The 24-70 & 70-200 combo has always been considered to be a good pairing, but doesn't give much in the way of wide coverage on crop sensor bodies. So do you think that a 17-50 & 50-150 will get as enthusiastic a following in the future? I was just curious as Canon do the apparently excellent EFS...
Thanks for that. Just had a quick play in Elements and it looks a great technique!
With Elements I had to create Brightness adjustment layers rather than Exposure ones, and then fill each mask with black to invert it. But it seems to work a treat after that :thumbs:
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