Show us yer film shots then!

srichards said:
Chucked a roll of Phoenix 1 through a Dynax and 50mm I got for £50. It was about the same weight as the MC-A and I think I prefer using it much more. It's not a lard arse like the Dynax 9 either. Like this roll of phoenix more than any other I've had.

Harman Phoenix 1 Dynax SLR by Suzy Richards, on Flickr


Harman Phoenix 1 Dynax SLR by Suzy Richards, on Flickr

Harman Phoenix 1 Dynax SLR by Suzy Richards, on Flickr
Click to expand...
I have just got a dynax 7, so your shots are encouraging for me. :)
 
srichards said:
Got the switch Azure back. It's absolutely crackers!

Harman Switch Azure with Minolta Tele Super by Suzy Richards, on Flickr

Harman Switch Azure with Minolta Tele Super by Suzy Richards, on Flickr

Harman Switch Azure with Minolta Tele Super by Suzy Richards, on Flickr
Click to expand...
I bought a couple of rolls of Azure at the Photography Show, saved myself 50p each, might have been a bargain apart from the entry fee! I'm fairly doubtful about it, at least half the images I see look like redscale more than anything else. I must say I do like your blue daffs though!
 
ChrisR said:
I bought a couple of rolls of Azure at the Photography Show, saved myself 50p each, might have been a bargain apart from the entry fee! I'm fairly doubtful about it, at least half the images I see look like redscale more than anything else. I must say I do like your blue daffs though!
Click to expand...

I haven't tried redscale. Probably should!
 
srichards said:
I haven't tried redscale. Probably should!
Click to expand...
I bought some Harman RED too, in both 120 and 135. Last time I tried to buy some, from AW's website, I got confused and bought Phoenix instead! I've previously had some expired Lomo redscale got from a previous Photography Show, and I've done some redscaling of my own (about the easiest thing you could attempt if you've got a dark bag and an empty 135 cassette). Results for me have been all over the place.
 
Maybe worth posting these two misty evening frames from my first roll of Street Candy ATM 400 that I got with a load of Superia 400 from @niko last year.

a)
2512APMXBW25 Misty.jpg

b)
2512APMXBW26 Misty.jpg

Taken on a Pentax MX with the SMC Pentax-M 35mm f/2 lens, rated at EI 250, developed in XTOL by The Darkroom UK in Cheltenham. The grain is fairly typical of this roll, in other frames it's a lot more than I'd like. This was evening time in December, handheld down to 1/8 or so, but with the assistance of a tree trunk or post to help steady the camera!

I have one more roll of this stuff, might rate it at EI 200 and process it in HC-110, although MDC only shows a time of 7.5 minutes at dilution H for EI 400.
 
If you know your tv soaps (maybe wifes or girlfriends would know), about 12 years ago shot this acted wedding and was annoyed I only had a Tamron 35-70mm zoom and couldn't get closer to show faces :rolleyes:...you can't have too many lenses as you'll never know what you will come across.
Tam09a-35-70-9.jpg
 
Last edited:
LeeRatters said:
(A different side to) Wells, Somerset - @Speedy136 :)

Unknown B&W film stock - 200ASA

I don't really shoot B&W tbh, but this roll isn't too bad :)


*** by Lee, on Flickr


*** by Lee, on Flickr


*** by Lee, on Flickr


*** by Lee, on Flickr
Click to expand...
Everywhere has it's different and often not so pretty views Lee. Not so glamorous but just as interesting and fun to shoot :)
 
Kodak Sterling II with Lucky SHD 100 in Rodinal. Not a film I'll be using again, as the very flimsy base makes it a pig to load onto a 120 developing reel and the developed film is so curly that the negatives roll themselves up into tight little tubes. And for all that hassle you get results with more grain than Kentmere 400. Ah well, it's the sort of thing that's always worth a try.

PumpHouse.jpg
 
Kevin Allan said:
8x10 pinhole paper negatives at the worlds' oldest railway.


