album design

AliMoore

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Name
Alastair
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Got a wee question - anyone who designs there own albums, do u use addition software apart for ps, if so what or is there anywhere that I can buy templates?

I use a 2 company's 1 doesn't provide templates and the other does but don't really like them and after doing 6 in one week they start looking the same! I'd rather do my own then pay for it to be designed as I've had to make so many changes to make to them before. I've samples fundy but was looking something a lot less complicated.

If anyone has some advice that would be awesome.


thanks
 
I use photojunction. I find it a little clunky at times, or that might just be that I haven't dug past the basic functions. But it's free and does the job so can't complain.
 
I think you'll find whatever software you use, they will all start to look the same eventually (to you), providing you're keeping your clients happy, surely that the main objective.
 
Alastair,

As most have said there are plenty of template programs - YSI, Photojunction, Fundy, and the proprietary ones you get from SIM2000 and Albums Australia.

For matted albums it is less of an issue because you are slightly more limited in the design due to the spacing required for intra-image mats on a multi-image page. You are going to be limited in design and certainly when I was with Albums Australia I did have a large set of personally designed templates - I did use them again and again but each album was unique - because I rarely just slapped the same templates on the same pages. I also tried to design a new page layout for each album but as I said eventually you run out of possibilities.

For digital/storybook albums where an A4/35x25/A3 page is an entire canvas for you to work with then again it is possible to drop into the routine of standard, simple, images in a grid designs as you might see in a matted album. Assuming you don't go for the dated design of a low saturation image as a background with images placed on top in a grid then there are some really sophisticated things you can do to make your designs stand out amongst other photographers.

My style was taught to me by David A Williams, and I used it as a selling point until I decided to stop shooting weddings two years ago. It was attracting more visually or design literate clients - creatives, dancers, architects - than I had in the past where I was typically working with doctors, lawyers, teachers, military, IT professionals who also responded well to them but I would say tended to be more comfortable with the matted albums. I did all of mine in PS and again whilst there were some standard layouts I found that by creating each page based on the images themselves, the natural lines running through them, and the multitude of ways you can run images together, spaced apart, or in combination with graphic elements meant that you could build really striking unique albums.

It certainly isn't the fastest way to build a design, but it depends what you want from your business. I do think David moved to Fundy about a year after I had spent time with him, and I have others friends who also use it. I evaluated it and would have invested had I not made the decision to move away from weddings. My portrait books are all designed in PS - and tend to be simpler and smaller in size.

It might be worth really giving Fundy a good workout to see if you can see the benefits - everything is complicated, even photojunction until you get used to it.
 
Thanks guys I posted on another forum too and majority *** is saying fundy, I had there trial and did look difficult but so was Lightroom and photoshop(still is). Thanks for all ur honest opinions and feedback guys!
 
Alastair, As most have said there are plenty of template programs - YSI, Photojunction, Fundy, and the proprietary ones you get from SIM2000 and Albums Australia. For matted albums it is less of an issue because you are slightly more limited in the design due to the spacing required for intra-image mats on a multi-image page. You are going to be limited in design and certainly when I was with Albums Australia I did have a large set of personally designed templates - I did use them again and again but each album was unique - because I rarely just slapped the same templates on the same pages. I also tried to design a new page layout for each album but as I said eventually you run out of possibilities. For digital/storybook albums where an A4/35x25/A3 page is an entire canvas for you to work with then again it is possible to drop into the routine of standard, simple, images in a grid designs as you might see in a matted album. Assuming you don't go for the dated design of a low saturation image as a background with images placed on top in a grid then there are some really sophisticated things you can do to make your designs stand out amongst other photographers. My style was taught to me by David A Williams, and I used it as a selling point until I decided to stop shooting weddings two years ago. It was attracting more visually or design literate clients - creatives, dancers, architects - than I had in the past where I was typically working with doctors, lawyers, teachers, military, IT professionals who also responded well to them but I would say tended to be more comfortable with the matted albums. I did all of mine in PS and again whilst there were some standard layouts I found that by creating each page based on the images themselves, the natural lines running through them, and the multitude of ways you can run images together, spaced apart, or in combination with graphic elements meant that you could build really striking unique albums. It certainly isn't the fastest way to build a design, but it depends what you want from your business. I do think David moved to Fundy about a year after I had spent time with him, and I have others friends who also use it. I evaluated it and would have invested had I not made the decision to move away from weddings. My portrait books are all designed in PS - and tend to be simpler and smaller in size. It might be worth really giving Fundy a good workout to see if you can see the benefits - everything is complicated, even photojunction until you get used to it.

Such an awesome post thank you for taking the time, u must love blogging?
 
I use photojunction. I find it a little clunky at times, or that might just be that I haven't dug past the basic functions. But it's free and does the job so can't complain.

Me too.:thumbs:
 

How do you find it for positioning and aligning apertures? The snaps are quite useful, but you still have to get the first one or two images on a page in the right place first and I have never found a way to fine tune position. Most of my setting out is done by eye!
 
How do you find it for positioning and aligning apertures? The snaps are quite useful, but you still have to get the first one or two images on a page in the right place first and I have never found a way to fine tune position. Most of my setting out is done by eye!

I guess I'm quite sloppy, I'll add an aperture, then copy and paste that for further ones. Line them up using the guides that snap them into place (and work for centring etc), but I'm trying to build up templates so that it's more dragging and dropping images, I really want to get faster and it's definitely one of my most wasteful processes currently.
 
I remember when I paid for Photojunction. Just before they were bought out by Queensberry.

Still nice s/w. Surprisingly good support for freeware. A little awkward with multi screens but it works fine.

People struggling to line up apertures - you know there's a "line up apertures" button, right? Or rather several of them.
 
Yep, aligning images to each other is easy enough. But for example, setting the edge of an image a set distance from the page edge, can that be done?

I set my pages up with safe crop lines but you can't snap to those.

It's not a big issue, as I say I align by eye and never had any noticeable discrepancies. But I do get a lot of warnings saying that edge distances of two images are different. It might only be a difference of 0.0000001mm, but it plays havoc with my OCD. :lol:
 
Yep, aligning images to each other is easy enough. But for example, setting the edge of an image a set distance from the page edge, can that be done?

Yes and no. If you're having a third party print then there's no way the s/w can know where the page will be trimmed.. Even if they give you accurate bleed and trim then there's little chance it will actually be cut there.
 
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