modes within layer groups, I cannot get the look!

Although an action would be great, I want to understand how it is done.

Anyone?
 
Those were two of the most difficult sites to navigate/load I have come across in a long time.

The first one - the racing cars - seem to have a HDR feel to them as well - highly selectively sharpened anyway?

Hi Christine,

I was wondering about this, and I'm not sure it is strictly a HDR process but maybe a tone mapping exercise. I think one day I'm going to have to get photomatix one day to see what all the fuss us about.

It's the colours I'm more interested in. It's a very specialised process, and want to understand it.

Cheers,
 
It's almost cinematic. Take a look at some of those styles and actions.
 
Those were two of the most difficult sites to navigate/load I have come across in a long time.

The first one - the racing cars - seem to have a HDR feel to them as well - highly selectively sharpened anyway?

I have to agree Christine.
 
swanseamale47 said:
I have to agree Christine.

I really dont think it is just hdr and sharpening. There is so much more going on than that. Colours? Contrast? Grungy detail enhancement?
 
Some of the images have some tone-mapping going on, but the general colour feel reminds me of some LR3 presets, with a lot of selective colour treatments in the preset. And probably not the same preset for every image - either a base plus adjustment or a family of related presets.
 
He used a 5d mk 2 with a 85 1.2L

If you really want to know how he did it, he left the "full monty" in his exif...sorry had to split over 2 posts

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(27 days, 2 hours, 48 minutes, 51 seconds ago, assuming image timezone of US Pacific)
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car.jpg
 
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Blimey! Now follow that Marcus! :D
 
Do you know I presumed he wouldnt have left the exif intact so thank you very much for taking the time to review it and post it up. Looks like I've got some reverse engineering to do!
 
I didn't think to look.. but I have to admit that a large number of my own presets have been based on that type of EXIF data (it used to be very common to see it left intact on Flickr, but I rarely see it now).
 
really like the photos linked in the original post.

I'm guessing with the exif data posted its just a case of trying to match these details to gain the same effect?
 
Ok I've gone through it in detail and learnt a hell of a lot about how to process and modify RAW images using the sliders, but there is something about the 2012 highlights/shadows/whites/ etc I'm not getting and my images look terrible. I guess I must be mis-interpreting at least some of the data.

Is there a way of taking this raw data and creating an xmp file I can then load into ACR to see the settings within the ACR raw editor? I then take out the human error bit (i.e. me!).
 
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I've thrown together a LR4 preset based on the EXIF posted above, it's close but missing a little something. There's a lot of fine grain, I'm guessing that a lot of that is being driven buy Shadows +100, which is also driving the slightly tone-mapped feel. I think I need to widen the pool of EXIF data.
 
Alastair said:
I've thrown together a LR4 preset based on the EXIF posted above, it's close but missing a little something. There's a lot of fine grain, I'm guessing that a lot of that is being driven buy Shadows +100, which is also driving the slightly tone-mapped feel. I think I need to widen the pool of EXIF data.

??

It's in the exif.....

Grain amount 26
Grain size 9
Grain frequency 50
 
??

It's in the exif.....

Grain amount 26
Grain size 9
Grain frequency 50

Yes.. and even when I remove that from the processing the grain remains (I am not as green as I am cabbage looking)..
 
Yes.. and even when I remove that from the processing the grain remains (I am not as green as I am cabbage looking)..

:thinking: By remove do you mean add? ...he's adding noise?

maybe its me just been a cabbage but i'm confused :bonk::bonk: :):)

**Edit or are saying there's a lot of noise in your pic?
 
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:thinking: By remove do you mean add? ...he's adding noise?

maybe its me just been a cabbage but i'm confused :bonk::bonk: :):)

**Edit or are saying there's a lot of noise in your pic?

I am not cutting and pasting, I'm transcribing the non-lens/cameral specific details from the exif.

Starting image is low ISO, no noise. With or without adding grain in the processing there is a fine grain appearing in the processed image. With the Shadows slide maxed out this isn't entirely unexpected - it's the equivilent of significantly under-exposing and then upping the exposure to compensate (at least in the shadow areas). But the result is more even than I'd expect. It's not a bad end result.. I'm just trying to figure out what is causing it.

You may need to have play in LR to figure out what I'm describing.
 
I am not cutting and pasting, I'm transcribing the non-lens/cameral specific details from the exif.

Starting image is low ISO, no noise. With or without adding grain in the processing there is a fine grain appearing in the processed image. With the Shadows slide maxed out this isn't entirely unexpected - it's the equivilent of significantly under-exposing and then upping the exposure to compensate (at least in the shadow areas). But the result is more even than I'd expect. It's not a bad end result.. I'm just trying to figure out what is causing it.

You may need to have play in LR to figure out what I'm describing.

Not sure?,
I made a preset and don't get this effect? Just ran it at 100% and even 300%, even it shadows there is no difference?
 
It helps that the images themselves are nailed in camera. No amount of tweaking and replicating his pp will get images like this if you don't take a good picture in the first place.

Stunning set btw. Absolutely loved going through them.
 
Guys I dont use LR just photoshop and are the values etc the same within lightroom and the ACR 6.7 raw editor? For example a shadow of +100 in ACR 6.7 is the max value. Is that the same in LR? Might explain why I'm having probs?
 
The original set look absolutely brilliant, I'll have a go trying to replicate them using the EXIF data given and see if I can come up with anything similar.
 
fantastic effect and thread. I have similar effects in LR3 but there is something alittle 'extra' in those shots.

I also think the largest differenece is the subject matter PLUS the setting. You can replicate the settings but on a different subject may not have the same feel.

I have quite a lot of presets in LR and have used the same preset on different but similar pictures and the 'feel' is completely different.

Anyway, once you guys have spent hours slaving away and lots of hard work replicating the effect and have cracked it ............... could I have the LR preset :thumbs::lol::D
 
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Those are really cool Michael :thumbs:

particularly number 2, any chance of the settings?:cool:
 
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