Tanfield Railway - 8x10 pinhole paper negative by Kevin Allan, on Flickr


Luxury trackside seating by Kevin Allan, on Flickr


Tanfield Railway - 8x10 pinhole paper negative by Kevin Allan, on Flickr


Tanfield Railway - 8x10 pinhole paper negative by Kevin Allan, on Flickr

Shot on Kodabrome II RC paper, pre-flashed, at EI 12, developed in Ilford Multigrade developer for 1'15"
Click to expand...
Stunning pictures Kevin,
and we worry about getting the best lenses. :facepalm:
 
I rarely use my 24mm lens but I had a lot of fun with this roll. When it works, it works! This is Hollis Lane, 15 minutes walk from home.

2603APMXBW07 Hollis Lane 26 March.jpg

Pentax MX, SMC Pentax-A 24mm f/2.8, yellow filter, Kentmere 200, Adox HC-110 dilution E.
 
The bothersome Nikon 35ti. I was going to offload it but it seems be only worth about the same as. Lomo MC-A even on commission sale which is a bit of a chunk lost. Had it years and hardly used it due to daft battery door and fiddly buttons.

Nikon 35ti Kodak Pro Image 100 by Suzy Richards, on Flickr

Nikon 35ti Kodak Pro Image 100 by Suzy Richards, on Flickr

Snapic also went out. One day I'll finish the expired XP2!

Kodak Snapic A1 Expired XP2 by Suzy Richards, on Flickr

Kodak Snapic A1 Expired XP2 by Suzy Richards, on Flickr

Kodak Snapic A1 Expired XP2 by Suzy Richards, on Flickr
 
Minolta Dynax 7, 35-70
Hand held, Auto everything.
Illford type 517 in HC110 1-31 for six minutes.


Only a Penny

Only a Penny.jpg

This girl was wandering about enjoying the views over Morcambe bay, I imagined that she would often have enjoyed the view with her now departed partner and here she sat alone, her life in ruins.

I liked the scene because it seemed to capture the enormity of the situation.
 
Last edited:
While out and about last week I overheard this lot talking about film, as I was running out I butted in and asked them if anyone had a spare roll of 35mm. :p

Turns out that they were flying to New York next day to shoot a film, I didn't recognize any of them but then again I am not a big film buff.

Minolta Dynax 7, 35-70
Illford type 517 at EI 64 in Adox HC110 for six minutes.


New Yorkers.jpg

New Yorkers-2.jpg
 
Out on the bike last week and had to stop for a wee.

Found a couple of shots there "Boatish"

Minolta Dynax 7, 35.70
Illford type 517 ( bit rough this film more speckles than fomapan, hope its just a roll ) in hc110.


Double bays


Boathouse.jpg



Stack them high

Boathouse-2.jpg



Was going to save this for spiral.



Boathouse-3.jpg
 
Well another of my then and now shots:-
A dodgy bridge o_O
Konica Ft1 hex 28mm
Hex28mm-5.jpg

When I went back a year later Instead of erecting a guard rail in keeping with the bridge or even rebuilding a higher wall, to save money they have ruined the look of this bridge :rolleyes:
flek 35mm Pentax S3
flek-6.jpg
 
excalibur2 said:
Well another of my then and now shots:-
A dodgy bridge o_O
Konica Ft1 hex 28mm
Hex28mm-5.jpg

When I went back a year later Instead of erecting a guard rail in keeping with the bridge or even rebuilding a higher wall, to save money they have ruined the look of this bridge :rolleyes:
flek 35mm Pentax S3
flek-6.jpg
Click to expand...
Its not just the aesthetics.

Whoever signed that work off should be sacked IMO.

The end of the rail in the upper part of the photo is right at head height for a child, or god forbid anyone loses control of their bicycle coming over the bridge they would be impaled. :mad:
 
Minolta Dynax 7 with 35-70
Illford type 517 EI 64 in HC 110

St Peters

Earliest dates recorded for worship at this site are 8th century, church was added to in the 13th century and 17th.

As can be seen at the gable end, there are three distinct sections, the central section is 8th century, the far section 17th and the side facing us is 13th



St Peters.jpg





The old doorway below the central window is the original 8th century entrance.



St Peters-2.jpg



St Peters-3.jpg
 
You must log in or register to reply here.
Back
Top